Alexander Howard
Biographic Data
| ID | 3635046 |
|---|---|
| NAME | Alexander Howard |
| GIVEN NAMES | Alexander |
| FAMILY NAME | Howard |
| SIGNATURE | HOWARD A |
| AFFILIATIONS | The University of Sydney |
| ORCID | 0000-0003-4725-6989 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Transferring Suspiria
Luca Guadagnino's Suspiria (2018) aggressively foregrounds a term from the discourse of psychoanalysis, now a relic of twentieth-century philosophical and psychological thought, with which to negotiate a sequence of historical problems specific to its articulation as a remake (adaptation or reimagining) of a 1977 giallo by Dario Argento. The concept is “transference”. Transference traverses the whole semantic field of this film text, offering a h…
Beyond Capitalist Realism
Solid Objects and Modern Tonics, Or, Who's Afraid of the Big Camp Woolf
This article brings critical pressure to bear on two different critical terms: modernism and camp. Arguing that these two historically and theoretically weighted categories have much to tell us when read in relation to each other, this article revisits the short fiction of the canonical modernist Virginia Woolf, and debates the critical significance of the work of a hitherto overlooked late modernist, Charles Henri Ford. Comparing and contrasting…
William Faulkner in the media ecology
The scene: a nondescript cafe restroom somewhere in deepest, darkest Hollywood. Standing at a urinal, a besuited and bespectacled man shakes himself dry and zips up. Off-screen: the sound of violen
Transatlantic Avant-Gardes
Hearing Bach's Passions
Hearing Bach’s Passions attempts to condense the wealth of information and debate surrounding the sources, interpretation, and performance practice of the five settings of the Passion associated with J. S. Bach into less than 200 pages. The result is a comprehensive introduction not only to the issues confronting scholars and performers of Bach’s music in the early twenty-first century, but also to the wider field of musicology and its potential …
No prominent works on this page.
Hearing Bach's Passions
Hearing Bach’s Passions attempts to condense the wealth of information and debate surrounding the sources, interpretation, and performance practice of the five settings of the Passion associated with J. S. Bach into less than 200 pages. The result is a comprehensive introduction not only to the issues confronting scholars and performers of Bach’s music in the early twenty-first century, but also to the wider field of musicology and its potential …
Transatlantic Avant-Gardes
William Faulkner in the media ecology
The scene: a nondescript cafe restroom somewhere in deepest, darkest Hollywood. Standing at a urinal, a besuited and bespectacled man shakes himself dry and zips up. Off-screen: the sound of violen
Solid Objects and Modern Tonics, Or, Who's Afraid of the Big Camp Woolf
This article brings critical pressure to bear on two different critical terms: modernism and camp. Arguing that these two historically and theoretically weighted categories have much to tell us when read in relation to each other, this article revisits the short fiction of the canonical modernist Virginia Woolf, and debates the critical significance of the work of a hitherto overlooked late modernist, Charles Henri Ford. Comparing and contrasting…
Beyond Capitalist Realism
Transferring Suspiria
Luca Guadagnino's Suspiria (2018) aggressively foregrounds a term from the discourse of psychoanalysis, now a relic of twentieth-century philosophical and psychological thought, with which to negotiate a sequence of historical problems specific to its articulation as a remake (adaptation or reimagining) of a 1977 giallo by Dario Argento. The concept is “transference”. Transference traverses the whole semantic field of this film text, offering a h…
Aesthetics (5 works) · Art (5 works) · Literature (5 works) · Sociology (5 works) · History (3 works) · Law (3 works) · Philosophy (3 works) · Linguistics (2 works) · Poetry Analysis and Criticism (2 works) · Political science (2 works)