Linnie Blake
Biographic Data
| ID | 3635102 |
|---|---|
| NAME | Linnie Blake |
| GIVEN NAMES | Linnie |
| FAMILY NAME | Blake |
| SIGNATURE | BLAKE L |
| AFFILIATIONS | a Lecturer in American Writing , The Manchester Metropolitan University |
| ORCID | 0000-0003-2630-3053 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
‘Everyone will suffer’
This chapter discusses Gore Verbinski's 2002 film The Ring, a remake of Nakata Hideo's Ringu, which was itself an adaptation of Suzuki Koji's 1991 novel The Ring. Both Ringu and The Ring are ideally positioned to explore the ideological function of models of national identity promulgated by the media in Japanese and US society internalised by members of each. These were often in direct contradiction of the realities of national history or contemp…
Digital Horror
In recent years, the ways in which digital technologies have come to shape our experience of the world has been an immensely popular subject in the horror film genre. Contemporary horror cinema reflects and exploits the anxieties of our age in its increasing use of hand-held techniques and in its motifs of surveillance, found footage (fictional films that appear 'real': comprising discovered video recordings left behind by victims/protagonists) a…
Digital Horror
The wounds of nations
This book explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive of ourselves both as gendered individuals and as members of a particular nation-state. Exploring a wide range of stylistically distinctive and generically diverse film texts, its analysis ranges f…
The Wounds of Nations
"The Wounds of Nations" published on by Manchester University Press
A Jew, a red, a whore, a bomber
No prominent works on this page.
A Jew, a red, a whore, a bomber
The Wounds of Nations
"The Wounds of Nations" published on by Manchester University Press
The wounds of nations
This book explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive of ourselves both as gendered individuals and as members of a particular nation-state. Exploring a wide range of stylistically distinctive and generically diverse film texts, its analysis ranges f…
Digital Horror
Digital Horror
In recent years, the ways in which digital technologies have come to shape our experience of the world has been an immensely popular subject in the horror film genre. Contemporary horror cinema reflects and exploits the anxieties of our age in its increasing use of hand-held techniques and in its motifs of surveillance, found footage (fictional films that appear 'real': comprising discovered video recordings left behind by victims/protagonists) a…
‘Everyone will suffer’
This chapter discusses Gore Verbinski's 2002 film The Ring, a remake of Nakata Hideo's Ringu, which was itself an adaptation of Suzuki Koji's 1991 novel The Ring. Both Ringu and The Ring are ideally positioned to explore the ideological function of models of national identity promulgated by the media in Japanese and US society internalised by members of each. These were often in direct contradiction of the realities of national history or contemp…
Art (6 works) · Gothic Literature and Media Analysis (4 works) · Law (4 works) · Political science (4 works) · Sociology (4 works) · Aesthetics (3 works) · Cinema and Media Studies (3 works) · Gender Studies (3 works) · History and criticism (3 works) · History and criticism (3 works)