John London
Biographic Data
| ID | 3635115 |
|---|---|
| NAME | John London |
| GIVEN NAMES | John |
| FAMILY NAME | London |
| SIGNATURE | LONDON J |
| AFFILIATIONS | Queen Mary University of London |
| ORCID | 0009-0006-6610-7734 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1966 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Catalonia
Review of: Catalonia: A New History , Andrew Dowling (2023) Abingdon: Routledge, 177 pp., ISBN 978-1-03211-191-9, h/bk, £130.00 ISBN 978-1-03211-192-6, p/bk, £35.99 ISBN 978-1-00321-879-1, e-book, £32.39
Baroque Lorca
Jacint Verdaguer. Mount Canigó
Theatre under the Nazis
Were the people who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers like Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grudgens and Jurgen Fehling react to the strictures of the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And…
Reception and Renewal in Modern Spanish Theatre
and Renewal in Modern Spanish Theatre: 1939-1963. By John London. London: W. S. Maney and Son, 1967. 273 pages. The author's primary goal is to show how foreign theater was perceived in Spain in the period circumscribed by Franco's rise to power and Spain's social, economic, and cultural rebirth in the 1960s. Reception is measured by the critical reaction to key premieres of European and North American plays and by the influence of foreign theate…
Simple Words and Complex Politics
The uncertainty of fascist aesthetics
La verdad sospechosa. Juan Ruiz de Alarcon
English Help for Victims of the Turks, 1590
Reception and Renewal in Modern Spanish Theatre
and Renewal in Modern Spanish Theatre: 1939-1963. By John London. London: W. S. Maney and Son, 1967. 273 pages. The author's primary goal is to show how foreign theater was perceived in Spain in the period circumscribed by Franco's rise to power and Spain's social, economic, and cultural rebirth in the 1960s. Reception is measured by the critical reaction to key premieres of European and North American plays and by the influence of foreign theate…
English Help for Victims of the Turks, 1590
La verdad sospechosa. Juan Ruiz de Alarcon
The uncertainty of fascist aesthetics
Reception and Renewal in Modern Spanish Theatre
and Renewal in Modern Spanish Theatre: 1939-1963. By John London. London: W. S. Maney and Son, 1967. 273 pages. The author's primary goal is to show how foreign theater was perceived in Spain in the period circumscribed by Franco's rise to power and Spain's social, economic, and cultural rebirth in the 1960s. Reception is measured by the critical reaction to key premieres of European and North American plays and by the influence of foreign theate…
Simple Words and Complex Politics
Theatre under the Nazis
Were the people who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers like Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grudgens and Jurgen Fehling react to the strictures of the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And…
Jacint Verdaguer. Mount Canigó
Baroque Lorca
Catalonia
Review of: Catalonia: A New History , Andrew Dowling (2023) Abingdon: Routledge, 177 pp., ISBN 978-1-03211-191-9, h/bk, £130.00 ISBN 978-1-03211-192-6, p/bk, £35.99 ISBN 978-1-00321-879-1, e-book, £32.39
Art (6 works) · History (6 works) · History (5 works) · Political science (4 works) · Aesthetics (2 works) · Computer Science (2 works) · Early Modern Spanish Literature (2 works) · Epistemology (2 works) · Italian Fascism and Post-war Society (2 works) · Law (2 works)