Slobodanka Vladiv-Glover
Biographic Data
| ID | 3635144 |
|---|---|
| NAME | Slobodanka Vladiv-Glover |
| GIVEN NAMES | Slobodanka |
| FAMILY NAME | Vladiv-Glover |
| SIGNATURE | VLADIV-GLOVER S |
| AFFILIATIONS | Monash UniversityAustralia |
| VERIFIED | No |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 17 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Constructivism’s Vešč, Objet, Gegenstand and the New Art of the “Object”
There is no doubt that the Futurists, Constructivists, Productionists – all the Russian avant-garde groups – wanted to represent the “new world” of socialism in and through art. However, the relationship between art and life, or art and work in the new socialist state was not one-dimensional. This can be seen from a close reading of one of the major Constructivist manifestoes, published in Ilya Erenburg’s and El Lisitzky’s short-lived journal “Ve…
Writing as Sacrilege and Necessity
The paper interprets the collection of stories as a unified generic whole with precedents in the literary canon of former Yugoslavia and in world literature. The stories, united by the sujet of suffering, play with the transgression of myths, from Ancient to Christian, in order to establish sacrilege as poetics and as the necessity of writing
Introductions
Fin-de-siècle Lyrical Drama and the European Modernist Sensibility on the Eve of World War One
The paper analyses the relationship of lyrical drama, which emerged as the dominant genre of European Modernism, and opera, representing a paradigm shift in European thought on the eve of World War One. The musical metaphor of love-death, originating in Wagner’s Tristan and Isolde, was adopted widely and transposed into verbal art by the dramatists and prose-writers of Modernism in Eastern and Western Europe. This metaphor or leit-motif is read i…
An Unknown Australian War Novel
Miles Franklin’s sketches from the Balkan front are discussed in the context of Franklin as an Australian writer of “the soil” whose observations of the Serbian soldiers and life in the hospital camp on the Salonika front take the form of sketches of manners. The sketch of manners is announced in the literary manifestoes of the French, the English and the Russians as part of a poetics of Realism in the European literary canon. These prescribe the…
Belief in Zamyatin’s we and Tarkovsky’s Stalker
The paper offers a comparative analyses of a novel and a film with a science fiction theme, but instead of interpreting the theme, the analysis interprets the structure of the two works. The claim is made that the narrative structure of a work (which, according to the Structuralist model, is much more encompassing than the linear narrative) is implicated in the construction of belief and value. On analysis, the value constructed in Zamyatin’s nov…
Introduction
M+M by Daniel Schlusser Ensemble Date
Report on Special Section of the Australasian Association for Communist and Post-Communist Studies Hobart Conference Feb 2013
From Translinguistics to Transculture and Genealogy
Goran Radovanović, Ambulance
Obituary
Poststructuralism in Georgia
The philosophical works of Merab Mamardashvili are part of the (re-)emergence of phenomenological thought on the “margins” of the Eastern European sphere, appropriating and mediating a version of French poststructuralism in the “Soviet” 1980s, in which deconstruction constitutes both method and content. More specifically, Mamardashvili uses Descartes as the point de repère for his investigations into the phenomenology of the object of knowledge a…
The Poetics of Pastiche in Eco's Postmodern Detective Novel
While the traditional boulevard novel of Eugène Sue wants to entertain and sell, Umberto Eco's boulevard novel wants to entertain and educate the contemporary reader in Italian history and in a form of modern semiotic theory. However, Eco's educational mission does not transform the low genre of the boulevard novel but remains bound by its limitations of “rhetoric and ideology.” Eco's reader is left with a representation of history as pastiche an…
“New Sectarianism” and the Pleasure Principle in Post-Modern Russian Culture
Russian Postmodernism
"The Sexual Poetics of "Native Melody
Desire and Love-Death in Slavic Drama
Founded in 1683 in Leiden, the Netherlands, Brill is a leading international academic publisher in the Humanities, Social Sciences, International Law, and Biology. With offices in the Netherlands, Germany, Austria, the USA and Asia, Brill today publishes more than 360 journals and 2,000 new books and reference works each year as well as a large number of databases and primary source research collections
No prominent works on this page.
"The Sexual Poetics of "Native Melody
Desire and Love-Death in Slavic Drama
Founded in 1683 in Leiden, the Netherlands, Brill is a leading international academic publisher in the Humanities, Social Sciences, International Law, and Biology. With offices in the Netherlands, Germany, Austria, the USA and Asia, Brill today publishes more than 360 journals and 2,000 new books and reference works each year as well as a large number of databases and primary source research collections
Russian Postmodernism
“New Sectarianism” and the Pleasure Principle in Post-Modern Russian Culture
The Poetics of Pastiche in Eco's Postmodern Detective Novel
While the traditional boulevard novel of Eugène Sue wants to entertain and sell, Umberto Eco's boulevard novel wants to entertain and educate the contemporary reader in Italian history and in a form of modern semiotic theory. However, Eco's educational mission does not transform the low genre of the boulevard novel but remains bound by its limitations of “rhetoric and ideology.” Eco's reader is left with a representation of history as pastiche an…
From Translinguistics to Transculture and Genealogy
Goran Radovanović, Ambulance
Obituary
Poststructuralism in Georgia
The philosophical works of Merab Mamardashvili are part of the (re-)emergence of phenomenological thought on the “margins” of the Eastern European sphere, appropriating and mediating a version of French poststructuralism in the “Soviet” 1980s, in which deconstruction constitutes both method and content. More specifically, Mamardashvili uses Descartes as the point de repère for his investigations into the phenomenology of the object of knowledge a…
Belief in Zamyatin’s we and Tarkovsky’s Stalker
The paper offers a comparative analyses of a novel and a film with a science fiction theme, but instead of interpreting the theme, the analysis interprets the structure of the two works. The claim is made that the narrative structure of a work (which, according to the Structuralist model, is much more encompassing than the linear narrative) is implicated in the construction of belief and value. On analysis, the value constructed in Zamyatin’s nov…
Introduction
M+M by Daniel Schlusser Ensemble Date
Report on Special Section of the Australasian Association for Communist and Post-Communist Studies Hobart Conference Feb 2013
An Unknown Australian War Novel
Miles Franklin’s sketches from the Balkan front are discussed in the context of Franklin as an Australian writer of “the soil” whose observations of the Serbian soldiers and life in the hospital camp on the Salonika front take the form of sketches of manners. The sketch of manners is announced in the literary manifestoes of the French, the English and the Russians as part of a poetics of Realism in the European literary canon. These prescribe the…
Writing as Sacrilege and Necessity
The paper interprets the collection of stories as a unified generic whole with precedents in the literary canon of former Yugoslavia and in world literature. The stories, united by the sujet of suffering, play with the transgression of myths, from Ancient to Christian, in order to establish sacrilege as poetics and as the necessity of writing
Introductions
Fin-de-siècle Lyrical Drama and the European Modernist Sensibility on the Eve of World War One
The paper analyses the relationship of lyrical drama, which emerged as the dominant genre of European Modernism, and opera, representing a paradigm shift in European thought on the eve of World War One. The musical metaphor of love-death, originating in Wagner’s Tristan and Isolde, was adopted widely and transposed into verbal art by the dramatists and prose-writers of Modernism in Eastern and Western Europe. This metaphor or leit-motif is read i…
Constructivism’s Vešč, Objet, Gegenstand and the New Art of the “Object”
There is no doubt that the Futurists, Constructivists, Productionists – all the Russian avant-garde groups – wanted to represent the “new world” of socialism in and through art. However, the relationship between art and life, or art and work in the new socialist state was not one-dimensional. This can be seen from a close reading of one of the major Constructivist manifestoes, published in Ilya Erenburg’s and El Lisitzky’s short-lived journal “Ve…
Philosophy (12 works) · Art (10 works) · History (10 works) · Literature (8 works) · Aesthetics (6 works) · Epistemology (6 works) · Law (6 works) · Political science (5 works) · Sociology (5 works) · Linguistics (4 works)