C Doumas
Biographic Data
| ID | 363636 |
|---|---|
| NAME | C Doumas |
| GIVEN NAMES | C |
| FAMILY NAME | Doumas |
| SIGNATURE | DOUMAS C |
| AFFILIATIONS | National and Kapodistrian University of Athens |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Managing the Archaeological Heritage
This article deals with the archaeological site of Akrotiri on the Cycladic island of Thera (Santorini), Greece, and demonstrates, in particular, how the construction of a new protective shelter has provided an opportunity for enhancing the present and future conservation and management of the site in accordance with, among other values, the aspirations of the local community. Drawing on the experience of the author as Director of the excavation,…
Geometric templates used in the Akrotiri (Thera) wall-paintings
A research team at Akrotiri, Thera, here examine the Bronze Age frescoes and show that the artists were making use of templates of well known geometric curves. Some of the spirals, hyperbolae and ellipses which all feature in the repertoire do not occur in nature and must have their origin in some still unknown human science or aesthetic
Distinct, Late Bronze Age ( C . 1650 Bc ) Wall‐paintings From Akrotiri, Thera, Comprising Advanced Geometrical Patterns
This paper studies a set of wall‐paintings of the Late Bronze Age ( c. 1650 bc ) initially decorating the internal walls of the third floor of the edifice called ‘Xeste 3’, excavated at Akrotiri, Thera, whose restoration is now in progress. It deals with the methods used for the drawing of the geometrical figures appearing in these wall‐paintings. It is demonstrated that most of the depicted configurations correspond with accuracy to geometrical …
Cycladic
Thera
A lepidopterous cocoon from Thera and evidence for silk in the Aegean Bronze Age
What were the fine garments vividly painted in the Minoan frescoes made of? Fine cotton (cotton from Egypt is still prized today)? Or the yet finer fabric of silk? And if silk, where did the stuff, or knowledge of cultivating the silk-worms, come from? A cocoon from Santorini offers new evidence
Natural insecticides and insect repellents in antiquity
Cycladic Art
Thera and the Aegean World, I. Papers Presented at the Second International Scientific Congress, Santorini, Greece, August 1978
A lepidopterous cocoon from Thera and evidence for silk in the Aegean Bronze Age
What were the fine garments vividly painted in the Minoan frescoes made of? Fine cotton (cotton from Egypt is still prized today)? Or the yet finer fabric of silk? And if silk, where did the stuff, or knowledge of cultivating the silk-worms, come from? A cocoon from Santorini offers new evidence
Thera and the Aegean World, I. Papers Presented at the Second International Scientific Congress, Santorini, Greece, August 1978
Cycladic Art
Natural insecticides and insect repellents in antiquity
A lepidopterous cocoon from Thera and evidence for silk in the Aegean Bronze Age
What were the fine garments vividly painted in the Minoan frescoes made of? Fine cotton (cotton from Egypt is still prized today)? Or the yet finer fabric of silk? And if silk, where did the stuff, or knowledge of cultivating the silk-worms, come from? A cocoon from Santorini offers new evidence
Cycladic
Thera
Distinct, Late Bronze Age ( C . 1650 Bc ) Wall‐paintings From Akrotiri, Thera, Comprising Advanced Geometrical Patterns
This paper studies a set of wall‐paintings of the Late Bronze Age ( c. 1650 bc ) initially decorating the internal walls of the third floor of the edifice called ‘Xeste 3’, excavated at Akrotiri, Thera, whose restoration is now in progress. It deals with the methods used for the drawing of the geometrical figures appearing in these wall‐paintings. It is demonstrated that most of the depicted configurations correspond with accuracy to geometrical …
Geometric templates used in the Akrotiri (Thera) wall-paintings
A research team at Akrotiri, Thera, here examine the Bronze Age frescoes and show that the artists were making use of templates of well known geometric curves. Some of the spirals, hyperbolae and ellipses which all feature in the repertoire do not occur in nature and must have their origin in some still unknown human science or aesthetic
Managing the Archaeological Heritage
This article deals with the archaeological site of Akrotiri on the Cycladic island of Thera (Santorini), Greece, and demonstrates, in particular, how the construction of a new protective shelter has provided an opportunity for enhancing the present and future conservation and management of the site in accordance with, among other values, the aspirations of the local community. Drawing on the experience of the author as Director of the excavation,…
Archaeology (6 works) · Geography (6 works) · Art (4 works) · History (4 works) · Ancient history (3 works) · Bronze Age (3 works) · Computer Science (3 works) · Painting (3 works) · 3D Surveying and Cultural Heritage (2 works) · Ancient Mediterranean Archaeology and History (2 works)