John Barrell
Biographic Data
| ID | 363756 |
|---|---|
| NAME | John Barrell |
| GIVEN NAMES | John |
| FAMILY NAME | Barrell |
| SIGNATURE | BARRELL J |
| AFFILIATIONS | King's College Hospital |
| VERIFIED | No |
| TOTAL WORKS | 21 |
| TOTAL CITATIONS | 25 |
| AUTHOR COUNT | 21 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 3 |
The meeting of the waters
‘Bill Posters Will Be Prosecuted’: Radical broadsides of the 1790s
For Tom Raworth
For Tom Raworth
Animated Subjects
There is a fascinating passage in Jonathan Richardson’s Essay on the Art of Criticism which first lodged in my mind more than thirty years ago and to which my memory returns, just as Richardson intended it should, almost whenever I spend any time looking at eighteenth-century portraits. It is an assessment of a portrait by van Dyck of the Dowager Countess of Exeter in mourning for her husband; it is designed as a lesson in reading and evaluating …
Coffee-House Politicians
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
An Entire Change of Performances?' The Politicisation of Theatre and the Theatricalisation of Politics in the mid 1790s
An Entire Change of Performances?' The Politicisation of Theatre and the Theatricalisation of Politics in the mid 1790s. Un article de la revue Lumen (Theatre of the world) diffusée par la plateforme Érudit
The Birth of Pandora and the Division of Knowledge
Imagining the King's death: The arrest of Richard Brothers
Journal Article Imagining the King's death: the arrest of Richard Brothers Get access John Barrell John Barrell Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 37, Issue 1, SPRING 1994, Pages 1–32, https://doi.org/10.1093/hwj/37.1.1 Published: 01 March 1994
The Birth of Pandora and the Division of Knowledge
Painting and the Politics of Culture: New Essays on British Art 1700-1850
Killing pictures, Marcia Pointon rewriting Shaftesbury - the Air Pump and the limits of commercial humanism, David Solkin curiously marked - tattooing, masculinity and nationality in 18th-century British perceptions of the South Pacific, Harriet Guest the origin of painting and the ends of art - Wright of Derby's Corinthian Maid, Ann Bermingham Gainsborough's Diana and Actaeon, Michael Rosenthal Loutherbourg's chemical theatre - Coalbrookdale by …
Subject and Sentence: The Poetry of Tom Raworth
Poetry, Language and Politics
The Dangerous Goddess: Masculinity, Prestige, and the Aesthetic in Early Eighteenth-Century Britain
John Barrell, "The Dangerous Goddess": Masculinity, Prestige, and the Aesthetic in Early Eighteenth-Century Britain, Cultural Critique, No. 12, Discursive Strategies and the Economy of Prestige (Spring, 1989), pp. 101-131
Liberty and Poetics in Eighteenth Century England
The Valiant Hero: Benjamin West and Grand-Style History Painting
The Political Theory of Painting From Reynolds to Hazlitt: The Body of the Public
Oedipal Conflicts
Representations of Revolution (1789–1820) by Ronald Paulson , Yale University Press, 398 pp., £22.50
Humanistic geography and literature: Essays on the experience of place
The Private Comedy of Thomas Rowlandson
Geographies of Hardy's Wessex
Geographies of Hardy's Wessex
An Entire Change of Performances?' The Politicisation of Theatre and the Theatricalisation of Politics in the mid 1790s
An Entire Change of Performances?' The Politicisation of Theatre and the Theatricalisation of Politics in the mid 1790s. Un article de la revue Lumen (Theatre of the world) diffusée par la plateforme Érudit
Coffee-House Politicians
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Dangerous Goddess: Masculinity, Prestige, and the Aesthetic in Early Eighteenth-Century Britain
John Barrell, "The Dangerous Goddess": Masculinity, Prestige, and the Aesthetic in Early Eighteenth-Century Britain, Cultural Critique, No. 12, Discursive Strategies and the Economy of Prestige (Spring, 1989), pp. 101-131
Humanistic geography and literature: Essays on the experience of place
Animated Subjects
There is a fascinating passage in Jonathan Richardson’s Essay on the Art of Criticism which first lodged in my mind more than thirty years ago and to which my memory returns, just as Richardson intended it should, almost whenever I spend any time looking at eighteenth-century portraits. It is an assessment of a portrait by van Dyck of the Dowager Countess of Exeter in mourning for her husband; it is designed as a lesson in reading and evaluating …
Geographies of Hardy's Wessex
Humanistic geography and literature: Essays on the experience of place
The Private Comedy of Thomas Rowlandson
Oedipal Conflicts
Representations of Revolution (1789–1820) by Ronald Paulson , Yale University Press, 398 pp., £22.50
The Political Theory of Painting From Reynolds to Hazlitt: The Body of the Public
Liberty and Poetics in Eighteenth Century England
The Valiant Hero: Benjamin West and Grand-Style History Painting
The Dangerous Goddess: Masculinity, Prestige, and the Aesthetic in Early Eighteenth-Century Britain
John Barrell, "The Dangerous Goddess": Masculinity, Prestige, and the Aesthetic in Early Eighteenth-Century Britain, Cultural Critique, No. 12, Discursive Strategies and the Economy of Prestige (Spring, 1989), pp. 101-131
Poetry, Language and Politics
Subject and Sentence: The Poetry of Tom Raworth
Painting and the Politics of Culture: New Essays on British Art 1700-1850
Killing pictures, Marcia Pointon rewriting Shaftesbury - the Air Pump and the limits of commercial humanism, David Solkin curiously marked - tattooing, masculinity and nationality in 18th-century British perceptions of the South Pacific, Harriet Guest the origin of painting and the ends of art - Wright of Derby's Corinthian Maid, Ann Bermingham Gainsborough's Diana and Actaeon, Michael Rosenthal Loutherbourg's chemical theatre - Coalbrookdale by …
The Birth of Pandora and the Division of Knowledge
Imagining the King's death: The arrest of Richard Brothers
Journal Article Imagining the King's death: the arrest of Richard Brothers Get access John Barrell John Barrell Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 37, Issue 1, SPRING 1994, Pages 1–32, https://doi.org/10.1093/hwj/37.1.1 Published: 01 March 1994
The Birth of Pandora and the Division of Knowledge
An Entire Change of Performances?' The Politicisation of Theatre and the Theatricalisation of Politics in the mid 1790s
An Entire Change of Performances?' The Politicisation of Theatre and the Theatricalisation of Politics in the mid 1790s. Un article de la revue Lumen (Theatre of the world) diffusée par la plateforme Érudit
Coffee-House Politicians
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Animated Subjects
There is a fascinating passage in Jonathan Richardson’s Essay on the Art of Criticism which first lodged in my mind more than thirty years ago and to which my memory returns, just as Richardson intended it should, almost whenever I spend any time looking at eighteenth-century portraits. It is an assessment of a portrait by van Dyck of the Dowager Countess of Exeter in mourning for her husband; it is designed as a lesson in reading and evaluating …
‘Bill Posters Will Be Prosecuted’: Radical broadsides of the 1790s
For Tom Raworth
For Tom Raworth
The meeting of the waters
Art (13 works) · History (10 works) · Literature (8 works) · Computer Science (7 works) · Sociology (7 works) · Art history (6 works) · Philosophy (6 works) · Historical Art and Culture Studies (5 works) · History (5 works) · Law (5 works)