Chris Hay
Biographic Data
| ID | 3639009 |
|---|---|
| NAME | Chris Hay |
| GIVEN NAMES | Chris |
| FAMILY NAME | Hay |
| SIGNATURE | HAY C |
| AFFILIATIONS | National Measurement Institute |
| ORCID | 0000-0002-9435-9027 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 11 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Towards a National Data Architecture for Cultural Collections
This article summarises the aims, methods, information architecture, outputs, and innovations of the Australian Cultural Data Engine (ACD-Engine), a project that harnesses leading cultural databases to build bridges to research, industry, and government. The project investigates digital heritage collections, data ontologies, and interoperability, building an information architecture to enhance the open sharing of Australian cultural data. Working…
Philip Baxter
Philip Baxter arrived in Australia in January 1950 with a clear nation-building agenda: to bring Australia into the nuclear age. Over the next 25 years, he would lead the founding of institutions as diverse as the University of New South Wales, the Sydney Opera House and the Hi-Flux Australian Reactor, but he was ultimately frustrated in his aim of bringing nuclear power to Australia. Baxter retired in 1972, when it was clear his ambitions for th…
‘Global Weirding’
Stephen Carleton's The Turquoise Elephant and David Finnigan's Kill Climate Deniers have each won Griffin Theatre's national award for best new Australian play over recent years, placing these theatrically irreverent black comedies at the vanguard of new Australian works dealing with climate change and global warming. In order to lampoon the absurdity of political inaction in relation to climate change, we argue that these playwrights and their a…
Eurovision and Australia
V-Effekt
On 16 October 2009, a friend died. He was the first person I knew of my generation to die. That night, I saw a play in the Melbourne International Arts Festival (MIAF), one which dealt with the messy realities of sudden death. Almost a year to the day later, I saw another MIAF production about the dangers of holding onto ghosts. They were chaotic, transcendent, heart-stopping experiences. In this paper, I use them to explore my personal engagemen…
The geography of mental health in Dunedin, New Zealand11An earlier version of this paper was presented to the 1995 New Zealand Geographical Society Conference
The geography of mental health in Dunedin, New Zealand11An earlier version of this paper was presented to the 1995 New Zealand Geographical Society Conference
V-Effekt
On 16 October 2009, a friend died. He was the first person I knew of my generation to die. That night, I saw a play in the Melbourne International Arts Festival (MIAF), one which dealt with the messy realities of sudden death. Almost a year to the day later, I saw another MIAF production about the dangers of holding onto ghosts. They were chaotic, transcendent, heart-stopping experiences. In this paper, I use them to explore my personal engagemen…
Eurovision and Australia
‘Global Weirding’
Stephen Carleton's The Turquoise Elephant and David Finnigan's Kill Climate Deniers have each won Griffin Theatre's national award for best new Australian play over recent years, placing these theatrically irreverent black comedies at the vanguard of new Australian works dealing with climate change and global warming. In order to lampoon the absurdity of political inaction in relation to climate change, we argue that these playwrights and their a…
Philip Baxter
Philip Baxter arrived in Australia in January 1950 with a clear nation-building agenda: to bring Australia into the nuclear age. Over the next 25 years, he would lead the founding of institutions as diverse as the University of New South Wales, the Sydney Opera House and the Hi-Flux Australian Reactor, but he was ultimately frustrated in his aim of bringing nuclear power to Australia. Baxter retired in 1972, when it was clear his ambitions for th…
Towards a National Data Architecture for Cultural Collections
This article summarises the aims, methods, information architecture, outputs, and innovations of the Australian Cultural Data Engine (ACD-Engine), a project that harnesses leading cultural databases to build bridges to research, industry, and government. The project investigates digital heritage collections, data ontologies, and interoperability, building an information architecture to enhance the open sharing of Australian cultural data. Working…
Art (3 works) · Sociology (3 works) · History (2 works) · Law (2 works) · Literature (2 works) · Philosophy (2 works) · Political science (2 works) · Psychology (2 works) · Absurdity (1 work) · Aesthetics (1 work)