Sandra Ponzanesi
Dados Biográficos
| ID | 3640451 |
|---|---|
| NOME | Sandra Ponzanesi |
| PRENOMES | Sandra |
| SOBRENOME | Ponzanesi |
| ASSINATURA | PONZANESI S |
| AFILIAÇÕES | Utrecht University, the Netherlands |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 25 |
| TOTAL DE CITAÇÕES | 62 |
| TOTAL COMO AUTOR | 21 |
| TOTAL COMO EDITOR | 4 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2000 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 4 |
Digital/Postcolonial Belongings. Migration, Digital Practices & the Everyday
This article focuses on how migrants appropriate and integrate digital technologies into their everyday lives to manage their local and transnational networks of belonging as media users. It aims to analyse the various forms of cosmopolitan belonging that cut across borders and media platforms. These practices counter the media representations of the recent migration crisis in Europe, where the voices of migrants have often been erased, silenced …
Postcolonial Theory and Crisis
In the millennial transition the prefix ‘post’ had come to signify more and more not just the realisation of a ‘coming after’ but also of the impossibility of not seeing the present as still very much working through the wounds of the past. Yet with the appearance of pseudo-concepts such as ‘post-truth’ after an equally imaginary ‘death of History’, the logic of the ‘post’, itself always already under questioning, may appear to have outlived its …
Doing Digital Migration Studies
Doing Digital Migration present a comprehensive entry point to the variety of theoretical debates, methodological interventions, political discussions and ethical debates around migrant forms of belonging as articulated through digital practices. Digital technologies impact upon everyday migrant lives, while vice versa migrants play a key role in technological developments – be it when negotiating the communicative affordances of platforms and de…
Postcolonial Publics
Postcolonial Publics: Art and Citizen Media in Europe presents a collection of sixteen chapters that explore the themes of how migrants, refugees and citizens express and share their political and social causes and experiences through art and media. These expressions, which we term ‘citizen media’, arguably become a platform for postcolonial intellectuals as the studies pursued in this volume investigate the different ways in which previously exc…
Creating Europe from the Margins
This edited volume centres on how the idea of Europe can be explored by focusing on Europe’s margin. It inquires critically into the relations and tensions in the Global South/Global North divide and the internal differentiation within Europe itself (Southern, Eastern, Northern Europe) and across and within the different nation-states. While recent discussions of migration and Europe and of Fortress Europe seem to assume the concept of Europe as …
Creating Europe from the Margins
This edited volume explores the idea of Europe through a focus on its margins. The chapters in the volume inquire critically into the relations and tensions inherent in divisions between the Global North and the Global South as well as internal regional differentiation within Europe itself. In doing so, the volume stresses the need to consider Europe from critical interdisciplinary perspectives, highlighting historical and contemporary issues of …
Trump and the Death of the Image
Migrancy and digital mediations of emotion
This collection brings together key themes that integrate the scholarship on migration, digital media, and emotion. Drawing from a variety of conceptual, theoretical, and methodological traditions that cross-cut academic disciplines, the articles in this issue explore the emotional facets of digitally mediated migrant socialities in a variety of socio-cultural and geographic locales. These examinations raise important questions about how digital …
Deconstructing Europe
Introduction: In the Name of Europe Sandra Ponzanesi and Bolette Blaagaard Part I: Outbound: Geographical Margins, Historical Cores 1. Negotiating White Icelandic Identity: Multicultural and Colonial Identity Formations Kristin Loftsdottir 2. Asylum seekers as Austria's Other: The re-emergence of Austria's colonial past in a state-of-exception Brigitte Hipfl and Daniela Gronold 3. Spelling out exclusion in Southern Italy Claudia Buonaiuto and Mar…
Diaspora and mapping methodologies
There is a methodological tendency in work on diaspora and digital media for quantitative investigations to approach diaspora in static ways that contrast with theories of diaspora as a dynamic cultural formation. On the other hand, qualitative, ethnographic work tends not to engage with digital methods and quantitative data-driven investigation. In this article, we sketch this methodological and disciplinary disconnect and address it by proposin…
On the Waterfront
This essay deals with the role of postcolonial cinema in articulating and visualizing issues of migration, uprooting and alienation, with specific relation to Europe and the Southern Mediterranean shore. Cinema as a transnational medium is particularly suitable for conveying denunciation and social critique. Yet this must be combined with an understanding of how the different cinematic traditions and genres contribute, in specific aesthetic and e…
The Point of Europe
In The Point of Europe contributors ask the question whether or not Europe – what is called ‘Europe’ as a geographic, geopolitical, historical entity whose definition was never unambiguous and will never be, but which nevertheless signals a unique crystallisation of traditions and conflicts – has in recent years crossed a defining limit in its relationship to its own past. They consider this question in particular in relation to Europe's colonial…
The Postcolonial Cultural Industry
The Postcolonial Cultural Industry makes a timely intervention into the field of postcolonial studies by unpacking its relation to the cultural industry. It unearths the role of literary prizes, the a
Gender, globalization, and violence
Introduction: New Frames of Gendered Violence Sandra Ponzanesi Part I: Conflict Zones: Colonial Haunting and Contested Sovereignties 1. Neoliberal Discourses on Violence: Monstrosity and Rape in Borderland War Jolle Demmers 2. Thin Ice: Postcoloniality and Sexuality in the Politics of Citizenship and Military Service Vron Ware 3. American Humanitarian Citizenship: The Soft Power of Empire Inderpal Grewal 4. Female Suicide Bombers and the Politics…
Digital faiths
Postcolonial Cinema Studies
Introduction, Sandra Ponzanesi and Marguerite Waller Part I Cinemas of Empire Introduction to Part I, Sandra Ponzanesi and Marguerite Waller 1. Italian Fascism's Empire Cinema: Kif Tebbi, the Conquest of Libya, and the Assault on the Nomadic, Ruth Ben-Ghiat 2. Blackface, Faciality, and Colony Nostalgia in 1930s Empire Films, Julie Codell 3. The Socialist Historical Film, Aniko Imre Part II Postcolonial Cinemas: Unframing Histories Introduction to…
The Non-Places of Migrant Cinema in Europe
This article focuses on the representation of ‘non-places’ in European migrant cinema. Postcolonial subjects, migrants, refugees and asylum seekers are often depicted in non-places such as city outskirts, hotels, detention centres, on the open sea or in airports. Through the analysis of Pawel Pawlikowski's Last Resort (UK, 2000), Stephen Frears's Dirty Pretty Things (UK, 2002), and Mohsen Melliti's Io, l'altro (I, the Other, Italy, 2007), migrant…
In the name of Europe
Though that [imperial and colonial] history remains marginal and largely unacknowledged, surfacing only in the service of nostalgia and melancholia, it represents a store of unlikely connections and complex interpretative resources.The imperial and colonial past continues to shape political life in the overdeveloped-but-no-longer-imperial countries.(Gilroy, 2004, p. 2) 'Europe' in a sense is a phantom of the past, a name that 'is history' rather …
Transnational Feminism in Film and Media
Transnational Feminism in Film and Media The edited volume of Transnational Feminism in Film and Media is a rare jewel that successfully reaches different scholarly communities at the same time, bu
Communicative Spaces of Their Own
In this article, we argue how instant messaging (IM) is actively made into a communicative space of their own among migrant girls. Triangulating data gathered through large-scale surveys, interviews and textual analysis of IM transcripts, we focus on Moroccan-Dutch girls who use instant messaging as a space where they can negotiate several issues at the crossroads of national, ethnic, racial, age and linguistic specificities. We take an intersect…
Europe in motion
The article focuses on the contested notion of the (new) Europe from the vantage point of migrant cinema. The aim is to explore how cinematic language offers alternative modalities of representation and subjectification in relation to migration, gender and identity. The emphasis of this analysis is on the politics of encounter: how the presumed strangers to Europe are figurations of Europe's othered self while also embodying the material practice…
Feminist theory and multiculturalism
Paradoxes of Postcolonial Culture
Writing against the Grain
This article looks at representations of female infibulation in African literary texts, and offers analyses of three such texts: Nawal El Saadawi's The Hidden Face of Eve: Women in the Arab World (1980), Alice Walker's Possessing the Secret of Joy (1992) and Sirad S. Hassan's Sette Gocce di Sangue: Due Donne Somale (Seven Drops of Blood: Two Somali Women) (1996). Writing from a location in the West to which we have migrated, this is an attempt to…
The past holds no terror
In the name of Europe
Though that [imperial and colonial] history remains marginal and largely unacknowledged, surfacing only in the service of nostalgia and melancholia, it represents a store of unlikely connections and complex interpretative resources.The imperial and colonial past continues to shape political life in the overdeveloped-but-no-longer-imperial countries.(Gilroy, 2004, p. 2) 'Europe' in a sense is a phantom of the past, a name that 'is history' rather …
Migrancy and digital mediations of emotion
This collection brings together key themes that integrate the scholarship on migration, digital media, and emotion. Drawing from a variety of conceptual, theoretical, and methodological traditions that cross-cut academic disciplines, the articles in this issue explore the emotional facets of digitally mediated migrant socialities in a variety of socio-cultural and geographic locales. These examinations raise important questions about how digital …
Feminist theory and multiculturalism
Diaspora and mapping methodologies
There is a methodological tendency in work on diaspora and digital media for quantitative investigations to approach diaspora in static ways that contrast with theories of diaspora as a dynamic cultural formation. On the other hand, qualitative, ethnographic work tends not to engage with digital methods and quantitative data-driven investigation. In this article, we sketch this methodological and disciplinary disconnect and address it by proposin…
The Point of Europe
In The Point of Europe contributors ask the question whether or not Europe – what is called ‘Europe’ as a geographic, geopolitical, historical entity whose definition was never unambiguous and will never be, but which nevertheless signals a unique crystallisation of traditions and conflicts – has in recent years crossed a defining limit in its relationship to its own past. They consider this question in particular in relation to Europe's colonial…
Digital faiths
The Non-Places of Migrant Cinema in Europe
This article focuses on the representation of ‘non-places’ in European migrant cinema. Postcolonial subjects, migrants, refugees and asylum seekers are often depicted in non-places such as city outskirts, hotels, detention centres, on the open sea or in airports. Through the analysis of Pawel Pawlikowski's Last Resort (UK, 2000), Stephen Frears's Dirty Pretty Things (UK, 2002), and Mohsen Melliti's Io, l'altro (I, the Other, Italy, 2007), migrant…
The past holds no terror
Creating Europe from the Margins
This edited volume explores the idea of Europe through a focus on its margins. The chapters in the volume inquire critically into the relations and tensions inherent in divisions between the Global North and the Global South as well as internal regional differentiation within Europe itself. In doing so, the volume stresses the need to consider Europe from critical interdisciplinary perspectives, highlighting historical and contemporary issues of …
Europe in motion
The article focuses on the contested notion of the (new) Europe from the vantage point of migrant cinema. The aim is to explore how cinematic language offers alternative modalities of representation and subjectification in relation to migration, gender and identity. The emphasis of this analysis is on the politics of encounter: how the presumed strangers to Europe are figurations of Europe's othered self while also embodying the material practice…
Writing against the Grain
This article looks at representations of female infibulation in African literary texts, and offers analyses of three such texts: Nawal El Saadawi's The Hidden Face of Eve: Women in the Arab World (1980), Alice Walker's Possessing the Secret of Joy (1992) and Sirad S. Hassan's Sette Gocce di Sangue: Due Donne Somale (Seven Drops of Blood: Two Somali Women) (1996). Writing from a location in the West to which we have migrated, this is an attempt to…
The past holds no terror
Paradoxes of Postcolonial Culture
Feminist theory and multiculturalism
In the name of Europe
Though that [imperial and colonial] history remains marginal and largely unacknowledged, surfacing only in the service of nostalgia and melancholia, it represents a store of unlikely connections and complex interpretative resources.The imperial and colonial past continues to shape political life in the overdeveloped-but-no-longer-imperial countries.(Gilroy, 2004, p. 2) 'Europe' in a sense is a phantom of the past, a name that 'is history' rather …
Transnational Feminism in Film and Media
Transnational Feminism in Film and Media The edited volume of Transnational Feminism in Film and Media is a rare jewel that successfully reaches different scholarly communities at the same time, bu
Communicative Spaces of Their Own
In this article, we argue how instant messaging (IM) is actively made into a communicative space of their own among migrant girls. Triangulating data gathered through large-scale surveys, interviews and textual analysis of IM transcripts, we focus on Moroccan-Dutch girls who use instant messaging as a space where they can negotiate several issues at the crossroads of national, ethnic, racial, age and linguistic specificities. We take an intersect…
Europe in motion
The article focuses on the contested notion of the (new) Europe from the vantage point of migrant cinema. The aim is to explore how cinematic language offers alternative modalities of representation and subjectification in relation to migration, gender and identity. The emphasis of this analysis is on the politics of encounter: how the presumed strangers to Europe are figurations of Europe's othered self while also embodying the material practice…
Postcolonial Cinema Studies
Introduction, Sandra Ponzanesi and Marguerite Waller Part I Cinemas of Empire Introduction to Part I, Sandra Ponzanesi and Marguerite Waller 1. Italian Fascism's Empire Cinema: Kif Tebbi, the Conquest of Libya, and the Assault on the Nomadic, Ruth Ben-Ghiat 2. Blackface, Faciality, and Colony Nostalgia in 1930s Empire Films, Julie Codell 3. The Socialist Historical Film, Aniko Imre Part II Postcolonial Cinemas: Unframing Histories Introduction to…
The Non-Places of Migrant Cinema in Europe
This article focuses on the representation of ‘non-places’ in European migrant cinema. Postcolonial subjects, migrants, refugees and asylum seekers are often depicted in non-places such as city outskirts, hotels, detention centres, on the open sea or in airports. Through the analysis of Pawel Pawlikowski's Last Resort (UK, 2000), Stephen Frears's Dirty Pretty Things (UK, 2002), and Mohsen Melliti's Io, l'altro (I, the Other, Italy, 2007), migrant…
Digital faiths
The Postcolonial Cultural Industry
The Postcolonial Cultural Industry makes a timely intervention into the field of postcolonial studies by unpacking its relation to the cultural industry. It unearths the role of literary prizes, the a
Gender, globalization, and violence
Introduction: New Frames of Gendered Violence Sandra Ponzanesi Part I: Conflict Zones: Colonial Haunting and Contested Sovereignties 1. Neoliberal Discourses on Violence: Monstrosity and Rape in Borderland War Jolle Demmers 2. Thin Ice: Postcoloniality and Sexuality in the Politics of Citizenship and Military Service Vron Ware 3. American Humanitarian Citizenship: The Soft Power of Empire Inderpal Grewal 4. Female Suicide Bombers and the Politics…
On the Waterfront
This essay deals with the role of postcolonial cinema in articulating and visualizing issues of migration, uprooting and alienation, with specific relation to Europe and the Southern Mediterranean shore. Cinema as a transnational medium is particularly suitable for conveying denunciation and social critique. Yet this must be combined with an understanding of how the different cinematic traditions and genres contribute, in specific aesthetic and e…
The Point of Europe
In The Point of Europe contributors ask the question whether or not Europe – what is called ‘Europe’ as a geographic, geopolitical, historical entity whose definition was never unambiguous and will never be, but which nevertheless signals a unique crystallisation of traditions and conflicts – has in recent years crossed a defining limit in its relationship to its own past. They consider this question in particular in relation to Europe's colonial…
Deconstructing Europe
Introduction: In the Name of Europe Sandra Ponzanesi and Bolette Blaagaard Part I: Outbound: Geographical Margins, Historical Cores 1. Negotiating White Icelandic Identity: Multicultural and Colonial Identity Formations Kristin Loftsdottir 2. Asylum seekers as Austria's Other: The re-emergence of Austria's colonial past in a state-of-exception Brigitte Hipfl and Daniela Gronold 3. Spelling out exclusion in Southern Italy Claudia Buonaiuto and Mar…
Diaspora and mapping methodologies
There is a methodological tendency in work on diaspora and digital media for quantitative investigations to approach diaspora in static ways that contrast with theories of diaspora as a dynamic cultural formation. On the other hand, qualitative, ethnographic work tends not to engage with digital methods and quantitative data-driven investigation. In this article, we sketch this methodological and disciplinary disconnect and address it by proposin…
Migrancy and digital mediations of emotion
This collection brings together key themes that integrate the scholarship on migration, digital media, and emotion. Drawing from a variety of conceptual, theoretical, and methodological traditions that cross-cut academic disciplines, the articles in this issue explore the emotional facets of digitally mediated migrant socialities in a variety of socio-cultural and geographic locales. These examinations raise important questions about how digital …
Trump and the Death of the Image
Postcolonial Publics
Postcolonial Publics: Art and Citizen Media in Europe presents a collection of sixteen chapters that explore the themes of how migrants, refugees and citizens express and share their political and social causes and experiences through art and media. These expressions, which we term ‘citizen media’, arguably become a platform for postcolonial intellectuals as the studies pursued in this volume investigate the different ways in which previously exc…
Creating Europe from the Margins
This edited volume centres on how the idea of Europe can be explored by focusing on Europe’s margin. It inquires critically into the relations and tensions in the Global South/Global North divide and the internal differentiation within Europe itself (Southern, Eastern, Northern Europe) and across and within the different nation-states. While recent discussions of migration and Europe and of Fortress Europe seem to assume the concept of Europe as …
Creating Europe from the Margins
This edited volume explores the idea of Europe through a focus on its margins. The chapters in the volume inquire critically into the relations and tensions inherent in divisions between the Global North and the Global South as well as internal regional differentiation within Europe itself. In doing so, the volume stresses the need to consider Europe from critical interdisciplinary perspectives, highlighting historical and contemporary issues of …
Postcolonial Theory and Crisis
In the millennial transition the prefix ‘post’ had come to signify more and more not just the realisation of a ‘coming after’ but also of the impossibility of not seeing the present as still very much working through the wounds of the past. Yet with the appearance of pseudo-concepts such as ‘post-truth’ after an equally imaginary ‘death of History’, the logic of the ‘post’, itself always already under questioning, may appear to have outlived its …
Doing Digital Migration Studies
Doing Digital Migration present a comprehensive entry point to the variety of theoretical debates, methodological interventions, political discussions and ethical debates around migrant forms of belonging as articulated through digital practices. Digital technologies impact upon everyday migrant lives, while vice versa migrants play a key role in technological developments – be it when negotiating the communicative affordances of platforms and de…
Digital/Postcolonial Belongings. Migration, Digital Practices & the Everyday
This article focuses on how migrants appropriate and integrate digital technologies into their everyday lives to manage their local and transnational networks of belonging as media users. It aims to analyse the various forms of cosmopolitan belonging that cut across borders and media platforms. These practices counter the media representations of the recent migration crisis in Europe, where the voices of migrants have often been erased, silenced …
Sociology (18 obras) · Gender Studies (12 obras) · Political science (12 obras) · Art (9 obras) · History (9 obras) · Media studies (8 obras) · Italian Fascism and Post-war Society (7 obras) · Law (7 obras) · Politics (6 obras) · Aesthetics (5 obras)