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Simon Radchenko

Biographic Data

ID3643654
NAMESimon Radchenko
GIVEN NAMESSimon
FAMILY NAMERadchenko
SIGNATURERADCHENKO S
AFFILIATIONSStavanger Museum
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2026
H-INDEX0
  • The continuity of sacred spaces in the North Pontic Steppe

    Open Access•Світлана Іванова, Svitlana Ivanova et al.•ARTICLE•Antiquity•2026•References: 7

    This article examines a monumental structure in the North Pontic Steppe that was repurposed as a burial mound in the late fourth millennium BCE. The authors argue that this repurposing reflects a pattern of Yamna appropriation of ritual spaces, conceptualised as a ‘continuity of sacred spaces’

  • On Reductive Categories, Non-Dualistic Thinking, and the Lingering of Archaeological Theory

    Open Access•Radchenko, Simon Radchenko•ARTICLE•Norwegian Archaeological Review•2025•References: 6

  • Portable and Parietal Art of Kamyana Mohyla, Ukraine

    Radchenko, Simon Radchenko•BOOK•Portable and Parietal Art of…•2023

    Kamyana Mohyla is Ukraine's largest and most prominent rock art complex and is located at least one thousand kilometers from other comparable rock art sites. Situated on the western edge of the Eurasian Steppe belt, the site shows prehistoric imagery from several different contexts-some of its engravings are considered in the frame of European rock art, whilst others introduce local features, or find parallels in distant parts of Central Asia.Thi…

  • Microscopic examination of Mesolithic serpent-like sculptured stones from southern Ukraine

    Open Access•Nadiia Kotova, Dmytro Kiosak et al.•ARTICLE•Antiquity•2018

No prominent works on this page.

  • Microscopic examination of Mesolithic serpent-like sculptured stones from southern Ukraine

    Open Access•Nadiia Kotova, Dmytro Kiosak et al.•ARTICLE•Antiquity•2018

  • Portable and Parietal Art of Kamyana Mohyla, Ukraine

    Radchenko, Simon Radchenko•BOOK•Portable and Parietal Art of…•2023

    Kamyana Mohyla is Ukraine's largest and most prominent rock art complex and is located at least one thousand kilometers from other comparable rock art sites. Situated on the western edge of the Eurasian Steppe belt, the site shows prehistoric imagery from several different contexts-some of its engravings are considered in the frame of European rock art, whilst others introduce local features, or find parallels in distant parts of Central Asia.Thi…

  • On Reductive Categories, Non-Dualistic Thinking, and the Lingering of Archaeological Theory

    Open Access•Radchenko, Simon Radchenko•ARTICLE•Norwegian Archaeological Review•2025•References: 6

  • The continuity of sacred spaces in the North Pontic Steppe

    Open Access•Світлана Іванова, Svitlana Ivanova et al.•ARTICLE•Antiquity•2026•References: 7

    This article examines a monumental structure in the North Pontic Steppe that was repurposed as a burial mound in the late fourth millennium BCE. The authors argue that this repurposing reflects a pattern of Yamna appropriation of ritual spaces, conceptualised as a ‘continuity of sacred spaces’

Ancient and Medieval Archaeology Studies (2 works) · Archaeology (2 works) · Archaeology and ancient environmental studies (2 works) · Geography (2 works) · Marine and environmental studies (2 works) · Ancient history (1 work) · Ancient Mediterranean Archaeology and History (1 work) · Appropriation (1 work) · Archaeological evidence (1 work) · Archaeological science (1 work)

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