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Andrew C Mcgraw

Biographic Data

ID3648316
NAMEAndrew C Mcgraw
GIVEN NAMESAndrew C
FAMILY NAMEMcgraw
SIGNATUREMCGRAW A C
AFFILIATIONSSchlumberger (Ireland)
VERIFIEDNo
TOTAL WORKS21
TOTAL CITATIONS7
AUTHOR COUNT18
EDITOR COUNT3
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2022
H-INDEX2
  • American Gamelan and the Ethnomusicological Imagination By Elizabeth A. Clendinning. Chicago, IL

    Open Access•Andrew Mcgraw, Andrew C Mcgraw•ARTICLE•Journal of the Society for…•2022

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Feeling Time in Indonesian Langgam Jawa

    Andrew Mcgraw, Andrew C Mcgraw•ARTICLE•Asian Music•2022

    In this article I analyze rhythmic structuring in kroncong (Indonesian string band) cello (selo) performance. When performing the langgam Jawa repertoire the kroncong ensemble’s cello ostensibly imitates the gamelan’s kendhang drum. But while historically inspired by gamelan drumming, langgam Jawa selo playing has developed into a distinct practice. While selo players imitate kendhang tones, they do not literally incorporate its patterns. Many of…

  • Atmosphere as a Concept for Ethnomusicology

    Andrew Mcgraw, Andrew C Mcgraw•ARTICLE•Ethnomusicology•2016•Cited by: 2

    In this article I compare a robotic gamelan sound installation (the gamelatron) and traditional gamelan, as performed in the American gamelan subculture, in order to specify the concept of atmosphere for use within ethnomusicology. I argue that at the level of affect the gamelatron and gamelan afford similar experiences that I call "atmospheres of felt-relation." At the level of comprehension they are registered as divergent because of their diff…

  • Kelenang

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Nolin

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Genggong

    Margaret J Kartomi, Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Guntang

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Tudduglag

    Margaret J Kartomi, Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Tingklik

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Kajar

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Jegog

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Rindik

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Balinese gamelan

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2014

  • Aramba

    Margaret J Kartomi, Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2014

  • The Ambivalent Freedoms of Indonesian Jazz

    Andrew Mcgraw, Andrew C Mcgraw•ARTICLE•Jazz Perspectives•2012

    This paper presents an historical outline and discusses the contemporary meanings of Indonesian jazz. Transformations in the jazz scene following the transition from Indonesia's first to second totalitarian regime (1964–1967) are linked to market reforms that opened the nation to increased Western investment and media. Jazz later played a conspicuous role in the tumultuous dissolution of dictatorial rule and the introduction of democratic reform.…

  • Serbung

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2011

  • Beyond Exoticism

    Andrew C Mcgraw•ARTICLE•Asian Music•2009

    Reviewed by: Beyond Exoticism: Western Music and the World Andrew C. McGraw (bio) Beyond Exoticism: Western Music and the World. Timothy D. Taylor. Durham: Duke University Press, 2007. 304 pp., musical examples, photographs, bibliography, index. ISBN: 0822339684. This is Taylor’s third book and follows his Global Pop (1997, Routledge) and Strange Sounds (2001, Routledge). In Beyond Exoticism, Taylor’s theorizing goes deeper than in Global Pop and…

  • Making Scenes

    Andrew C Mcgraw•ARTICLE•Asian Music•2009

    Reviewed by: Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali Andrew C. McGraw Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Emma Baulch. Durham: Duke University Press, 2007. 226 pp., photographs, glossary, bibliography, index. ISBN: 0822341158. Baulch’s ethnography is a much needed alternative perspective on musical production and consumption in Bali, one that adds to the slowly growing body of literature on Indonesian an…

  • The Pia 's Subtle Sustain

    Andrew Mcgraw, Andrew C Mcgraw•ARTICLE•Asian Music•2007•Cited by: 1

    The Pia's Subtle Sustain:Contemporary Ethnic Identity and the Revitalization of the Lanna "Heart Harp" Andrew McGraw (bio) In 1969, a young American ethnomusicologist, Gerald Dyck, spent several months documenting performances of folk music in northern Thailand. Dyck was especially interested in musical traditions that remained distinct from modern, Siam-ized ensembles. In a village outside of the old northern capital of Chiang Mai, Dyck discover…

  • Music in BaliGamelan

    Andrew Mcgraw, Andrew C Mcgraw•ARTICLE•Ethnomusicology•2007

    Book Review| January 01 2007 Music in BaliGamelan: The Traditional Sounds of IndonesiaA Gamelan Manual: A Player’s Guide to the Central Javanese Gamelan Music in Bali, Lisa Gold.Gamelan: The Traditional Sounds of Indonesia, Henry Spiller.A Gamelan Manual: A Player’s Guide to the Central Javanese Gamelan, Richard Pickvance. Andrew McGraw Andrew McGraw Search for other works by this author on: This Site Google Ethnomusicology (2007) 51 (1): 142–146…

  • The Development of the "Gamelan Semara Dana" and the Expansion of the Modal System in Bali, Indonesia

    Andrew C Mcgraw•ARTICLE•Asian Music•1999•Cited by: 4

    Cet article decrit l'orchestre du gamelan semara dana tel qu'il a ete observe a Banjar Kaliungu Kaja (Dampar) a Bali en 1997. Apres une presentation historique concernant le developpement du gamelan, l'A. explique que celui-la s'inscrit dans une evolution generale du systeme musical a Bali du autant aux musiciens qu'aux theoriciens specialises sur la musique traditionnelle locale. L'A. presente une etude detaillee sur les modes de tonalite enseig…

  • The Development of the "Gamelan Semara Dana" and the Expansion of the Modal System in Bali, Indonesia

    Andrew C Mcgraw•ARTICLE•Asian Music•1999•Cited by: 4

    Cet article decrit l'orchestre du gamelan semara dana tel qu'il a ete observe a Banjar Kaliungu Kaja (Dampar) a Bali en 1997. Apres une presentation historique concernant le developpement du gamelan, l'A. explique que celui-la s'inscrit dans une evolution generale du systeme musical a Bali du autant aux musiciens qu'aux theoriciens specialises sur la musique traditionnelle locale. L'A. presente une etude detaillee sur les modes de tonalite enseig…

  • Atmosphere as a Concept for Ethnomusicology

    Andrew Mcgraw, Andrew C Mcgraw•ARTICLE•Ethnomusicology•2016•Cited by: 2

    In this article I compare a robotic gamelan sound installation (the gamelatron) and traditional gamelan, as performed in the American gamelan subculture, in order to specify the concept of atmosphere for use within ethnomusicology. I argue that at the level of affect the gamelatron and gamelan afford similar experiences that I call "atmospheres of felt-relation." At the level of comprehension they are registered as divergent because of their diff…

  • The Pia 's Subtle Sustain

    Andrew Mcgraw, Andrew C Mcgraw•ARTICLE•Asian Music•2007•Cited by: 1

    The Pia's Subtle Sustain:Contemporary Ethnic Identity and the Revitalization of the Lanna "Heart Harp" Andrew McGraw (bio) In 1969, a young American ethnomusicologist, Gerald Dyck, spent several months documenting performances of folk music in northern Thailand. Dyck was especially interested in musical traditions that remained distinct from modern, Siam-ized ensembles. In a village outside of the old northern capital of Chiang Mai, Dyck discover…

  • The Development of the "Gamelan Semara Dana" and the Expansion of the Modal System in Bali, Indonesia

    Andrew C Mcgraw•ARTICLE•Asian Music•1999•Cited by: 4

    Cet article decrit l'orchestre du gamelan semara dana tel qu'il a ete observe a Banjar Kaliungu Kaja (Dampar) a Bali en 1997. Apres une presentation historique concernant le developpement du gamelan, l'A. explique que celui-la s'inscrit dans une evolution generale du systeme musical a Bali du autant aux musiciens qu'aux theoriciens specialises sur la musique traditionnelle locale. L'A. presente une etude detaillee sur les modes de tonalite enseig…

  • The Pia 's Subtle Sustain

    Andrew Mcgraw, Andrew C Mcgraw•ARTICLE•Asian Music•2007•Cited by: 1

    The Pia's Subtle Sustain:Contemporary Ethnic Identity and the Revitalization of the Lanna "Heart Harp" Andrew McGraw (bio) In 1969, a young American ethnomusicologist, Gerald Dyck, spent several months documenting performances of folk music in northern Thailand. Dyck was especially interested in musical traditions that remained distinct from modern, Siam-ized ensembles. In a village outside of the old northern capital of Chiang Mai, Dyck discover…

  • Music in BaliGamelan

    Andrew Mcgraw, Andrew C Mcgraw•ARTICLE•Ethnomusicology•2007

    Book Review| January 01 2007 Music in BaliGamelan: The Traditional Sounds of IndonesiaA Gamelan Manual: A Player’s Guide to the Central Javanese Gamelan Music in Bali, Lisa Gold.Gamelan: The Traditional Sounds of Indonesia, Henry Spiller.A Gamelan Manual: A Player’s Guide to the Central Javanese Gamelan, Richard Pickvance. Andrew McGraw Andrew McGraw Search for other works by this author on: This Site Google Ethnomusicology (2007) 51 (1): 142–146…

  • Beyond Exoticism

    Andrew C Mcgraw•ARTICLE•Asian Music•2009

    Reviewed by: Beyond Exoticism: Western Music and the World Andrew C. McGraw (bio) Beyond Exoticism: Western Music and the World. Timothy D. Taylor. Durham: Duke University Press, 2007. 304 pp., musical examples, photographs, bibliography, index. ISBN: 0822339684. This is Taylor’s third book and follows his Global Pop (1997, Routledge) and Strange Sounds (2001, Routledge). In Beyond Exoticism, Taylor’s theorizing goes deeper than in Global Pop and…

  • Making Scenes

    Andrew C Mcgraw•ARTICLE•Asian Music•2009

    Reviewed by: Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali Andrew C. McGraw Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Emma Baulch. Durham: Duke University Press, 2007. 226 pp., photographs, glossary, bibliography, index. ISBN: 0822341158. Baulch’s ethnography is a much needed alternative perspective on musical production and consumption in Bali, one that adds to the slowly growing body of literature on Indonesian an…

  • Serbung

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2011

  • The Ambivalent Freedoms of Indonesian Jazz

    Andrew Mcgraw, Andrew C Mcgraw•ARTICLE•Jazz Perspectives•2012

    This paper presents an historical outline and discusses the contemporary meanings of Indonesian jazz. Transformations in the jazz scene following the transition from Indonesia's first to second totalitarian regime (1964–1967) are linked to market reforms that opened the nation to increased Western investment and media. Jazz later played a conspicuous role in the tumultuous dissolution of dictatorial rule and the introduction of democratic reform.…

  • Balinese gamelan

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2014

  • Aramba

    Margaret J Kartomi, Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2014

  • Kelenang

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Nolin

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Genggong

    Margaret J Kartomi, Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Guntang

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Tudduglag

    Margaret J Kartomi, Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Tingklik

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Kajar

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Jegog

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Rindik

    Andrew C Mcgraw•CHAPTER•The new Grove dictionary of music…•2015

  • Atmosphere as a Concept for Ethnomusicology

    Andrew Mcgraw, Andrew C Mcgraw•ARTICLE•Ethnomusicology•2016•Cited by: 2

    In this article I compare a robotic gamelan sound installation (the gamelatron) and traditional gamelan, as performed in the American gamelan subculture, in order to specify the concept of atmosphere for use within ethnomusicology. I argue that at the level of affect the gamelatron and gamelan afford similar experiences that I call "atmospheres of felt-relation." At the level of comprehension they are registered as divergent because of their diff…

  • American Gamelan and the Ethnomusicological Imagination By Elizabeth A. Clendinning. Chicago, IL

    Open Access•Andrew Mcgraw, Andrew C Mcgraw•ARTICLE•Journal of the Society for…•2022

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Feeling Time in Indonesian Langgam Jawa

    Andrew Mcgraw, Andrew C Mcgraw•ARTICLE•Asian Music•2022

    In this article I analyze rhythmic structuring in kroncong (Indonesian string band) cello (selo) performance. When performing the langgam Jawa repertoire the kroncong ensemble’s cello ostensibly imitates the gamelan’s kendhang drum. But while historically inspired by gamelan drumming, langgam Jawa selo playing has developed into a distinct practice. While selo players imitate kendhang tones, they do not literally incorporate its patterns. Many of…

Computer Science (12 works) · Art (8 works) · Diverse Musicological Studies (6 works) · History (6 works) · Music History and Culture (5 works) · Art history (4 works) · Literature (4 works) · Sociology (4 works) · Anthropology (3 works) · Indonesian (3 works)

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