Matthew Harp Allen
Biographic Data
| ID | 3648395 |
|---|---|
| NAME | Matthew Harp Allen |
| GIVEN NAMES | Matthew Harp |
| FAMILY NAME | Allen |
| SIGNATURE | ALLEN M H |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 1998 |
| H-INDEX | 1 |
Tales Tunes Tell: Deepening the Dialogue between "Classical" and "Non-Classical" in the Music of India
A travers l'exemple de la musique Karnataka en Inde du Sud, l'A. considere la nature problematique de la dichotomie musique classique/musique non-classique. Jusqu'au debut du 20 eme siecle, par la pratique musicale, les temples hindous etaient des lieux d'echange musico-social et de convergence culturelle assurant ainsi une continuite entre la societe de cour et la societe rurale et villageoise. Cette continuite a ete remise en cause par un doubl…
Rewriting the Script for South Indian Dance
For the past several years I have been investigating the local circumstances of what is commonly referred to as a of dance in South India in the 1930s, working outward from a study of the padam genre of dance music.' Reading the work of Jennifer Post (1989), Regula Qureshi (1991), and Tapati Guha-Thakurta (1992), which describes and theorizes revivals in the performing and visual arts in the northern part of the subcontinent, has convinced me tha…
Tales Tunes Tell: Deepening the Dialogue between "Classical" and "Non-Classical" in the Music of India
A travers l'exemple de la musique Karnataka en Inde du Sud, l'A. considere la nature problematique de la dichotomie musique classique/musique non-classique. Jusqu'au debut du 20 eme siecle, par la pratique musicale, les temples hindous etaient des lieux d'echange musico-social et de convergence culturelle assurant ainsi une continuite entre la societe de cour et la societe rurale et villageoise. Cette continuite a ete remise en cause par un doubl…
Rewriting the Script for South Indian Dance
For the past several years I have been investigating the local circumstances of what is commonly referred to as a of dance in South India in the 1930s, working outward from a study of the padam genre of dance music.' Reading the work of Jennifer Post (1989), Regula Qureshi (1991), and Tapati Guha-Thakurta (1992), which describes and theorizes revivals in the performing and visual arts in the northern part of the subcontinent, has convinced me tha…
Tales Tunes Tell: Deepening the Dialogue between "Classical" and "Non-Classical" in the Music of India
A travers l'exemple de la musique Karnataka en Inde du Sud, l'A. considere la nature problematique de la dichotomie musique classique/musique non-classique. Jusqu'au debut du 20 eme siecle, par la pratique musicale, les temples hindous etaient des lieux d'echange musico-social et de convergence culturelle assurant ainsi une continuite entre la societe de cour et la societe rurale et villageoise. Cette continuite a ete remise en cause par un doubl…
Art (2 works) · Ethnology (2 works) · Ancient history (1 works) · BENGAL (1 works) · Dance (1 works) · Diversity and Impact of Dance (1 works) · Hinduism (1 works) · History (1 works) · History (1 works) · Humanities (1 works)