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Aditi Deo

Biographic Data

ID3648412
NAMEAditi Deo
GIVEN NAMESAditi
FAMILY NAMEDeo
SIGNATUREDEO A
AFFILIATIONSAhmedabad University
ORCID0000-0002-9082-0808
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Crafting Lives in Music

    Open Access•Tejaswini Niranjana, Aditi Deo•ARTICLE•Indian Journal of Gender Studies•2025•References: 4

    A significant development in Indian classical music during the early 20th century was the emergence of women trained in the vocal genre of Hindustani raga music. 1 The city of Bombay, now Mumbai, which was growing in importance as a commercial centre in western India from the mid-19th century into the 20th, was a locus for this transition. As more and more women aspired to professions in the performing arts, the conditions under which they could …

  • The Classical Khayal and Marathi Popular Music

    Aditi Deo•ARTICLE•Asian Music•2021•Cited by: 1

    Hindustani khayal music is a prominent vocal classical genre in northern India. Scholarship on khayal, which focuses on its construction as national and classical, has often rendered its social experiences in ways that suggest homogeneity across regions and quasi-autonomy from popular music. Elaborating on a contemporary instance—a television show that features Marathi popular songs—this article unpacks the relationship of khayal with popular mus…

  • Radios, ringtones, and memory cards or, how the mobile phone became our favourite music playback device

    Aditi Deo, Vebhuti Duggal•ARTICLE•South Asian Popular Culture•2017•References: 12

    This article explores the co-constitution of mobile phones and music consumption in India to examine the changing relationships between music, listeners, playback technologies and music markets. Drawing upon ethnographic research conducted between 2011 and 2013 and archival material from 2003 to 2013, we trace the intersections of vectors such as mobile phone technologies, the digital im/materiality of sound recordings, legal and extralegal econo…

  • The Classical Khayal and Marathi Popular Music

    Aditi Deo•ARTICLE•Asian Music•2021•Cited by: 1

    Hindustani khayal music is a prominent vocal classical genre in northern India. Scholarship on khayal, which focuses on its construction as national and classical, has often rendered its social experiences in ways that suggest homogeneity across regions and quasi-autonomy from popular music. Elaborating on a contemporary instance—a television show that features Marathi popular songs—this article unpacks the relationship of khayal with popular mus…

  • Radios, ringtones, and memory cards or, how the mobile phone became our favourite music playback device

    Aditi Deo, Vebhuti Duggal•ARTICLE•South Asian Popular Culture•2017•References: 12

    This article explores the co-constitution of mobile phones and music consumption in India to examine the changing relationships between music, listeners, playback technologies and music markets. Drawing upon ethnographic research conducted between 2011 and 2013 and archival material from 2003 to 2013, we trace the intersections of vectors such as mobile phone technologies, the digital im/materiality of sound recordings, legal and extralegal econo…

  • The Classical Khayal and Marathi Popular Music

    Aditi Deo•ARTICLE•Asian Music•2021•Cited by: 1

    Hindustani khayal music is a prominent vocal classical genre in northern India. Scholarship on khayal, which focuses on its construction as national and classical, has often rendered its social experiences in ways that suggest homogeneity across regions and quasi-autonomy from popular music. Elaborating on a contemporary instance—a television show that features Marathi popular songs—this article unpacks the relationship of khayal with popular mus…

  • Crafting Lives in Music

    Open Access•Tejaswini Niranjana, Aditi Deo•ARTICLE•Indian Journal of Gender Studies•2025•References: 4

    A significant development in Indian classical music during the early 20th century was the emergence of women trained in the vocal genre of Hindustani raga music. 1 The city of Bombay, now Mumbai, which was growing in importance as a commercial centre in western India from the mid-19th century into the 20th, was a locus for this transition. As more and more women aspired to professions in the performing arts, the conditions under which they could …

Music History and Culture (3 works) · Aesthetics (2 works) · Anthropological Studies and Insights (2 works) · Art (2 works) · Literature (2 works) · Political science (2 works) · Popular music (2 works) · Sociology (2 works) · Active listening (1 work) · Advertising (1 work)

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