Henry George Farmer
Biographic Data
| ID | 3648450 |
|---|---|
| NAME | Henry George Farmer |
| GIVEN NAMES | Henry George |
| FAMILY NAME | Farmer |
| SIGNATURE | FARMER H G |
| AFFILIATIONS | 1Bearsden/Scotland |
| VERIFIED | No |
| TOTAL WORKS | 70 |
| TOTAL CITATIONS | 12 |
| WORKS AS AUTHOR | 70 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1925 |
| LATEST PUBLICATION YEAR | 2000 |
| H-INDEX | 2 |
The Science of Music in Islam. Vols. 1-2, Studies in Oriental Music
Corrigenda to the ʻSiyāḥat Nāmaʼ of Evliyā Chelebi
Islam
The Old Arabian Melodic Modes
Naghm (pi. Anghām) and Naghmah (pi. Naghamāt) mean “Vocal melody”, both being derived from the Arabic “To speak, hum, or sing in a low pleasant tone”. Such were the classical meanings of those terms, in distinction from LAḤN (pi. ALḤĀN), which stood for “melody” whether in the vocal or instrumental art. Thus, one of the earliest Arabic books on music—the Kitāb al-naghm (Book of vocal melody)—by Yūnus al-Kātib (d. c. 765), became the source book o…
The Scots Musical Museum
Abdalqadir ibn Gaibi on Instruments of Music
ʿabdalqādir Ibn Ġaibī on Instruments of Music
Monster Kettledrums
Journal Article MONSTER KETTLEDRUMS Get access HENRY GEORGE FARMER HENRY GEORGE FARMER Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 43, Issue 2, April 1962, Pages 129–130, https://doi.org/10.1093/ml/43.2.129 Published: 01 April 1962
God Save the Queen’
‘GOD SAVE THE QUEEN’ HENRY G.FARMER HENRY G.FARMER The University LibraryGlasgow, W.2 Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 42, Issue 4, October 1961, Pages 396-a–396, https://doi.org/10.1093/ml/42.4.396-a Published: 01 October 1961
Bernard Shaw's Sister’
Bernard Shaw's Sister and Her Friends
A Rossini Recipe
A Turkish Officer's Tomb at Woolwich
A Turkish Officer's Tomb at Woolwich
The Religious Music of Islām
Islām, notwithstanding its immediate and overwhelming triumph, was unable to eradicate the paganism which had preceded it. In pagan Arabia the jinn and spirit world could be conjured by music, and even in ʻAbbāsid times such famous musicians as Ibrāhīm al-Mauṣilī of Baghdad and Ziryāb of Cordova claimed to derive some of their music from the jinn and even sh aiṭān himself. This conceit is understandable. The voice of the jinn was termed ʻ azf , a…
Cymbales et crotales dans l'Egypte ancienne and Miscellanea Musicologica
Hans Hickmann
Arabian Musical Instruments on a Thirteenth Century Bronze Bowl
One does not expect absolute fidelity of outline or intricacy of structure in any delineation to be found in the so-called industrial arts, but because of the scarcity of miniatures and other paintings and drawings in Arabic manuscripts, one has to fall back on this medium frequently for our ideas of the outline and structure of instruments of music at various periods of history. Indeed, some of our earliest iconographical specimens of instrument…
Percussion and Petticoats
Journal Article PERCUSSION AND PETTICOATS Get access HENRY G. FARMER HENRY G. FARMER Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XXXI, Issue 4, October 1950, Pages 343–345, https://doi.org/10.1093/ml/XXXI.4.343 Published: 01 October 1950
An Early Greek Pandore
THE origin and history of the pandore and lute in the Near and Middle East is a perennial attraction to musicologists. Especially interesting is its emergence in Greece, where its Oriental origin is ackowledged. It has been surmised that the word πανδορα is derived from the Sumerian pandur or pantur (“little bow”), and it may be perfectly true that in primeval times the pandore would have evolved from a “musical bow”. Still, no such words have co…
Crusading martial music
Crusading Martial Music
Journal Article CRUSADING MARTIAL MUSIC Get access HENRY GEORGE FARMER HENRY GEORGE FARMER Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XXX, Issue 3, July 1949, Pages 243–249, https://doi.org/10.1093/ml/XXX.3.243 Published: 01 July 1949
"Ghosts". An Excursus on Arabic Musical Bibliographies
The Music of The Arabian Nights
In the Nights the instrument of music is generally referred to as the ālat al-ṭarab or ālat al-malāhī . The types mentioned are fairly considerable, although in most instances the mere name occurs. In the case of the ' ūd (lute), however, certain subsidiary details occur incidentally which are of value
An Historic March
Journal Article AN HISTORIC MARCH Get access HENRY GEORGE FARMER HENRY GEORGE FARMER Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XXVI, Issue 3, July 1945, Pages 172–177, https://doi.org/10.1093/ml/XXVI.3.172 Published: 01 July 1945
Maimonides on Listening to Music
In all ages there have been puritans who have looked upon “wine, woman, and song” as things to be avoided. In the East especially, and it was in the East that the phrase was born, the proscription of this trinity of joys was a question of serious moment. It was the cry of the old Hebrew prophets, and it was echoed by the early Christian fathers, as well as by the purists of Islām. To some extent, one can appreciate why wine and woman came to be p…
Greek Theorists of Music in Arabic Translation
The Old Arabian Melodic Modes
Naghm (pi. Anghām) and Naghmah (pi. Naghamāt) mean “Vocal melody”, both being derived from the Arabic “To speak, hum, or sing in a low pleasant tone”. Such were the classical meanings of those terms, in distinction from LAḤN (pi. ALḤĀN), which stood for “melody” whether in the vocal or instrumental art. Thus, one of the earliest Arabic books on music—the Kitāb al-naghm (Book of vocal melody)—by Yūnus al-Kātib (d. c. 765), became the source book o…
The Religious Music of Islām
Islām, notwithstanding its immediate and overwhelming triumph, was unable to eradicate the paganism which had preceded it. In pagan Arabia the jinn and spirit world could be conjured by music, and even in ʻAbbāsid times such famous musicians as Ibrāhīm al-Mauṣilī of Baghdad and Ziryāb of Cordova claimed to derive some of their music from the jinn and even sh aiṭān himself. This conceit is understandable. The voice of the jinn was termed ʻ azf , a…
An Early Greek Pandore
THE origin and history of the pandore and lute in the Near and Middle East is a perennial attraction to musicologists. Especially interesting is its emergence in Greece, where its Oriental origin is ackowledged. It has been surmised that the word πανδορα is derived from the Sumerian pandur or pantur (“little bow”), and it may be perfectly true that in primeval times the pandore would have evolved from a “musical bow”. Still, no such words have co…
The Kitāb al-malāhi of Abū Ṭālib Al-Mufaḍḍal ibn Salama
The notices of Ibn Salama are short. Al-Nawawī (d. 1277) and Ibn Kh allikān (d. 1282) make reference to him only in the biography of his son, Abū '1-Ṭaiyib, who died in 920. Ibn Salama was a grammarian of the Kūfan school. He studied under his father, Salama ibn 'Āṣim, a friend of Al-Farrā' (d. 822) and teacher of Th a'lab (d. 904); but Yāqūt says that he departed from his father's views. The Fihrist , followed by Ibn Kh allikān, says that he met…
Turkish Instruments of Music in the Seventeenth Century
One of the most complete and entertaining accounts of the instruments of music of Turkey is that given by the chatty and voluble, though highly imaginative writer, Ewliyā Ch elebī 1611– ca . 1669. Although his family held high appointments at the Ottoman court, yet young Ewliyā yearned for a literary career and, like many such Parnassian aspirants, began his public life as a ḥāfiẓ in Aya Sofia on the Lailat al-kaḍr of 1045 (=A.D. 1636), whenhe at…
The Organ of the Muslim Kingdoms
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Arabic Musical Manuscripts in the Bodleian Library
Whilst engaged as a Research Student on “Mediaeval Arabian Musical Theory ” at Glasgow University, I had the good fortune to have access to several libraries, and among them the Bodleian, where I compiled for my needs a short but detailed catalogue of the Arabic musical MSS. in this famous library. As this catalogue may be of use to orientalists and musical antiquaries, I take this opportunity of giving it publicity
Clues for the Arabian Influence on European Musical Theory
In the diffusion of the sciences of the Saracens throughout Western Europe in the twelfth century, says Professor Haskins in one of his valuable contributions to the English Historical Review , “ England occupies a position of considerable importance. An English scholar, Adelard of Bath, seems to have been the chief pioneer in this movement of study and translation, while the existence of a certain number of dated treatises of his contemporaries …
Arabic Musical Manuscripts in the Bodleian Library
Whilst engaged as a Research Student on “Mediaeval Arabian Musical Theory ” at Glasgow University, I had the good fortune to have access to several libraries, and among them the Bodleian, where I compiled for my needs a short but detailed catalogue of the Arabic musical MSS. in this famous library. As this catalogue may be of use to orientalists and musical antiquaries, I take this opportunity of giving it publicity
Clues for the Arabian Influence on European Musical Theory
In the diffusion of the sciences of the Saracens throughout Western Europe in the twelfth century, says Professor Haskins in one of his valuable contributions to the English Historical Review , “ England occupies a position of considerable importance. An English scholar, Adelard of Bath, seems to have been the chief pioneer in this movement of study and translation, while the existence of a certain number of dated treatises of his contemporaries …
Byzantine Musical Instruments in the Ninth Century
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The Organ of the Muslim Kingdoms
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The Horn of Alexander the Great ”
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Some Musical MSS. Identified
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The Old Persian Musical Modes
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The Canon and Eschaquiel of the Arabs
Whatever the author of The Music of Hindustan has to say about Oriental music, must have a certain interest if not authority, and, for that reason, his passing comments on two points raised by me, prompt me to investigate the validity of his strictures. Whether his first objection is a philological one, or whether it is musical, is not made quite clear. If it is the former, i.e. that my contention is incompetent because the Arabic word qānūn ( ) …
Ibn Khurdādhbih on Musical Instruments
In an article written in 1926 on “Byzantine Musical Instruments in the Ninth Century” I mentioned that one of the earliest extant accounts in Arabic of the musical instruments of the Arabs and their neighbours is contained in an oration delivered by Ibn Khurdādhbih before Al-Mu'tamid (870–93). The narration appears in the Murūj al-dhahab of Al-Mas'ūdī (d. c. 956). Both of these writers were competent, to some extent, to deal with the question in …
A North African Folk Instrument
Among the folk instruments of music in North Africa the primitive lute, guitar, or pandore known as the gunbrī or gunībrī stands facile princeps . Look where you will from Egypt to Morocco, from the Mediterranean to the southern confines of the Sūdān, and you will find this instrument in some form or other, although its name may have slight variation.2 It is essentially an instrument of the people, and is but rarely found in the hands of the prof…
Meccan Musical Instruments
Among the most interesting exhibits at the Rijks Ethnographisch Museum at Leyden are the Meccan musical instruments presented by the well-known Arabist and traveller, Professor Dr. C. Snouck Hurgronje. They are displayed, in a special case containing other Meccan objects, in the bureau of the Director, Dr. H. H. Juynboll. These instruments, Dr. Snouck Hurgronje informs me, were not collected by himself personally, but by a Jidda friend who, unfor…
A Note on the Mizmār and Nāy
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The Origin of the Arabian Lute and Rebec
Among the instruments of Mediaeval Europe that contributed most to the progress of the art of music the lute and rebec stand pre-eminent. That they were introduced into Western Europe by the Arabs is generally admitted, and for that reason the question of their original adoption by the Arabs themselves is of some importance, especially in view of the statements of Miss Schlesinger; not only in the above extract, but in the works to which she refe…
Greek Theorists of Music in Arabic Translation
An Old Scottish Violin Tutor
An account of an 18th-century manuscript of sheet music for violin
British musicians a century ago
British Musicians a Century Ago
Journal Article BRITISH MUSICIANS A CENTURY AGO Get access HENRY GEORGE FARMER HENRY GEORGE FARMER Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XII, Issue 4, October 1931, Pages 384–392, https://doi.org/10.1093/ml/XII.4.384 Published: 01 October 1931
The Influence of Al-Farabi's “Ihsa' al-'ulum” ( De scientiis ) on the Writers on Music in Western Europe
The question of the Arabian influence on the music of Western Europe has been considerably stressed of recent years. In the practical art, the minstrel class of the Middle Ages not only adopted the actual instruments of the Arabs, such as the lute (' ūd ), rebec ( rāb ), guitar ( kai th ār ), and others, but also the actual musical devices of the performers on them. In the theoretical art, clues in the Mediaeval Latin treatises on music enable us…
An Old Moorish Lute Tutor ( cont. )
Since my article on the above appeared, additional information has come to hand which appears to be of sufficient merit to be recorded, more especially because this old music of the Moors is gradually disappearing. At the invitation of the Egyptian Government, I attended a Congress of Arabian Music which was held in Cairo during March and April, 1932, where I had the honour to preside over the Commission of History and Manuscripts. During this co…
An Old Moorish Lute Tutor
Ma gh ribī or Moorish documents on the theory of music are extremely rare. We certainly have the Commentary on Aristotle's De anima by Ibn Ru sh d (d. 1198), but that deals with the question of the physical basis of sound, and not with practical theory. Probably the latter is treated in the Kitāb al adwār al-mansūb attributed to Ibn Sab'īn (d. 1269), but this is, unfortunately, locked away in a private library in the East. We also have the treati…
The “Iḥṣā' Al-'Ulūm”
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Maimonides on Listening to Music
In all ages there have been puritans who have looked upon “wine, woman, and song” as things to be avoided. In the East especially, and it was in the East that the phrase was born, the proscription of this trinity of joys was a question of serious moment. It was the cry of the old Hebrew prophets, and it was echoed by the early Christian fathers, as well as by the purists of Islām. To some extent, one can appreciate why wine and woman came to be p…
A Further Arabic-Latin Writing on Music
Besides De scientiis , there is another treatise attributed to Al-Fārābī known in Latin which contains references to music. This is De ortu scientiarum . At the same time it must be pointed out that, unlike De scientiis , we do not possess irrefutable proof of authorship, as we shall see. In its Latin dress, however, it appears to have been widely disseminated throughout the great culture centres of Medieval Europe, and for that reason it attract…
Who was the Author of the “Liber introductorius in Artem Logicae Demonstrations”
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Reciprocal Influences in Music 'twixt the Far and Middle East
In spite of the hoary belief in the conservatism of the Chinese we find that exotic music and instruments of music found favour in “Far Cathay” from quite an early period, long before the Mu gh al régime. Thanks to the researches of M. Maurice Courant and others, we are able to appreciate with considerable definiteness the influence of the Middle East on the Far East in these matters. On the other hand, the Rev. A. C. Moule is of opinion that “th…
Art (58 works) · History (47 works) · Philosophy (35 works) · Literature (31 works) · Linguistics (24 works) · History (23 works) · Classics (22 works) · Islamic Studies and History (20 works) · Art history (18 works) · Musical (18 works)