Hon-Lun Yang
Biographic Data
| ID | 3648466 |
|---|---|
| NAME | Hon-Lun Yang |
| GIVEN NAMES | Hon-Lun |
| FAMILY NAME | Yang |
| SIGNATURE | YANG H |
| AFFILIATIONS | Hong Kong Baptist University |
| ORCID | 0000-0003-3373-2534 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
China and the West
'China and the West: Music, Representation, and Reception' is the first book to explore how Chinese and Western musical materials and traditions—those involving instruments, melodies, rhythms, staged diversions (including operas and musical comedies), concert works, film scores, and digital recordings of several kinds—have gradually moved closer together and become increasingly accepted, as well as exploited, in Asia as well as Europe and North A…
China and the West
The Shanghai Conservatory, Chinese Musical Life, and the Russian Diaspora, 1927–1949
Shanghai in the late nineteenth and early twentieth centuries was home to communities and musicians from all parts of the world. Among the over 20,000 Russians living there, a significant population of musicians contributed to the musical life of the city, particularly the Conservatory of Music founded in November 1927. This article reveals an overlooked phase of musical exchange between China and the West by 1) tracing the context and early deve…
The 12 Girls Band
The 12 Girls Band:Traditions, Gender, Globalization, and (Inter)national Identity1 Hon-Lun Yang (bio) and Michael Saffle (bio) Chinese music has gone through dramatic changes in the past century in connection with modernization. Not only has the West influenced the nation's overall art-music soundscape, but traditional Chinese music has also undergone significant transformations. Yet, although westernization and professionalization proved themsel…
The Making of a National Musical Icon
In the history of music in the People’s Republic of China (abbreviated hereafter as the PRC), there is probably no other composer or work so iconic as Xian Xinghai (1905-1945) and his Yellow River Cantata. There is also no other work that demonstrates so close a tie between music and political power as Xian’s cantata. Although the Yellow River Cantata was composed in 1939 as an anti-Japanese protest, it has been willingly adopted by the PRC. As R…
Nationality versus Universality
The 12 Girls Band
The 12 Girls Band:Traditions, Gender, Globalization, and (Inter)national Identity1 Hon-Lun Yang (bio) and Michael Saffle (bio) Chinese music has gone through dramatic changes in the past century in connection with modernization. Not only has the West influenced the nation's overall art-music soundscape, but traditional Chinese music has also undergone significant transformations. Yet, although westernization and professionalization proved themsel…
Nationality versus Universality
The Making of a National Musical Icon
In the history of music in the People’s Republic of China (abbreviated hereafter as the PRC), there is probably no other composer or work so iconic as Xian Xinghai (1905-1945) and his Yellow River Cantata. There is also no other work that demonstrates so close a tie between music and political power as Xian’s cantata. Although the Yellow River Cantata was composed in 1939 as an anti-Japanese protest, it has been willingly adopted by the PRC. As R…
The 12 Girls Band
The 12 Girls Band:Traditions, Gender, Globalization, and (Inter)national Identity1 Hon-Lun Yang (bio) and Michael Saffle (bio) Chinese music has gone through dramatic changes in the past century in connection with modernization. Not only has the West influenced the nation's overall art-music soundscape, but traditional Chinese music has also undergone significant transformations. Yet, although westernization and professionalization proved themsel…
The Shanghai Conservatory, Chinese Musical Life, and the Russian Diaspora, 1927–1949
Shanghai in the late nineteenth and early twentieth centuries was home to communities and musicians from all parts of the world. Among the over 20,000 Russians living there, a significant population of musicians contributed to the musical life of the city, particularly the Conservatory of Music founded in November 1927. This article reveals an overlooked phase of musical exchange between China and the West by 1) tracing the context and early deve…
China and the West
'China and the West: Music, Representation, and Reception' is the first book to explore how Chinese and Western musical materials and traditions—those involving instruments, melodies, rhythms, staged diversions (including operas and musical comedies), concert works, film scores, and digital recordings of several kinds—have gradually moved closer together and become increasingly accepted, as well as exploited, in Asia as well as Europe and North A…
China and the West
Art (5 works) · History (4 works) · China (3 works) · Chinese history and philosophy (3 works) · Literature (3 works) · Musical (3 works) · Sociology (3 works) · Archaeology (2 works) · Asian Culture and Media Studies (2 works) · Gender Studies (2 works)