Rose Lucas
Biographic Data
| ID | 3648843 |
|---|---|
| NAME | Rose Lucas |
| GIVEN NAMES | Rose |
| FAMILY NAME | Lucas |
| SIGNATURE | LUCAS R |
| AFFILIATIONS | Monash University |
| ORCID | 0000-0003-2068-318X |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 8 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 2 |
Gifts of Love, Gifts of Poison
This article argues that the confessional poem reflects an ambiguous relation between poet, reader and text. The confessional poem—at least as Sexton used it—does not so much reproduce a ‘real,’ as offer a distilled and complex gift that passes from the poet to the reader. As a gift, the confessional poem marks a site of desire, a textual locus which illuminates the complex desires of both speaker and reader. In this sense, if the poem offers a f…
Dragging it out
(1998). Dragging it out: Tales of masculinity in Australian cinema, from Crocodile Dundee to Priscilla, queen of the desert. Journal of Australian Studies: Vol. 22, Australian masculinities, pp. 138-146
Telling maternity
Body Tracking
Mask: a covering for the face, for amusement, protection, disguise; something that conceals; masquerade; a likeness of a face or head; a device placed over the nose and mouth to prevent or facilitate breath; a shield of paper placed over an area of unexposed photographic surface to prevent light from falling on it; the face or head of an animal, especially the dark colourations of the face.Monkey: primate; a naughty child; an addict's dependence …
H. D.'s Freudian Poetics
Not being echo
Margaret Coombs, Regards to the Czar (UQP) St Lucia, 1988; Marion Campbell, Not being Miriam (Fremantle Arts Press) Fremantle, 1988; Mary Fallon, Working Hot (Sybylla Co‐Operative) Melbourne, 1989
Dragging it out
(1998). Dragging it out: Tales of masculinity in Australian cinema, from Crocodile Dundee to Priscilla, queen of the desert. Journal of Australian Studies: Vol. 22, Australian masculinities, pp. 138-146
Telling maternity
Gifts of Love, Gifts of Poison
This article argues that the confessional poem reflects an ambiguous relation between poet, reader and text. The confessional poem—at least as Sexton used it—does not so much reproduce a ‘real,’ as offer a distilled and complex gift that passes from the poet to the reader. As a gift, the confessional poem marks a site of desire, a textual locus which illuminates the complex desires of both speaker and reader. In this sense, if the poem offers a f…
Not being echo
Margaret Coombs, Regards to the Czar (UQP) St Lucia, 1988; Marion Campbell, Not being Miriam (Fremantle Arts Press) Fremantle, 1988; Mary Fallon, Working Hot (Sybylla Co‐Operative) Melbourne, 1989
H. D.'s Freudian Poetics
Body Tracking
Mask: a covering for the face, for amusement, protection, disguise; something that conceals; masquerade; a likeness of a face or head; a device placed over the nose and mouth to prevent or facilitate breath; a shield of paper placed over an area of unexposed photographic surface to prevent light from falling on it; the face or head of an animal, especially the dark colourations of the face.Monkey: primate; a naughty child; an addict's dependence …
Dragging it out
(1998). Dragging it out: Tales of masculinity in Australian cinema, from Crocodile Dundee to Priscilla, queen of the desert. Journal of Australian Studies: Vol. 22, Australian masculinities, pp. 138-146
Telling maternity
Gifts of Love, Gifts of Poison
This article argues that the confessional poem reflects an ambiguous relation between poet, reader and text. The confessional poem—at least as Sexton used it—does not so much reproduce a ‘real,’ as offer a distilled and complex gift that passes from the poet to the reader. As a gift, the confessional poem marks a site of desire, a textual locus which illuminates the complex desires of both speaker and reader. In this sense, if the poem offers a f…
Art (4 works) · Gender Studies (3 works) · History (3 works) · Psychology (3 works) · Sociology (3 works) · Art history (2 works) · Australian History and Society (2 works) · Cinema and Media Studies (2 works) · Contemporary Literature and Criticism (2 works) · Law (2 works)