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Jane Simon

Biographic Data

ID3649064
NAMEJane Simon
GIVEN NAMESJane
FAMILY NAMESimon
SIGNATURESIMON J
AFFILIATIONSMacquarie University
ORCID0000-0001-5655-5150
VERIFIEDYes
TOTAL WORKS26
TOTAL CITATIONS12
AUTHOR COUNT26
EDITOR COUNT0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR2026
H-INDEX2
  • Swiping through the family album

    Open Access•Amanda Burgess, Jane Simon•ARTICLE•Photographies•2026

  • Sakura imagery and cosmetics

    Mio Bryce, Kelsey E Scholes et al.•ARTICLE•East Asian Journal of Popular…•2023•References: 5

    This article examines contemporary representations of sakura (cherry blossom) in cosmetics marketing. Since the Heian period, sakura has been loved and regarded as having tangible and metaphorical significance in Japan. Imagery of sakura is rich in ambiguity and has a complex history as evident in its use in the militaristic promotion of heroism, especially related to the Second World War. However, in recent decades, sakura imagery has proliferat…

  • The Fabric of Resistance

    Kate Manlik, Jane Simon et al.•ARTICLE•Signs: Journal of Women in…•2023•References: 35

    Since the 1980s, queer women have held a precarious position in HIV/AIDS discourse, often invisible or positioned in caring roles for others living with HIV. The voices of queer women who are themselves HIV-positive have been largely unrepresented. In this article, we examine artworks by Kia LaBeija and Jessica Whitbread, contemporary artists who explicitly draw on their experiences as queer HIV-positive women. We trace the appearance of material…

  • Reflections on, and from, Feminist Practice

    Jane Simon, Sophia Maalsen et al.•ARTICLE•Australian Feminist Studies•2022•References: 27

    10.1080/08164649.2023.2267178

  • The labour of light

    Jane Simon, Mio Bryce•ARTICLE•Women s History Review•2022

    This article examines the photography of Nagashima Yurie and Kawauchi Rinko. Both of these Japanese women photographers produced considerable bodies of work during the Heisei era (1989–2019) attending to the familial and the domestic. We situate Nagashima’s photography as invested in a feminist politics of looking, and Kawauchi’s photography as exploring a cumulative gaze at the everyday through her poetics of looking. We argue that both Nagashim…

  • The Wilderness Diary

    Jane Simon, Nic Matthews et al.•ARTICLE•Feminist Media Histories•2020

    Gendered meanings, particularly around sentiment and attachment, shape hierarchies of value that organize our understandings of the creation, reproduction, and circulation of landscape photography. To explore these ideas, this article considers Australian wilderness diaries and calendars, which began to emerge in the late 1970s. Popular landscape photography is often derided as merely showing pristine, repetitive scenes: technically perfect shots…

  • Interior Matter

    Jane Simon•ARTICLE•Life Writing•2020•Cited by: 1•References: 8

    This introductory article maps out the relationship between life writing and interiors. It examines the connections between interior spaces, interior matter and interior selves and foregrounds how interiorities are shaped across material and visual cultures. It takes as a springboard the work of life writing and auto/biography scholars who have expanded the limits of what is considered autobiographical practice and reoriented the field beyond the…

  • Documenting the Domestic

    Jane Simon•ARTICLE•Australian Feminist Studies•2017•Cited by: 4•References: 41

    Chantal Akerman's films provide meticulous observations of the everyday, depicting in obsessive detail the activities that weave across daily life. Experimental and often on the border of fiction and non-fiction, Akerman's films have created a rich archive, both personal and collective, of domestic life. Many of Akerman's films have a range of autobiographical registers. In this article, I position the experimental autobiographical film as archiv…

  • Academic Work Cultures

    Open Access•Nicole Sullivan, Jane Simon•ARTICLE•Somatechnics•2014•Cited by: 3•References: 11

    Research carried out in Australia, the UK, USA, and Europe over the last decade or so has clearly shown that large numbers of academics are stressed, anxious, depressed, overloaded, and demoralised (Barcan 2013; Burrows 2012; Court & Kinman 2008; Ditton 2009; Gill 2010; Hil 2012; Lynch 2010; Sparkes 2007; Tytherleigh et al. 2007; Watson 2010). Many are suffering from insomnia, feelings of guilt, insecurity, anger, loss, failure and disorientation…

  • Doing Family Photography

    Jane Simon•ARTICLE•Photography and Culture•2012

  • Recycling Home Movies

    Jane Simon•ARTICLE•Continuum•2006•Cited by: 2

    Cultural studies’ attraction to objects and practices which are ‘new’ or ‘emergent’ can be at the expense of objects and practices which might be called ‘obsolete’. While emerging media technologie

  • Three Poems

    Open Access•Jane Simon•ARTICLE•Journal of Religion and Health•2004

  • Thoughts on September 11, 2001

    Open Access•Jane Simon•ARTICLE•Journal of Religion and Health•2002

  • Soul Death

    Jane Simon, J L Simon•ARTICLE•Journal of the American Academy…•2001

  • Success for women library managers ‐ but on whose terms

    Open Access•Jane Simon•ARTICLE•Women in Management Review•1996

  • The “double‐glazed glass ceiling” in Australian libraries

    Open Access•Jane Simon•ARTICLE•Women in Management Review•1995

    Discusses the findings from a recent Australian study on the status of women in libraries. Poses the question of whether a “double‐glazed” ceiling exists for women in librarianship despite their movement since the late 1980s into library management positions and legislative initiatives. Utilizes both survey data and information obtained from follow‐up interviews with female librarians. Also questions the usefulness of the metaphor, the “glass cei…

  • The single parent

    Open Access•Jane Simon•ARTICLE•The American Journal of…•1990

  • Integrity in the psychoanalytic relationship

    Open Access•Jane Simon•ARTICLE•The American Journal of…•1989

  • A psychotherapeutic relationship

    Open Access•Jane Simon•ARTICLE•The American Journal of…•1987

  • The Role of the Double in the Creative Process and Psychoanalysis

    Jane Simon, Carl Goldberg•ARTICLE•Journal of the American Academy…•1984

  • Love

    Open Access•Jane Simon•ARTICLE•The American Journal of…•1982

  • Sandy's confrontation with her three selves

    Open Access•Jane Simon•ARTICLE•The American Journal of…•1982

  • Creativity and altered states of consciousness

    Open Access•Jane Simon•ARTICLE•The American Journal of…•1977

  • Love

    Open Access•Jane Simon•ARTICLE•The American Journal of…•1975

  • On Missing the Revolution

    Open Access•Jane Simon•ARTICLE•Cultural Studies Review•1970

    A review of Margaret Henderson, Marking Feminist Times: Remembering the Longest Revolution in Australia (Peter Lang, Bern, 2006

Next
  • Documenting the Domestic

    Jane Simon•ARTICLE•Australian Feminist Studies•2017•Cited by: 4•References: 41

    Chantal Akerman's films provide meticulous observations of the everyday, depicting in obsessive detail the activities that weave across daily life. Experimental and often on the border of fiction and non-fiction, Akerman's films have created a rich archive, both personal and collective, of domestic life. Many of Akerman's films have a range of autobiographical registers. In this article, I position the experimental autobiographical film as archiv…

  • Academic Work Cultures

    Open Access•Nicole Sullivan, Jane Simon•ARTICLE•Somatechnics•2014•Cited by: 3•References: 11

    Research carried out in Australia, the UK, USA, and Europe over the last decade or so has clearly shown that large numbers of academics are stressed, anxious, depressed, overloaded, and demoralised (Barcan 2013; Burrows 2012; Court & Kinman 2008; Ditton 2009; Gill 2010; Hil 2012; Lynch 2010; Sparkes 2007; Tytherleigh et al. 2007; Watson 2010). Many are suffering from insomnia, feelings of guilt, insecurity, anger, loss, failure and disorientation…

  • Recycling Home Movies

    Jane Simon•ARTICLE•Continuum•2006•Cited by: 2

    Cultural studies’ attraction to objects and practices which are ‘new’ or ‘emergent’ can be at the expense of objects and practices which might be called ‘obsolete’. While emerging media technologie

  • Critical Proximity

    Open Access•Jane Simon•ARTICLE•Cultural Studies Review•1970•Cited by: 2

    This essay considers how written language frames visual objects. Drawing on Michel Foucault's response to Raymond Roussel's obsessive description, the essay proposes a model of criticism where description might press up against its objects. This critical closeness is then mapped across the conceptual art practice and art criticism of Ian Burn. Burn attends to the differences between seeing and reading, and considers the conditions which frame how…

  • Interior Matter

    Jane Simon•ARTICLE•Life Writing•2020•Cited by: 1•References: 8

    This introductory article maps out the relationship between life writing and interiors. It examines the connections between interior spaces, interior matter and interior selves and foregrounds how interiorities are shaped across material and visual cultures. It takes as a springboard the work of life writing and auto/biography scholars who have expanded the limits of what is considered autobiographical practice and reoriented the field beyond the…

  • On Missing the Revolution

    Open Access•Jane Simon•ARTICLE•Cultural Studies Review•1970

    A review of Margaret Henderson, Marking Feminist Times: Remembering the Longest Revolution in Australia (Peter Lang, Bern, 2006

  • Critical Proximity

    Open Access•Jane Simon•ARTICLE•Cultural Studies Review•1970•Cited by: 2

    This essay considers how written language frames visual objects. Drawing on Michel Foucault's response to Raymond Roussel's obsessive description, the essay proposes a model of criticism where description might press up against its objects. This critical closeness is then mapped across the conceptual art practice and art criticism of Ian Burn. Burn attends to the differences between seeing and reading, and considers the conditions which frame how…

  • Love

    Open Access•Jane Simon•ARTICLE•The American Journal of…•1975

  • Creativity and altered states of consciousness

    Open Access•Jane Simon•ARTICLE•The American Journal of…•1977

  • Love

    Open Access•Jane Simon•ARTICLE•The American Journal of…•1982

  • Sandy's confrontation with her three selves

    Open Access•Jane Simon•ARTICLE•The American Journal of…•1982

  • The Role of the Double in the Creative Process and Psychoanalysis

    Jane Simon, Carl Goldberg•ARTICLE•Journal of the American Academy…•1984

  • A psychotherapeutic relationship

    Open Access•Jane Simon•ARTICLE•The American Journal of…•1987

  • Integrity in the psychoanalytic relationship

    Open Access•Jane Simon•ARTICLE•The American Journal of…•1989

  • The single parent

    Open Access•Jane Simon•ARTICLE•The American Journal of…•1990

  • The “double‐glazed glass ceiling” in Australian libraries

    Open Access•Jane Simon•ARTICLE•Women in Management Review•1995

    Discusses the findings from a recent Australian study on the status of women in libraries. Poses the question of whether a “double‐glazed” ceiling exists for women in librarianship despite their movement since the late 1980s into library management positions and legislative initiatives. Utilizes both survey data and information obtained from follow‐up interviews with female librarians. Also questions the usefulness of the metaphor, the “glass cei…

  • Success for women library managers ‐ but on whose terms

    Open Access•Jane Simon•ARTICLE•Women in Management Review•1996

  • Soul Death

    Jane Simon, J L Simon•ARTICLE•Journal of the American Academy…•2001

  • Thoughts on September 11, 2001

    Open Access•Jane Simon•ARTICLE•Journal of Religion and Health•2002

  • Three Poems

    Open Access•Jane Simon•ARTICLE•Journal of Religion and Health•2004

  • Recycling Home Movies

    Jane Simon•ARTICLE•Continuum•2006•Cited by: 2

    Cultural studies’ attraction to objects and practices which are ‘new’ or ‘emergent’ can be at the expense of objects and practices which might be called ‘obsolete’. While emerging media technologie

  • Doing Family Photography

    Jane Simon•ARTICLE•Photography and Culture•2012

  • Academic Work Cultures

    Open Access•Nicole Sullivan, Jane Simon•ARTICLE•Somatechnics•2014•Cited by: 3•References: 11

    Research carried out in Australia, the UK, USA, and Europe over the last decade or so has clearly shown that large numbers of academics are stressed, anxious, depressed, overloaded, and demoralised (Barcan 2013; Burrows 2012; Court & Kinman 2008; Ditton 2009; Gill 2010; Hil 2012; Lynch 2010; Sparkes 2007; Tytherleigh et al. 2007; Watson 2010). Many are suffering from insomnia, feelings of guilt, insecurity, anger, loss, failure and disorientation…

  • Documenting the Domestic

    Jane Simon•ARTICLE•Australian Feminist Studies•2017•Cited by: 4•References: 41

    Chantal Akerman's films provide meticulous observations of the everyday, depicting in obsessive detail the activities that weave across daily life. Experimental and often on the border of fiction and non-fiction, Akerman's films have created a rich archive, both personal and collective, of domestic life. Many of Akerman's films have a range of autobiographical registers. In this article, I position the experimental autobiographical film as archiv…

  • The Wilderness Diary

    Jane Simon, Nic Matthews et al.•ARTICLE•Feminist Media Histories•2020

    Gendered meanings, particularly around sentiment and attachment, shape hierarchies of value that organize our understandings of the creation, reproduction, and circulation of landscape photography. To explore these ideas, this article considers Australian wilderness diaries and calendars, which began to emerge in the late 1970s. Popular landscape photography is often derided as merely showing pristine, repetitive scenes: technically perfect shots…

  • Interior Matter

    Jane Simon•ARTICLE•Life Writing•2020•Cited by: 1•References: 8

    This introductory article maps out the relationship between life writing and interiors. It examines the connections between interior spaces, interior matter and interior selves and foregrounds how interiorities are shaped across material and visual cultures. It takes as a springboard the work of life writing and auto/biography scholars who have expanded the limits of what is considered autobiographical practice and reoriented the field beyond the…

  • Reflections on, and from, Feminist Practice

    Jane Simon, Sophia Maalsen et al.•ARTICLE•Australian Feminist Studies•2022•References: 27

    10.1080/08164649.2023.2267178

  • The labour of light

    Jane Simon, Mio Bryce•ARTICLE•Women s History Review•2022

    This article examines the photography of Nagashima Yurie and Kawauchi Rinko. Both of these Japanese women photographers produced considerable bodies of work during the Heisei era (1989–2019) attending to the familial and the domestic. We situate Nagashima’s photography as invested in a feminist politics of looking, and Kawauchi’s photography as exploring a cumulative gaze at the everyday through her poetics of looking. We argue that both Nagashim…

  • Sakura imagery and cosmetics

    Mio Bryce, Kelsey E Scholes et al.•ARTICLE•East Asian Journal of Popular…•2023•References: 5

    This article examines contemporary representations of sakura (cherry blossom) in cosmetics marketing. Since the Heian period, sakura has been loved and regarded as having tangible and metaphorical significance in Japan. Imagery of sakura is rich in ambiguity and has a complex history as evident in its use in the militaristic promotion of heroism, especially related to the Second World War. However, in recent decades, sakura imagery has proliferat…

  • The Fabric of Resistance

    Kate Manlik, Jane Simon et al.•ARTICLE•Signs: Journal of Women in…•2023•References: 35

    Since the 1980s, queer women have held a precarious position in HIV/AIDS discourse, often invisible or positioned in caring roles for others living with HIV. The voices of queer women who are themselves HIV-positive have been largely unrepresented. In this article, we examine artworks by Kia LaBeija and Jessica Whitbread, contemporary artists who explicitly draw on their experiences as queer HIV-positive women. We trace the appearance of material…

Psychology (18 works) · Sociology (11 works) · Art (10 works) · Psychoanalysis (8 works) · Political science (7 works) · Aesthetics (6 works) · Law (6 works) · Literature (6 works) · Medicine (6 works) · Psychotherapist (6 works)

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