Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Joan Lipkin

Biographic Data

ID3649082
NAMEJoan Lipkin
GIVEN NAMESJoan
FAMILY NAMELipkin
SIGNATURELIPKIN J
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2018
H-INDEX0
  • Be Fierce, Believe in Yourself, and Find Your People”

    Joan Lipkin, Ryan Haddad•ARTICLE•Journal of Literary & Cultural…•2018

    This is an intergenerational discussion between Joan Lipkin, artistic director and co-founder of The DisAbility Project, and Ryan Haddad, an actor, playwright, and autobiographical performer based in New York City. Lipkin and Haddad discuss how they came to their work in disability arts and culture, how they develop the work, and their aesthetic and political approaches to that work. They offer thoughts on the importance of disability theater in …

  • Res(Crip)ting Feminist Theater Through Disability Theater

    Ann M Fox, Joan Lipkin•ARTICLE•NWSA Journal•2002

    The presence of disabled bodies on stage has recently begun to be theorized in the context of an emerging disability culture. Does the application of feminist principles of theater-making to disability performance serve as a catalyst by which an aesthetic of disability theater can be advanced? What are the implications that emerge to the feminist theater practitioner working to create a disability theater? These questions are explored here and in…

  • Identity, sexuality and the body

    Deborah Levy, Joan Lipkin•ARTICLE•Australian Feminist Studies•1995

    In the third and last session devoted to the construction of identity in the work of playwrights and the perceptions of their audiences, the focus was directed towards representations of sex and sexuality

  • "Who Speaks and Who Is Spoken for?"

    Iris Smith, Joan Lipkin•ARTICLE•TDR/The Drama Review•1994

    Joan Lipkin is uppity. No other word describes her as well. I suspect she was uppity long before she founded That Uppity Theatre Company in St. Louis in I988.' At a 1991 conference in Seattle, where she and I first talked, it was clear that this playwright, teacher, and director/producer had no patience for theorizing performance without seeing that theory into practice. A self-styled visitor in the land of academic conferences, Lipkin prefers to…

  • Small Domestic Acts

    Van Watson, Joan Lipkin•ARTICLE•Theatre Journal•1993

No prominent works on this page.

  • Small Domestic Acts

    Van Watson, Joan Lipkin•ARTICLE•Theatre Journal•1993

  • "Who Speaks and Who Is Spoken for?"

    Iris Smith, Joan Lipkin•ARTICLE•TDR/The Drama Review•1994

    Joan Lipkin is uppity. No other word describes her as well. I suspect she was uppity long before she founded That Uppity Theatre Company in St. Louis in I988.' At a 1991 conference in Seattle, where she and I first talked, it was clear that this playwright, teacher, and director/producer had no patience for theorizing performance without seeing that theory into practice. A self-styled visitor in the land of academic conferences, Lipkin prefers to…

  • Identity, sexuality and the body

    Deborah Levy, Joan Lipkin•ARTICLE•Australian Feminist Studies•1995

    In the third and last session devoted to the construction of identity in the work of playwrights and the perceptions of their audiences, the focus was directed towards representations of sex and sexuality

  • Res(Crip)ting Feminist Theater Through Disability Theater

    Ann M Fox, Joan Lipkin•ARTICLE•NWSA Journal•2002

    The presence of disabled bodies on stage has recently begun to be theorized in the context of an emerging disability culture. Does the application of feminist principles of theater-making to disability performance serve as a catalyst by which an aesthetic of disability theater can be advanced? What are the implications that emerge to the feminist theater practitioner working to create a disability theater? These questions are explored here and in…

  • Be Fierce, Believe in Yourself, and Find Your People”

    Joan Lipkin, Ryan Haddad•ARTICLE•Journal of Literary & Cultural…•2018

    This is an intergenerational discussion between Joan Lipkin, artistic director and co-founder of The DisAbility Project, and Ryan Haddad, an actor, playwright, and autobiographical performer based in New York City. Lipkin and Haddad discuss how they came to their work in disability arts and culture, how they develop the work, and their aesthetic and political approaches to that work. They offer thoughts on the importance of disability theater in …

Art (4 works) · Sociology (4 works) · Theatre and Performance Studies (4 works) · Aesthetics (3 works) · Gender Studies (3 works) · Psychology (3 works) · Gender Studies (2 works) · Art history (1 work) · Atlanta (1 work) · Business (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae