Hector A Torres
Biographic Data
| ID | 3649577 |
|---|---|
| NAME | Hector A Torres |
| GIVEN NAMES | Hector A |
| FAMILY NAME | Torres |
| SIGNATURE | TORRES H A |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 0 |
"I Don't Think I Exist"
I conducted this interview with Richard Rodriguez in February of 2000 in his San Francisco Victorian home. Born in 1944, Rodriguez has crafted a career encompassing the production of literary as well as journalistic discourse. Rodriguez first came to national prominence with the publication of Hunger of Memory in 1982, a work which would become part of a triptych alongside Days of Obligations: An Argument with my Mexican Father and, most recently…
Chicano Doppelgänger
Research Article| November 01 2001 Chicano Doppelgänger: Robert Rodriguez’s First Remake and Secondary Revision Hector A. Torres Hector A. Torres Hector Torres, an associate professor of English at the University of New Mexico, is the author of “Space, Difference, Mestizaje: The Erasure Mark in Contemporary Chicano/a Critical Discourse” in U. S. Latino Literatures and Cultures: Transnational Perspectives, edited by Francisco A. Lomeli and Karin I…
The Ethnographic Component in Chicano/a Literary Discourse
Postmodern ethnography is the model of the Humanities I trace in order interrelate the inheritance of the erasure mark by contemporary Chicana and Chicano writers. These writers write under erasure because they are aware that too much politics can spoil the story but so can not enough aesthetics. Steering between the exigencies of politics and aesthetics, these contemporary writers are producing a literary discourse that contests Anglo America's …
No prominent works on this page.
The Ethnographic Component in Chicano/a Literary Discourse
Postmodern ethnography is the model of the Humanities I trace in order interrelate the inheritance of the erasure mark by contemporary Chicana and Chicano writers. These writers write under erasure because they are aware that too much politics can spoil the story but so can not enough aesthetics. Steering between the exigencies of politics and aesthetics, these contemporary writers are producing a literary discourse that contests Anglo America's …
Chicano Doppelgänger
Research Article| November 01 2001 Chicano Doppelgänger: Robert Rodriguez’s First Remake and Secondary Revision Hector A. Torres Hector A. Torres Hector Torres, an associate professor of English at the University of New Mexico, is the author of “Space, Difference, Mestizaje: The Erasure Mark in Contemporary Chicano/a Critical Discourse” in U. S. Latino Literatures and Cultures: Transnational Perspectives, edited by Francisco A. Lomeli and Karin I…
"I Don't Think I Exist"
I conducted this interview with Richard Rodriguez in February of 2000 in his San Francisco Victorian home. Born in 1944, Rodriguez has crafted a career encompassing the production of literary as well as journalistic discourse. Rodriguez first came to national prominence with the publication of Hunger of Memory in 1982, a work which would become part of a triptych alongside Days of Obligations: An Argument with my Mexican Father and, most recently…
Latin American and Latino Studies (3 works) · Art (2 works) · Citation (2 works) · Computer Science (2 works) · Download (2 works) · History (2 works) · Icon (2 works) · Library science (2 works) · Media studies (2 works) · Sociology (2 works)