Amy Sara Carroll
Biographic Data
| ID | 3649656 |
|---|---|
| NAME | Amy Sara Carroll |
| GIVEN NAMES | Amy Sara |
| FAMILY NAME | Carroll |
| SIGNATURE | CARROLL A S |
| AFFILIATIONS | University of Michigan |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
The-Mex-is
Research Article| March 01 2023 the-Mex-is: Guillermo del Toro’s Silver Angel versus The Strain (of the Political Economy of Vampirism) Amy Sara Carroll Amy Sara Carroll Amy Sara Carroll is associate professor of literature and writing at the University of California, San Diego. Her books include Secession (2012), Fannie + Freddie: The Sentimentality of Post-9/11 Pornography (2013); and REMEX: Toward an Art History of the NAFTA Era (2017). Search…
Remex
REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994–2008). Marshaling over a decade's worth of archival research, interviews, and participant observation in Mexico City and the Mexico–US borderlands, Amy Sara Carroll considers individual and collective art practices, recasting NAFTA as the most fantastical inter-American allegory of the turn …
FromPapapapátoSleep Dealer
This essay considers the oeuvre of Peruvian-American filmmaker Alex Rivera, focusing especially on Rivera's representations of the Mexico–US continental corridor. It also offers preliminary notes toward a theory of ‘undocumentary poetics’ applicable beyond Rivera's efforts
Global Mexico’s Coproduction
This essay compares and contrasts Babel, Pan’s Labyrinth, and Children of Men’s treatments of global Mexico. It focuses on each film’s representations of white femininity and children (variously absent, potentially revolutionary, and messianic). In addition, it offers preliminary notes on a theory of “coproduction” as both an aesthetic response to, and an effect of, neoliberal and alter-globalizations
Muerte Sin Fin
There is a forensic prescience evident in the corpus of Mexican performance and conceptual artist Teresa Margolles. The gendered “states of exception” of Margolles's medium and message—the corpse, its presence and absence—relate to broader representations of Mexico's escalating “domestic violence.”
“Accidental Allegories” Meet “The Performative Documentary”
Incumbent upon Recombinant Hope
June 01 2003 Incumbent upon Recombinant Hope: EDT's Strike a Site, Strike a Pose Amy Carroll Amy Carroll Amy Carroll received her A.B. in anthropology and creative writing from Princeton University (1990), then went on to earn an M.A. in anthropology from the University of Chicago (1993) and an M.F.A. in creative writing, poetry, from Cornell University (1995). Currently, she is completing her doctorate in Duke University's Program in Literature.…
FromPapapapátoSleep Dealer
This essay considers the oeuvre of Peruvian-American filmmaker Alex Rivera, focusing especially on Rivera's representations of the Mexico–US continental corridor. It also offers preliminary notes toward a theory of ‘undocumentary poetics’ applicable beyond Rivera's efforts
Incumbent upon Recombinant Hope
June 01 2003 Incumbent upon Recombinant Hope: EDT's Strike a Site, Strike a Pose Amy Carroll Amy Carroll Amy Carroll received her A.B. in anthropology and creative writing from Princeton University (1990), then went on to earn an M.A. in anthropology from the University of Chicago (1993) and an M.F.A. in creative writing, poetry, from Cornell University (1995). Currently, she is completing her doctorate in Duke University's Program in Literature.…
“Accidental Allegories” Meet “The Performative Documentary”
Muerte Sin Fin
There is a forensic prescience evident in the corpus of Mexican performance and conceptual artist Teresa Margolles. The gendered “states of exception” of Margolles's medium and message—the corpse, its presence and absence—relate to broader representations of Mexico's escalating “domestic violence.”
Global Mexico’s Coproduction
This essay compares and contrasts Babel, Pan’s Labyrinth, and Children of Men’s treatments of global Mexico. It focuses on each film’s representations of white femininity and children (variously absent, potentially revolutionary, and messianic). In addition, it offers preliminary notes on a theory of “coproduction” as both an aesthetic response to, and an effect of, neoliberal and alter-globalizations
FromPapapapátoSleep Dealer
This essay considers the oeuvre of Peruvian-American filmmaker Alex Rivera, focusing especially on Rivera's representations of the Mexico–US continental corridor. It also offers preliminary notes toward a theory of ‘undocumentary poetics’ applicable beyond Rivera's efforts
Remex
REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994–2008). Marshaling over a decade's worth of archival research, interviews, and participant observation in Mexico City and the Mexico–US borderlands, Amy Sara Carroll considers individual and collective art practices, recasting NAFTA as the most fantastical inter-American allegory of the turn …
The-Mex-is
Research Article| March 01 2023 the-Mex-is: Guillermo del Toro’s Silver Angel versus The Strain (of the Political Economy of Vampirism) Amy Sara Carroll Amy Sara Carroll Amy Sara Carroll is associate professor of literature and writing at the University of California, San Diego. Her books include Secession (2012), Fannie + Freddie: The Sentimentality of Post-9/11 Pornography (2013); and REMEX: Toward an Art History of the NAFTA Era (2017). Search…
Latin American and Latino Studies (6 works) · Sociology (6 works) · Art (5 works) · Art history (4 works) · Media studies (4 works) · Computer Science (3 works) · Gender Studies (3 works) · Gender, Feminism, and Media (3 works) · Latin American Literature Studies (3 works) · Literature (3 works)