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Julia Steinmetz

Biographic Data

ID3650201
NAMEJulia Steinmetz
GIVEN NAMESJulia
FAMILY NAMESteinmetz
SIGNATURESTEINMETZ J
AFFILIATIONSPratt Institute
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS87
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2023
H-INDEX2
  • Introduction: The Stuff of Teaching

    Open Access•Karin Shankar, Julia Steinmetz•ARTICLE•Performance Matters•2023

  • The Studio in the Seminar: Performing Theory in an MFA Classroom

    Open Access•Karin Shankar, Julia Steinmetz•ARTICLE•Performance Matters•2023

    This article describes an "Introduction to Performance Theory" course that the authors co-teach to MFA students at Pratt Institute in Brooklyn, New York. Through the semester, we track genealogies of performance studies, highlighting the ways in which our interdiscipline has been incorporated as an academic field while still remaining sensationally unsettled in its interventions, methods, and objects of analysis. The focus of this article is on t…

  • In Recognition of Their Desperation: Sonic Relationality and the Work of Deep Listening

    Julia Steinmetz•ARTICLE•Studies in Gender and Sexuality•2019

    This essay places composer Pauline Oliveros’s philosophy and practice of Deep Listening in conversation with analytic theories of listening in a duet that explores one central question: What can listening do? Thinking through the impact of cultivated listening practices on the sensorium, the relational implications of listening across difference, and the centrality of practices of listening to the therapeutic action of psychoanalysis as well as t…

  • Material Enactments

    Julia Steinmetz•ARTICLE•TSQ Transgender Studies Quarterly•2018

    Artists Cassils and Yishay Garbasz offer up a series of material enactments on and through the body that articulate a transformational aesthetics of trans subjectivity, one less concerned with representation than with actions and their indexical impacts. Both artists seek out, create, and become transformational objects for the alteration of self-experience. In so doing, each stretches and exceeds the limits of the identitarian, holding together …

  • The Sound of Everynight Life

    Julia Steinmetz•ARTICLE•QED A Journal in GLBTQ Worldmaking•2016•References: 1

  • The dirt on feminist landscapes

    Katherine Brewer Ball, Julia Steinmetz•ARTICLE•Women & Performance a journal of…•2011•Cited by: 1

    Suzanne Wright's images depict a series of openings, of holes that lead somewhere else (Figure 1). They propel us away from the place we find ourselves and yet these holes bounce back towards us in

  • Behind Enemy Lines: Toxic Titties Infiltrate Vanessa Beecroft

    Julia Steinmetz, Heather Cassils et al.•ARTICLE•Signs: Journal of Women in…•2006

  • Remarques comparatives sur quatre sonnets de Nerval (manuscrit Loubens)

    Julia Steinmetz, J-L Steinmetz•ARTICLE•Revue belge de philologie et d…•1994

    Se fondant sur la correspondance Nerval-Loubens, dans laquelle apparaissent les copies de quatre sonnets, l'A. etudie les variantes et les divers etats du texte en les comparant aux versions connues a ce jour. Il s'interesse en particulier aux differences relatives a la versification, a la ponctuation, au sens, et met a jour les reprises nervaliennes

  • Social explanation and social expectation: Effects of real and hypothetical explanations on subjective likelihood

    Lee Ross, Lee D Ross et al.•ARTICLE•Journal of Personality and Social…•1977•Cited by: 40•References: 4

  • Social roles, social control, and biases in social-perception processes

    Lee D Ro, Lee Ross et al.•ARTICLE•Journal of Personality and Social…•1977•Cited by: 46

    To make accurate social judgments, an individual must both recognize and adequately correct for the self-presentation advantages or disadvantages conferred upon actors by their social roles. Two experiments examined social perceptions formed during an encounter in which one participant composed difficult general knowledge questions and another participant attempted to answer those questions. It was found, as predicted, that perceivers fail to mak…

  • Social roles, social control, and biases in social-perception processes

    Lee D Ro, Lee Ross et al.•ARTICLE•Journal of Personality and Social…•1977•Cited by: 46

    To make accurate social judgments, an individual must both recognize and adequately correct for the self-presentation advantages or disadvantages conferred upon actors by their social roles. Two experiments examined social perceptions formed during an encounter in which one participant composed difficult general knowledge questions and another participant attempted to answer those questions. It was found, as predicted, that perceivers fail to mak…

  • Social explanation and social expectation: Effects of real and hypothetical explanations on subjective likelihood

    Lee Ross, Lee D Ross et al.•ARTICLE•Journal of Personality and Social…•1977•Cited by: 40•References: 4

  • The dirt on feminist landscapes

    Katherine Brewer Ball, Julia Steinmetz•ARTICLE•Women & Performance a journal of…•2011•Cited by: 1

    Suzanne Wright's images depict a series of openings, of holes that lead somewhere else (Figure 1). They propel us away from the place we find ourselves and yet these holes bounce back towards us in

  • Social explanation and social expectation: Effects of real and hypothetical explanations on subjective likelihood

    Lee Ross, Lee D Ross et al.•ARTICLE•Journal of Personality and Social…•1977•Cited by: 40•References: 4

  • Social roles, social control, and biases in social-perception processes

    Lee D Ro, Lee Ross et al.•ARTICLE•Journal of Personality and Social…•1977•Cited by: 46

    To make accurate social judgments, an individual must both recognize and adequately correct for the self-presentation advantages or disadvantages conferred upon actors by their social roles. Two experiments examined social perceptions formed during an encounter in which one participant composed difficult general knowledge questions and another participant attempted to answer those questions. It was found, as predicted, that perceivers fail to mak…

  • Remarques comparatives sur quatre sonnets de Nerval (manuscrit Loubens)

    Julia Steinmetz, J-L Steinmetz•ARTICLE•Revue belge de philologie et d…•1994

    Se fondant sur la correspondance Nerval-Loubens, dans laquelle apparaissent les copies de quatre sonnets, l'A. etudie les variantes et les divers etats du texte en les comparant aux versions connues a ce jour. Il s'interesse en particulier aux differences relatives a la versification, a la ponctuation, au sens, et met a jour les reprises nervaliennes

  • Behind Enemy Lines: Toxic Titties Infiltrate Vanessa Beecroft

    Julia Steinmetz, Heather Cassils et al.•ARTICLE•Signs: Journal of Women in…•2006

  • The dirt on feminist landscapes

    Katherine Brewer Ball, Julia Steinmetz•ARTICLE•Women & Performance a journal of…•2011•Cited by: 1

    Suzanne Wright's images depict a series of openings, of holes that lead somewhere else (Figure 1). They propel us away from the place we find ourselves and yet these holes bounce back towards us in

  • The Sound of Everynight Life

    Julia Steinmetz•ARTICLE•QED A Journal in GLBTQ Worldmaking•2016•References: 1

  • Material Enactments

    Julia Steinmetz•ARTICLE•TSQ Transgender Studies Quarterly•2018

    Artists Cassils and Yishay Garbasz offer up a series of material enactments on and through the body that articulate a transformational aesthetics of trans subjectivity, one less concerned with representation than with actions and their indexical impacts. Both artists seek out, create, and become transformational objects for the alteration of self-experience. In so doing, each stretches and exceeds the limits of the identitarian, holding together …

  • In Recognition of Their Desperation: Sonic Relationality and the Work of Deep Listening

    Julia Steinmetz•ARTICLE•Studies in Gender and Sexuality•2019

    This essay places composer Pauline Oliveros’s philosophy and practice of Deep Listening in conversation with analytic theories of listening in a duet that explores one central question: What can listening do? Thinking through the impact of cultivated listening practices on the sensorium, the relational implications of listening across difference, and the centrality of practices of listening to the therapeutic action of psychoanalysis as well as t…

  • Introduction: The Stuff of Teaching

    Open Access•Karin Shankar, Julia Steinmetz•ARTICLE•Performance Matters•2023

  • The Studio in the Seminar: Performing Theory in an MFA Classroom

    Open Access•Karin Shankar, Julia Steinmetz•ARTICLE•Performance Matters•2023

    This article describes an "Introduction to Performance Theory" course that the authors co-teach to MFA students at Pratt Institute in Brooklyn, New York. Through the semester, we track genealogies of performance studies, highlighting the ways in which our interdiscipline has been incorporated as an academic field while still remaining sensationally unsettled in its interventions, methods, and objects of analysis. The focus of this article is on t…

Psychology (6 works) · Art (4 works) · Sociology (4 works) · Decision-Making and Behavioral Economics (2 works) · Literature (2 works) · Mathematics education (2 works) · Music History and Culture (2 works) · Perception (2 works) · Social perception (2 works) · Social Psychology (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae