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Peter Mathews

Biographic Data

ID3652251
NAMEPeter Mathews
GIVEN NAMESPeter
FAMILY NAMEMathews
SIGNATUREMATHEWS P
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS40
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2017
H-INDEX2
  • Unraveling A. S. Byatt’s “Racine and the Tablecloth”

    Peter D Mathews, Peter Mathews•ARTICLE•Contemporary Women s Writing•2017•References: 3

    A. S. Byatt’s story “Racine and the Tablecloth” (1987) has received little critical attention, even though it appears at a pivotal moment in her career. Nonetheless, Byatt herself highlighted its importance when she published “Arachne” (2000), a reflection on Ovid that further articulates the inspirations and themes of the earlier story. Considering these two texts as companion pieces, this article sets out to unravel Byatt’s metaphor of the text…

  • Who is My Neighbour

    Open Access•Peter D Mathews, Peter Mathews•ARTICLE•Australian Literary Studies•2017

    The psychology of guilt as debt is a recurrent theme in Tim Wintonâ s fiction. A number of scholars have recently examined the theme of haunting in Wintonâ s Cloudstreet (1991), arguing that the ghosts which appear in the story represent an engagement with Australiaâ s colonial past, in particular the mistreatment of its Indigenous peoples. The latest of these, Michael R. Griffiths, highlights the shortcomings of Wintonâ s treatment of this theme…

  • Fool That You Are

    Open Access•Peter D Mathews, Peter Mathews•ARTICLE•The Journal of Popular Culture•2013

  • On the Genealogy of Democracy

    Open Access•Peter D Mathews, Peter Mathews•ARTICLE•Australian Literary Studies•2012•Cited by: 1

    Discusses Carey's examining of 'the historical rise of democracy in a way that challenges the prevailing consensus, from Churchill to Fukuyama, that this system represents the indisputable apex of human political organisation

  • The Mandatory Proxy

    Peter D Mathews, Peter Mathews•ARTICLE•Biography•2006

    This article explores how Jean-Luc Godard's film Vivre sa Vie (1962) sets about deconstructing-rather than reproducing-the autobiographical act within cinema. Central to Godard's exercise is the decision to cast Anna Karina, his wife at the time, as the lead actress. Godard repeatedly demonstrates that the cinematic image functions as an opaque screen, a "mandatory proxy," between actor and viewer that renders a truly authentic autobiography impo…

  • Corpus of Maya Hieroglyphic Inscriptions, Volume 9, Part 1, Piedras Negras (Corpus of Maya Hieroglyphic Inscriptions)

    David Stuart undifferentiated, Eric Von Euw et al.•BOOK•Corpus of Maya Hieroglyphic…•2005•Cited by: 34

  • Being a Philosopher

    Peter D Mathews, Peter Mathews et al.•ARTICLE•British Journal of Educational…•1993

  • The Seating of the tun

    Open Access•John S Justeson, Peter D Mathews et al.•ARTICLE•American Antiquity•1983•Cited by: 5•References: 2

    Hieroglyphic and comparative linguistic evidence indicate that a Lowland Maya stela cult had been in existence, with monuments being erected predominantly or exclusively at the end of the 360-day year, in Late Preclassic times. These data corroborate Hammond's (1982) evidence for Late Preclassic stela erection. With his demonstration that the stela cult was associated with public architecture and a sacrificial burial at Cuello, the inference that…

  • Corpus of Maya Hieroglyphic Inscriptions, Volume 9, Part 1, Piedras Negras (Corpus of Maya Hieroglyphic Inscriptions)

    David Stuart undifferentiated, Eric Von Euw et al.•BOOK•Corpus of Maya Hieroglyphic…•2005•Cited by: 34

  • The Seating of the tun

    Open Access•John S Justeson, Peter D Mathews et al.•ARTICLE•American Antiquity•1983•Cited by: 5•References: 2

    Hieroglyphic and comparative linguistic evidence indicate that a Lowland Maya stela cult had been in existence, with monuments being erected predominantly or exclusively at the end of the 360-day year, in Late Preclassic times. These data corroborate Hammond's (1982) evidence for Late Preclassic stela erection. With his demonstration that the stela cult was associated with public architecture and a sacrificial burial at Cuello, the inference that…

  • On the Genealogy of Democracy

    Open Access•Peter D Mathews, Peter Mathews•ARTICLE•Australian Literary Studies•2012•Cited by: 1

    Discusses Carey's examining of 'the historical rise of democracy in a way that challenges the prevailing consensus, from Churchill to Fukuyama, that this system represents the indisputable apex of human political organisation

  • The Seating of the tun

    Open Access•John S Justeson, Peter D Mathews et al.•ARTICLE•American Antiquity•1983•Cited by: 5•References: 2

    Hieroglyphic and comparative linguistic evidence indicate that a Lowland Maya stela cult had been in existence, with monuments being erected predominantly or exclusively at the end of the 360-day year, in Late Preclassic times. These data corroborate Hammond's (1982) evidence for Late Preclassic stela erection. With his demonstration that the stela cult was associated with public architecture and a sacrificial burial at Cuello, the inference that…

  • Being a Philosopher

    Peter D Mathews, Peter Mathews et al.•ARTICLE•British Journal of Educational…•1993

  • Corpus of Maya Hieroglyphic Inscriptions, Volume 9, Part 1, Piedras Negras (Corpus of Maya Hieroglyphic Inscriptions)

    David Stuart undifferentiated, Eric Von Euw et al.•BOOK•Corpus of Maya Hieroglyphic…•2005•Cited by: 34

  • The Mandatory Proxy

    Peter D Mathews, Peter Mathews•ARTICLE•Biography•2006

    This article explores how Jean-Luc Godard's film Vivre sa Vie (1962) sets about deconstructing-rather than reproducing-the autobiographical act within cinema. Central to Godard's exercise is the decision to cast Anna Karina, his wife at the time, as the lead actress. Godard repeatedly demonstrates that the cinematic image functions as an opaque screen, a "mandatory proxy," between actor and viewer that renders a truly authentic autobiography impo…

  • On the Genealogy of Democracy

    Open Access•Peter D Mathews, Peter Mathews•ARTICLE•Australian Literary Studies•2012•Cited by: 1

    Discusses Carey's examining of 'the historical rise of democracy in a way that challenges the prevailing consensus, from Churchill to Fukuyama, that this system represents the indisputable apex of human political organisation

  • Fool That You Are

    Open Access•Peter D Mathews, Peter Mathews•ARTICLE•The Journal of Popular Culture•2013

  • Unraveling A. S. Byatt’s “Racine and the Tablecloth”

    Peter D Mathews, Peter Mathews•ARTICLE•Contemporary Women s Writing•2017•References: 3

    A. S. Byatt’s story “Racine and the Tablecloth” (1987) has received little critical attention, even though it appears at a pivotal moment in her career. Nonetheless, Byatt herself highlighted its importance when she published “Arachne” (2000), a reflection on Ovid that further articulates the inspirations and themes of the earlier story. Considering these two texts as companion pieces, this article sets out to unravel Byatt’s metaphor of the text…

  • Who is My Neighbour

    Open Access•Peter D Mathews, Peter Mathews•ARTICLE•Australian Literary Studies•2017

    The psychology of guilt as debt is a recurrent theme in Tim Wintonâ s fiction. A number of scholars have recently examined the theme of haunting in Wintonâ s Cloudstreet (1991), arguing that the ghosts which appear in the story represent an engagement with Australiaâ s colonial past, in particular the mistreatment of its Indigenous peoples. The latest of these, Michael R. Griffiths, highlights the shortcomings of Wintonâ s treatment of this theme…

History (5 works) · Art (3 works) · Literature (3 works) · Philosophy (3 works) · Sociology (3 works) · Art history (2 works) · Computer Science (2 works) · History (2 works) · Law (2 works) · Law (2 works)

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