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Ashton Nichols

Biographic Data

ID3652297
NAMEAshton Nichols
GIVEN NAMESAshton
FAMILY NAMENichols
SIGNATURENICHOLS A
AFFILIATIONSDickinson College
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS5
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1985
LATEST PUBLICATION YEAR2011
H-INDEX1
  • October

    Open Access•Ashton Nichols•CHAPTER•Beyond Romantic Ecocriticism•2011

    T he woods take on a new beauty when the summer is dying, when autumn arrives and a first hint of winter is in the air. The leaves— especially those of the quaking aspen—change almost overnight. One morning the branches are covered, green and dry, not shiny and shimmering as they were in June and July, still pale green, but now clearly dying. The next morning, scattered yellow blotches appear on the leaves, and brown streaks unroll amid black sta…

  • Beyond Romantic Ecocriticism

    Open Access•Ashton Nichols•BOOK•Beyond Romantic Ecocriticism•2011•Cited by: 5

    Nichols chronicles the Enlightenment view of 'Nature' as static and separate from humans as it moved towards the Romantic 'nature' characterized by dynamic links among all living things. Engaging Roma

  • A Renaissance Enlightenment Man

    Open Access•Ashton Nichols•ARTICLE•Metascience•2006

  • The Poetics of Epiphany

    Eric C Walker, Ashton Nichols•ARTICLE•South Atlantic Review•1989

  • Joycezseasidegirls

    Ashton Nichols•ARTICLE•Biography•1985

    One woman winds her way through James Joyce's work. Although she appears as three different characters, this female figure remains remarkably unchanged from "The Dead" to Ulysses . An analysis of the relationship between these three characters and Nora Barnacle, the woman who inspired them, reveals the complex relationship between art and autobiography in Joyce

  • Beyond Romantic Ecocriticism

    Open Access•Ashton Nichols•BOOK•Beyond Romantic Ecocriticism•2011•Cited by: 5

    Nichols chronicles the Enlightenment view of 'Nature' as static and separate from humans as it moved towards the Romantic 'nature' characterized by dynamic links among all living things. Engaging Roma

  • Joycezseasidegirls

    Ashton Nichols•ARTICLE•Biography•1985

    One woman winds her way through James Joyce's work. Although she appears as three different characters, this female figure remains remarkably unchanged from "The Dead" to Ulysses . An analysis of the relationship between these three characters and Nora Barnacle, the woman who inspired them, reveals the complex relationship between art and autobiography in Joyce

  • The Poetics of Epiphany

    Eric C Walker, Ashton Nichols•ARTICLE•South Atlantic Review•1989

  • A Renaissance Enlightenment Man

    Open Access•Ashton Nichols•ARTICLE•Metascience•2006

  • October

    Open Access•Ashton Nichols•CHAPTER•Beyond Romantic Ecocriticism•2011

    T he woods take on a new beauty when the summer is dying, when autumn arrives and a first hint of winter is in the air. The leaves— especially those of the quaking aspen—change almost overnight. One morning the branches are covered, green and dry, not shiny and shimmering as they were in June and July, still pale green, but now clearly dying. The next morning, scattered yellow blotches appear on the leaves, and brown streaks unroll amid black sta…

  • Beyond Romantic Ecocriticism

    Open Access•Ashton Nichols•BOOK•Beyond Romantic Ecocriticism•2011•Cited by: 5

    Nichols chronicles the Enlightenment view of 'Nature' as static and separate from humans as it moved towards the Romantic 'nature' characterized by dynamic links among all living things. Engaging Roma

Art (5 works) · Literature (2 works) · Philosophy (2 works) · American History and Culture (1 work) · Archaeology (1 work) · Art history (1 work) · Classical mechanics (1 work) · Classics (1 work) · Ecocriticism (1 work) · Ecocriticism and Environmental Literature (1 work)

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