Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Isabel Pedersen

Biographic Data

ID3652608
NAMEIsabel Pedersen
GIVEN NAMESIsabel
FAMILY NAMEPedersen
SIGNATUREPEDERSEN I
AFFILIATIONSOntario Tech University
ORCID0000-0002-9317-0812
VERIFIEDYes
TOTAL WORKS16
TOTAL CITATIONS8
WORKS AS AUTHOR16
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2025
H-INDEX2
  • AI agents, wearable computing and the future of postsecondary learning

    Open Access•Isabel Pedersen•ARTICLE•Frontiers in Education•2025

    AI and Technocultural Adaptation First, the effect of generative AI on the automation of writing, composition skills, and creative practices is still taking shape in postsecondary schools. Following the initial shock of OpenAI's first AI chatbot release in 2022, the impact in postsecondary education is still being felt through the experience of rapid change, excessive hype, constant adaptation, and self-questioning on the part of students, instru…

  • Bringing older people’s perspectives on consumer socially assistive robots into debates about the future of privacy protection and AI governance

    Open Access•Andrea Slane, Isabel Pedersen•ARTICLE•AI & Society•2025

  • Older People’s Ethical Framing of Autonomy in Relation to Current and Future Consumer Technologies

    Open Access•Andrea Slane, Isabel Pedersen•ARTICLE•International Journal of Social…•2024

  • Visualizing the datasphere

    Open Access•Kirsten Ellison, Wendy Martins et al.•ARTICLE•Frontiers in Sociology•2022•References: 16

    Technologies for people aging at home are increasingly prevalent and include ambient monitoring devices that work together with wearables to remotely track and monitor older adults' biometric data and activities of daily living. There is, however, little research into the promotional and speculative images of technology-in-use. Our paper examines the ways in which the datafication of aging is offered up visually by technology companies to promote…

  • Developing social robots for aging populations

    Open Access•Isabel Pedersen, Samantha Reid et al.•ARTICLE•Sociology Compass•2018

    The perception of aging populations is a major factor driving the social robot development movement. A growing body of research reflects the expanding interest in social robots. This paper synthesizes research on the development of social robots with a literature review of academic articles with publication dates ranging from 2006 to 2017. The review is divided into three themes: (a) robots as an aid in treatment; (b) robots as social assistants …

  • Exoskeletons, Transhumanism, and Culture

    Open Access•Isabel Pedersen, Tanner Mirrlees•ARTICLE•IEEE Technology and Society…•2017

    In this article we study how exoskeletons are construed through three dominant but interrelated presentations: 1) popular science journalism, 2) advertisements of military innovation, and 3) blockbuster science fiction film. We address how these media function to alter attitudes about the future. The attitudinal framing of the exoskeleton asks that people aspire to transhumanism, and that they “imagine the possibilities in the near future of dram…

  • Home Is Where the AI Heart Is [Commentary]

    Open Access•Isabel Pedersen•ARTICLE•IEEE Technology and Society…•2016

    The desire to create a sentient Artificial Intelligence (AI) as complex as a human intelligence, or one that even surpasses it, a superintelligence, is raging. The Economist recently reported “Firms such as Google, Facebook, Amazon and Baidu have got into an AI arms race, poaching researchers, setting up laboratories and buying start-ups” [1]. On one level, this race reacts to the need for highly sophisticated personal digital assistants to help …

  • Elysium as a critical dystopia

    Tanner Mirrlees, Isabel Pedersen•ARTICLE•International Journal of Media…•2016•Cited by: 1

    This article argues that Elysium communicates a ‘critical dystopia’ that illuminates and interrogates global capitalism’s worst social, political, ecological and technological conditions and shows them being resisted and changed, for the better. To this end, our article’s first section contextualizes Elysium by building upon recent studies of global Hollywood, the genre characteristics and politics of science fiction films and ‘critical dystopia’…

  • Hiding in plain sight

    Open Access•Isabel Pedersen, Kirsten Ellison•ARTICLE•International Journal of Cultural…•2016•References: 3

    This article explores and critiques mainstream speculative news surrounding personal technologies. We focus on news concerning bionic contact lenses, a hardware invention prototype by Google Inc promoted as a ‘future’ personal computing device. Technology is increasingly normalized and configured as inevitable through representations across consumer media outlets. In our analysis of a large corpus of online and print news coverage, we identify th…

  • Are Wearables Really Ready to Wear? [Viewpoint]

    Open Access•Isabel Pedersen•ARTICLE•IEEE Technology and Society…•2014

    he introduction and announcement of Google Glass on April 4, 2012, changed the landscape of computing for the everyday person. Afterwards, for a full year before the first developers' release in May of 2013, Glass was a figment of our collective imagination. Google Glass promised a "wearable" eye display for the masses that would revolutionize smartphone culture. Our reaction was both amazement and fear because Google claimed that Glass was to be…

  • One Day

    Lyuba Encheva, Isabel Pedersen•ARTICLE•Continuum•2013•Cited by: 1•References: 3

    In the spring of 2012, Google unveiled ‘Project Glass' with the promise to deliver an augmented reality head-mounted display device to the masses. Its YouTube video ‘One Day...', viewed more than 20 million times, promotes a utopian vision of what life will be like once this prototype becomes available to everyone. Using a critical humanities approach, this paper uses this event as a site to consider the implications of predictive advertising as …

  • My Eyes Ended Up At My Fingertips

    Isabel Pedersen, Kristen Aspevig•ARTICLE•Biography•2011

    Antoine, an independent film by Canadian Laura Bari, gives voice to a blind, five-year-old boy, Antoine Houang, who narrates his life with stories, memories, and imaginative compositions. We argue that because of its basis in collaboration, Antoine extends the genre of autobiographical documentary. It is an autobiography by Houang, but it is also a documentary by Bari. The film uses tactics of each genre to construct a portrait of a blind subject…

  • MyLifeBits, augmented memory, and a rhetoric of need

    Isabel Pedersen•ARTICLE•Continuum•2008

    Your cinematic deathbed flashback will already be uploaded to your hard drive. (Scheeres Citation2002)

  • No Apple iPhone? You Must Be Canadian

    Isabel Pedersen•ARTICLE•Canadian Journal of Communication•2008•Cited by: 1•References: 3

    Participation with new mobile devices drives new social practices. This article engages in a close analysis of a so-called participatory culture surrounding iPods and iPhones. It offers close rhetorical readings of object phenomena including advertisements, Canadian news stories, and consumer reactions in electronic media. More specifically, this article reveals a rhetorical transformation between the iPod Silhouettes advertising campaign and the…

  • A semiotics of human actions for wearable augmented reality interfaces

    Open Access•Isabel Pedersen•ARTICLE•Semiotica•2005•Cited by: 2

    Wearable Computers create a personal augmented reality for people who wear them. Unlike virtual reality, wearable augmented reality could potentially alter mobility, interactivity, and beingness (existence) in the actual world. As wearable computers emerge as a medium of communication, several designers like Steve Mann, discuss their physical and political goals. In other words, these computers are actively being designed by the discourse that di…

  • Looking Good on Whose Terms? Ambiguity in Two Kellogg's Special K ® Print Advertisements

    Isabel Pedersen•ARTICLE•Social Semiotics•2002•Cited by: 3

    The present paper examines the current trend by advertisers who construct ambiguity within advertisements to gain a double profit with consumers. As advertisers pre-empt their critics by acknowledging and even foregrounding the political incorrectness of their own industries, they also subversively promote the same damaging messages that were always present within the advertisements. This strategy is becoming more and more prevalent with several …

  • Looking Good on Whose Terms? Ambiguity in Two Kellogg's Special K ® Print Advertisements

    Isabel Pedersen•ARTICLE•Social Semiotics•2002•Cited by: 3

    The present paper examines the current trend by advertisers who construct ambiguity within advertisements to gain a double profit with consumers. As advertisers pre-empt their critics by acknowledging and even foregrounding the political incorrectness of their own industries, they also subversively promote the same damaging messages that were always present within the advertisements. This strategy is becoming more and more prevalent with several …

  • A semiotics of human actions for wearable augmented reality interfaces

    Open Access•Isabel Pedersen•ARTICLE•Semiotica•2005•Cited by: 2

    Wearable Computers create a personal augmented reality for people who wear them. Unlike virtual reality, wearable augmented reality could potentially alter mobility, interactivity, and beingness (existence) in the actual world. As wearable computers emerge as a medium of communication, several designers like Steve Mann, discuss their physical and political goals. In other words, these computers are actively being designed by the discourse that di…

  • Elysium as a critical dystopia

    Tanner Mirrlees, Isabel Pedersen•ARTICLE•International Journal of Media…•2016•Cited by: 1

    This article argues that Elysium communicates a ‘critical dystopia’ that illuminates and interrogates global capitalism’s worst social, political, ecological and technological conditions and shows them being resisted and changed, for the better. To this end, our article’s first section contextualizes Elysium by building upon recent studies of global Hollywood, the genre characteristics and politics of science fiction films and ‘critical dystopia’…

  • One Day

    Lyuba Encheva, Isabel Pedersen•ARTICLE•Continuum•2013•Cited by: 1•References: 3

    In the spring of 2012, Google unveiled ‘Project Glass' with the promise to deliver an augmented reality head-mounted display device to the masses. Its YouTube video ‘One Day...', viewed more than 20 million times, promotes a utopian vision of what life will be like once this prototype becomes available to everyone. Using a critical humanities approach, this paper uses this event as a site to consider the implications of predictive advertising as …

  • No Apple iPhone? You Must Be Canadian

    Isabel Pedersen•ARTICLE•Canadian Journal of Communication•2008•Cited by: 1•References: 3

    Participation with new mobile devices drives new social practices. This article engages in a close analysis of a so-called participatory culture surrounding iPods and iPhones. It offers close rhetorical readings of object phenomena including advertisements, Canadian news stories, and consumer reactions in electronic media. More specifically, this article reveals a rhetorical transformation between the iPod Silhouettes advertising campaign and the…

  • Looking Good on Whose Terms? Ambiguity in Two Kellogg's Special K ® Print Advertisements

    Isabel Pedersen•ARTICLE•Social Semiotics•2002•Cited by: 3

    The present paper examines the current trend by advertisers who construct ambiguity within advertisements to gain a double profit with consumers. As advertisers pre-empt their critics by acknowledging and even foregrounding the political incorrectness of their own industries, they also subversively promote the same damaging messages that were always present within the advertisements. This strategy is becoming more and more prevalent with several …

  • A semiotics of human actions for wearable augmented reality interfaces

    Open Access•Isabel Pedersen•ARTICLE•Semiotica•2005•Cited by: 2

    Wearable Computers create a personal augmented reality for people who wear them. Unlike virtual reality, wearable augmented reality could potentially alter mobility, interactivity, and beingness (existence) in the actual world. As wearable computers emerge as a medium of communication, several designers like Steve Mann, discuss their physical and political goals. In other words, these computers are actively being designed by the discourse that di…

  • MyLifeBits, augmented memory, and a rhetoric of need

    Isabel Pedersen•ARTICLE•Continuum•2008

    Your cinematic deathbed flashback will already be uploaded to your hard drive. (Scheeres Citation2002)

  • No Apple iPhone? You Must Be Canadian

    Isabel Pedersen•ARTICLE•Canadian Journal of Communication•2008•Cited by: 1•References: 3

    Participation with new mobile devices drives new social practices. This article engages in a close analysis of a so-called participatory culture surrounding iPods and iPhones. It offers close rhetorical readings of object phenomena including advertisements, Canadian news stories, and consumer reactions in electronic media. More specifically, this article reveals a rhetorical transformation between the iPod Silhouettes advertising campaign and the…

  • My Eyes Ended Up At My Fingertips

    Isabel Pedersen, Kristen Aspevig•ARTICLE•Biography•2011

    Antoine, an independent film by Canadian Laura Bari, gives voice to a blind, five-year-old boy, Antoine Houang, who narrates his life with stories, memories, and imaginative compositions. We argue that because of its basis in collaboration, Antoine extends the genre of autobiographical documentary. It is an autobiography by Houang, but it is also a documentary by Bari. The film uses tactics of each genre to construct a portrait of a blind subject…

  • One Day

    Lyuba Encheva, Isabel Pedersen•ARTICLE•Continuum•2013•Cited by: 1•References: 3

    In the spring of 2012, Google unveiled ‘Project Glass' with the promise to deliver an augmented reality head-mounted display device to the masses. Its YouTube video ‘One Day...', viewed more than 20 million times, promotes a utopian vision of what life will be like once this prototype becomes available to everyone. Using a critical humanities approach, this paper uses this event as a site to consider the implications of predictive advertising as …

  • Are Wearables Really Ready to Wear? [Viewpoint]

    Open Access•Isabel Pedersen•ARTICLE•IEEE Technology and Society…•2014

    he introduction and announcement of Google Glass on April 4, 2012, changed the landscape of computing for the everyday person. Afterwards, for a full year before the first developers' release in May of 2013, Glass was a figment of our collective imagination. Google Glass promised a "wearable" eye display for the masses that would revolutionize smartphone culture. Our reaction was both amazement and fear because Google claimed that Glass was to be…

  • Home Is Where the AI Heart Is [Commentary]

    Open Access•Isabel Pedersen•ARTICLE•IEEE Technology and Society…•2016

    The desire to create a sentient Artificial Intelligence (AI) as complex as a human intelligence, or one that even surpasses it, a superintelligence, is raging. The Economist recently reported “Firms such as Google, Facebook, Amazon and Baidu have got into an AI arms race, poaching researchers, setting up laboratories and buying start-ups” [1]. On one level, this race reacts to the need for highly sophisticated personal digital assistants to help …

  • Elysium as a critical dystopia

    Tanner Mirrlees, Isabel Pedersen•ARTICLE•International Journal of Media…•2016•Cited by: 1

    This article argues that Elysium communicates a ‘critical dystopia’ that illuminates and interrogates global capitalism’s worst social, political, ecological and technological conditions and shows them being resisted and changed, for the better. To this end, our article’s first section contextualizes Elysium by building upon recent studies of global Hollywood, the genre characteristics and politics of science fiction films and ‘critical dystopia’…

  • Hiding in plain sight

    Open Access•Isabel Pedersen, Kirsten Ellison•ARTICLE•International Journal of Cultural…•2016•References: 3

    This article explores and critiques mainstream speculative news surrounding personal technologies. We focus on news concerning bionic contact lenses, a hardware invention prototype by Google Inc promoted as a ‘future’ personal computing device. Technology is increasingly normalized and configured as inevitable through representations across consumer media outlets. In our analysis of a large corpus of online and print news coverage, we identify th…

  • Exoskeletons, Transhumanism, and Culture

    Open Access•Isabel Pedersen, Tanner Mirrlees•ARTICLE•IEEE Technology and Society…•2017

    In this article we study how exoskeletons are construed through three dominant but interrelated presentations: 1) popular science journalism, 2) advertisements of military innovation, and 3) blockbuster science fiction film. We address how these media function to alter attitudes about the future. The attitudinal framing of the exoskeleton asks that people aspire to transhumanism, and that they “imagine the possibilities in the near future of dram…

  • Developing social robots for aging populations

    Open Access•Isabel Pedersen, Samantha Reid et al.•ARTICLE•Sociology Compass•2018

    The perception of aging populations is a major factor driving the social robot development movement. A growing body of research reflects the expanding interest in social robots. This paper synthesizes research on the development of social robots with a literature review of academic articles with publication dates ranging from 2006 to 2017. The review is divided into three themes: (a) robots as an aid in treatment; (b) robots as social assistants …

  • Visualizing the datasphere

    Open Access•Kirsten Ellison, Wendy Martins et al.•ARTICLE•Frontiers in Sociology•2022•References: 16

    Technologies for people aging at home are increasingly prevalent and include ambient monitoring devices that work together with wearables to remotely track and monitor older adults' biometric data and activities of daily living. There is, however, little research into the promotional and speculative images of technology-in-use. Our paper examines the ways in which the datafication of aging is offered up visually by technology companies to promote…

  • Older People’s Ethical Framing of Autonomy in Relation to Current and Future Consumer Technologies

    Open Access•Andrea Slane, Isabel Pedersen•ARTICLE•International Journal of Social…•2024

  • AI agents, wearable computing and the future of postsecondary learning

    Open Access•Isabel Pedersen•ARTICLE•Frontiers in Education•2025

    AI and Technocultural Adaptation First, the effect of generative AI on the automation of writing, composition skills, and creative practices is still taking shape in postsecondary schools. Following the initial shock of OpenAI's first AI chatbot release in 2022, the impact in postsecondary education is still being felt through the experience of rapid change, excessive hype, constant adaptation, and self-questioning on the part of students, instru…

  • Bringing older people’s perspectives on consumer socially assistive robots into debates about the future of privacy protection and AI governance

    Open Access•Andrea Slane, Isabel Pedersen•ARTICLE•AI & Society•2025

Sociology (11 works) · Computer Science (10 works) · Political science (9 works) · Law (8 works) · Psychology (8 works) · Art (7 works) · Aesthetics (6 works) · Rhetoric (6 works) · Artificial Intelligence (5 works) · Internet privacy (5 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae