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Geoffrey Webb

Biographic Data

ID3652856
NAMEGeoffrey Webb
GIVEN NAMESGeoffrey
FAMILY NAMEWebb
SIGNATUREWEBB G
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1933
LATEST PUBLICATION YEAR1963
H-INDEX1
  • Sengai

    Open Access•Geoffrey Webb•ARTICLE•Blackfriars•1963

    Reading from right to left, a circle links with the base of a triangle, which in turn touches a rectangle. This is Sengai's universe, abstract and symbolic. 'The circle represents the infinite', writes Suzuki in the catalogue, 'and the infinite is the basis of all beings. But the infinite in itself is formless. We humans endowed with sense and intellect demand tangible forms. Hence a triangle. The triangle is the beginning of all forms. Out of it…

  • Part VNorfolk

    P K Baillie Reynolds, W Douglas Simpson et al.•ARTICLE•Archaeological Journal•1949•Cited by: 1

  • Colour in the Liturgy

    Open Access•Geoffrey Webb, Ambrose Farrell et al.•ARTICLE•Blackfriars•1933

    Catholics to-day are left in no doubt of the importance which the Church attaches to the kind of music she considers suitable for use in her liturgy. Since the year 1903, when Pius X issued his Motu Proprio, the principles governing legislation in this art have been made accessible to all. But in that encyclical a reference is made to other arts besides music and it is stated, 'The Church has always recognized and favoured the progress of the art…

  • Part VNorfolk

    P K Baillie Reynolds, W Douglas Simpson et al.•ARTICLE•Archaeological Journal•1949•Cited by: 1

  • Colour in the Liturgy

    Open Access•Geoffrey Webb, Ambrose Farrell et al.•ARTICLE•Blackfriars•1933

    Catholics to-day are left in no doubt of the importance which the Church attaches to the kind of music she considers suitable for use in her liturgy. Since the year 1903, when Pius X issued his Motu Proprio, the principles governing legislation in this art have been made accessible to all. But in that encyclical a reference is made to other arts besides music and it is stated, 'The Church has always recognized and favoured the progress of the art…

  • Part VNorfolk

    P K Baillie Reynolds, W Douglas Simpson et al.•ARTICLE•Archaeological Journal•1949•Cited by: 1

  • Sengai

    Open Access•Geoffrey Webb•ARTICLE•Blackfriars•1963

    Reading from right to left, a circle links with the base of a triangle, which in turn touches a rectangle. This is Sengai's universe, abstract and symbolic. 'The circle represents the infinite', writes Suzuki in the catalogue, 'and the infinite is the basis of all beings. But the infinite in itself is formless. We humans endowed with sense and intellect demand tangible forms. Hence a triangle. The triangle is the beginning of all forms. Out of it…

Citation (2 works) · Computer Science (2 works) · Library science (2 works) · American Environmental and Regional History (1 work) · Archaeology (1 work) · Art (1 work) · Building materials and conservation (1 work) · Conservation Techniques and Studies (1 work) · Crime and Detective Fiction Studies (1 work) · Ginger and Zingiberaceae research (1 work)

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