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Alan Segal

Biographic Data

ID3659634
NAMEAlan Segal
GIVEN NAMESAlan
FAMILY NAMESegal
SIGNATURESEGAL A
AFFILIATIONSBarnard College, Columbia University, New York, NY, USA
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS4
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR2004
H-INDEX2
  • ‘How I Stoppedworrying about Mel Gibson and Learned to Love the Quest for the Historical Jesus’: A Review of Mel Gibson’S the Passion of the Christ

    Alan F Segal, Alan Segal•ARTICLE•Journal for the Study of the…•2004

    The Passion of the Christ by Mel Gibson has proven to be a mass-cultural phenomenon. This article compares it with the recent film The Gospel of Johnand then evaluates the film under three rubrics: (1) artistic and religious merit, (2) historical accuracy, and (3) anti-Semitism. The relationship between these two films and the problem of the historical Jesus is investigated

  • Being Dispassionate about the Passion of the Christ: A Response to Rikkwatts’s Review

    Alan F Segal, Alan Segal•ARTICLE•Journal for the Study of the…•2004

    Rikk Watts can catalogue his enjoyment of the film, The Passion, which has had mass appeal. But Mel Gibson’s unhistorical additions reveal a disturbing willingness to use repugnant anti-Semitic subtexts as well as violence to elicit moviegoers’ emotions. While Gibson may claim that it expresses his faith, the film seems less about art and personal faith than about what Hollywood does best— making money by sacrificing artistic integrity

  • Masculinity, School, and Self in Sweden and the Netherlands

    Open Access•Alan F Segal, Alan Segal•ARTICLE•The Journal of Men s Studies•2000•References: 5

    This article is the result of research in Sweden and the Netherlands on identity, sexuality, masculinity, and school discourse. Sweden and the Netherlands were selected because of their international reputations as sexually liberal and egalitarian societies. The interviews disclose two societies that both uphold and transgress these reputations. Interviewees were between 15 and 23. All but three were gay, lesbian, or transsexual. What I present h…

  • Paul the Convert: The Apostolate and Apostasy of Saul the Pharisee

    Michael Di Maio, Jr Michael Di Maio et al.•ARTICLE•The Classical World•1991

  • The Savage in Literature: Representations of "Primitive" Society in English Fiction, 1858-1920

    Alan F Segal, Alan Segal et al.•ARTICLE•Contemporary Sociology A Journal…•1976

    First published in 1975, this study is concerned with the representation of non-European people in English popular fiction in the period from 1858-1920. It examines the developments in thinking about people across the world and shows how they affected writers’ views of evolution, race, heredity and of the life of the so-called ‘primitive’ man. This book will be of interest to those studying 19th century literature

  • Portnoy's Complaint and the Sociology of Literature

    Alan John Segal, Alan Segal•ARTICLE•British Journal of Sociology•1971•Cited by: 2

  • Censorship, Social Control and Socialization

    Alan Segal, A James Segal•ARTICLE•British Journal of Sociology•1970•Cited by: 2

  • Portnoy's Complaint and the Sociology of Literature

    Alan John Segal, Alan Segal•ARTICLE•British Journal of Sociology•1971•Cited by: 2

  • Censorship, Social Control and Socialization

    Alan Segal, A James Segal•ARTICLE•British Journal of Sociology•1970•Cited by: 2

  • Censorship, Social Control and Socialization

    Alan Segal, A James Segal•ARTICLE•British Journal of Sociology•1970•Cited by: 2

  • Portnoy's Complaint and the Sociology of Literature

    Alan John Segal, Alan Segal•ARTICLE•British Journal of Sociology•1971•Cited by: 2

  • The Savage in Literature: Representations of "Primitive" Society in English Fiction, 1858-1920

    Alan F Segal, Alan Segal et al.•ARTICLE•Contemporary Sociology A Journal…•1976

    First published in 1975, this study is concerned with the representation of non-European people in English popular fiction in the period from 1858-1920. It examines the developments in thinking about people across the world and shows how they affected writers’ views of evolution, race, heredity and of the life of the so-called ‘primitive’ man. This book will be of interest to those studying 19th century literature

  • Paul the Convert: The Apostolate and Apostasy of Saul the Pharisee

    Michael Di Maio, Jr Michael Di Maio et al.•ARTICLE•The Classical World•1991

  • Masculinity, School, and Self in Sweden and the Netherlands

    Open Access•Alan F Segal, Alan Segal•ARTICLE•The Journal of Men s Studies•2000•References: 5

    This article is the result of research in Sweden and the Netherlands on identity, sexuality, masculinity, and school discourse. Sweden and the Netherlands were selected because of their international reputations as sexually liberal and egalitarian societies. The interviews disclose two societies that both uphold and transgress these reputations. Interviewees were between 15 and 23. All but three were gay, lesbian, or transsexual. What I present h…

  • ‘How I Stoppedworrying about Mel Gibson and Learned to Love the Quest for the Historical Jesus’: A Review of Mel Gibson’S the Passion of the Christ

    Alan F Segal, Alan Segal•ARTICLE•Journal for the Study of the…•2004

    The Passion of the Christ by Mel Gibson has proven to be a mass-cultural phenomenon. This article compares it with the recent film The Gospel of Johnand then evaluates the film under three rubrics: (1) artistic and religious merit, (2) historical accuracy, and (3) anti-Semitism. The relationship between these two films and the problem of the historical Jesus is investigated

  • Being Dispassionate about the Passion of the Christ: A Response to Rikkwatts’s Review

    Alan F Segal, Alan Segal•ARTICLE•Journal for the Study of the…•2004

    Rikk Watts can catalogue his enjoyment of the film, The Passion, which has had mass appeal. But Mel Gibson’s unhistorical additions reveal a disturbing willingness to use repugnant anti-Semitic subtexts as well as violence to elicit moviegoers’ emotions. While Gibson may claim that it expresses his faith, the film seems less about art and personal faith than about what Hollywood does best— making money by sacrificing artistic integrity

Sociology (5 works) · Law (4 works) · Philosophy (4 works) · Political science (4 works) · Psychology (4 works) · Art (3 works) · Epistemology (3 works) · Literature (3 works) · Social Psychology (3 works) · Theology (3 works)

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