M Stelmaszyk
Biographic Data
| ID | 36597 |
|---|---|
| NAME | M Stelmaszyk |
| GIVEN NAMES | M |
| FAMILY NAME | Stelmaszyk |
| SIGNATURE | STELMASZYK M |
| AFFILIATIONS | University of Manchester |
| ORCID | 0000-0002-4625-7210 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Living the dream
This article is about the ways in which shamanic practice is engaged in navigating and responding to the current climatic and geopolitical crisis in Far East Siberia, Russia, through proposing experimental multiversal projects. It traces the manner in which a Nanai (Indigenous peoples of Siberia, Russia; literally, people of the Earth) sama (shaman), hereafter, shaman, brings together diverse techniques, such as shamanic dreams, storytelling, Chr…
Voiced into being
In this article, I explore the way sound itself is imbued with agency. By focusing on its transformative rather than mimetic qualities, I analyse how in ritual contexts people construct and experience relationships through sound. Taking as an example a curse deflection ritual in Tuva, I trace ideas about the production of sounds as key to shamanic vocal performances. Through showing how sounds facilitate intermittent oral, tactile, and visual enc…
Voiced into being
In this article, I explore the way sound itself is imbued with agency. By focusing on its transformative rather than mimetic qualities, I analyse how in ritual contexts people construct and experience relationships through sound. Taking as an example a curse deflection ritual in Tuva, I trace ideas about the production of sounds as key to shamanic vocal performances. Through showing how sounds facilitate intermittent oral, tactile, and visual enc…
Voiced into being
In this article, I explore the way sound itself is imbued with agency. By focusing on its transformative rather than mimetic qualities, I analyse how in ritual contexts people construct and experience relationships through sound. Taking as an example a curse deflection ritual in Tuva, I trace ideas about the production of sounds as key to shamanic vocal performances. Through showing how sounds facilitate intermittent oral, tactile, and visual enc…
Living the dream
This article is about the ways in which shamanic practice is engaged in navigating and responding to the current climatic and geopolitical crisis in Far East Siberia, Russia, through proposing experimental multiversal projects. It traces the manner in which a Nanai (Indigenous peoples of Siberia, Russia; literally, people of the Earth) sama (shaman), hereafter, shaman, brings together diverse techniques, such as shamanic dreams, storytelling, Chr…
Archaeology and Rock Art Studies (2 works) · History (2 works) · Psychology (2 works) · Acoustics (1 work) · Aesthetics (1 work) · Agency (philosophy (1 work) · Anthropological Studies and Insights (1 work) · Anthropology (1 work) · Archaeology (1 work) · Art (1 work)