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Anthony Stanton

Biographic Data

ID3661647
NAMEAnthony Stanton
GIVEN NAMESAnthony
FAMILY NAMEStanton
SIGNATURESTANTON A
AFFILIATIONSEl Colegio de México
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2023
H-INDEX1
  • The Literary and Artistic Avant‐Gardes in Revolutionary Mexico (1915‐1929)

    Open Access•Anthony Stanton•ARTICLE•L’Ordinaire des Amériques•2023

    This essay analyzes five different moments and scenarios that define the early artistic and literary avant-gardes of Mexico between 1915 and 1924. The initial moments all involve Mexican artists and writers who are based abroad. Born simultaneously in New York and Paris, then reborn in Caracas and Barcelona, the Mexican avant-garde finally sets down its roots in the native land in 1921. The fifth moment receives greater attention as it deals with…

  • Models of Discourse and Hermeneutics in Octavio Paz's El Laberinto de la Soledad

    Open Access•Anthony Stanton•ARTICLE•Bulletin of Latin American Research•2001

    This article explores how certain presuppositions govern our interpretations of this canonical text by Octavio Paz. I trace its biographical and textual origins, the book's peculiar reception, some of its multiple intellectual sources, and the problem of genre and how these hermeneutic discourses and epistemological tools interact. Structure (the relationship between psychology and history), rhetorical strategies and central symbols and metaphors…

  • Octavio Paz, Alfonso Reyes y el analisis del fenomeno poetico

    Anthony Stanton•ARTICLE•Hispanic Review•1993

    de una beca por un periodo de casi cinco afios -Q entre 1953 y 1958.' En este tiempo publica los poemas de Semillas para un himno (1954), un extenso libro sobre la poesia, El arco y la lira (1956), y, en colaboraci6n con Eikichi Hayashiya, una traducci6n de Basho, Sendas de Oku (1957); escribe tambien los iltimos ensayos de Las peras del olmo (1957) y los dos filtimos poemas de La estacidn violenta (1958), entre ellos Piedra

  • "Estructuras antropológicas en "Pedro Páramo

    Open Access•Anthony Stanton•ARTICLE•Nueva Revista de Filología…•1988•Cited by: 1

    En este número no se incluyeron resúmenes ni palabras clave

  • "Estructuras antropológicas en "Pedro Páramo

    Open Access•Anthony Stanton•ARTICLE•Nueva Revista de Filología…•1988•Cited by: 1

    En este número no se incluyeron resúmenes ni palabras clave

  • "Estructuras antropológicas en "Pedro Páramo

    Open Access•Anthony Stanton•ARTICLE•Nueva Revista de Filología…•1988•Cited by: 1

    En este número no se incluyeron resúmenes ni palabras clave

  • Octavio Paz, Alfonso Reyes y el analisis del fenomeno poetico

    Anthony Stanton•ARTICLE•Hispanic Review•1993

    de una beca por un periodo de casi cinco afios -Q entre 1953 y 1958.' En este tiempo publica los poemas de Semillas para un himno (1954), un extenso libro sobre la poesia, El arco y la lira (1956), y, en colaboraci6n con Eikichi Hayashiya, una traducci6n de Basho, Sendas de Oku (1957); escribe tambien los iltimos ensayos de Las peras del olmo (1957) y los dos filtimos poemas de La estacidn violenta (1958), entre ellos Piedra

  • Models of Discourse and Hermeneutics in Octavio Paz's El Laberinto de la Soledad

    Open Access•Anthony Stanton•ARTICLE•Bulletin of Latin American Research•2001

    This article explores how certain presuppositions govern our interpretations of this canonical text by Octavio Paz. I trace its biographical and textual origins, the book's peculiar reception, some of its multiple intellectual sources, and the problem of genre and how these hermeneutic discourses and epistemological tools interact. Structure (the relationship between psychology and history), rhetorical strategies and central symbols and metaphors…

  • The Literary and Artistic Avant‐Gardes in Revolutionary Mexico (1915‐1929)

    Open Access•Anthony Stanton•ARTICLE•L’Ordinaire des Amériques•2023

    This essay analyzes five different moments and scenarios that define the early artistic and literary avant-gardes of Mexico between 1915 and 1924. The initial moments all involve Mexican artists and writers who are based abroad. Born simultaneously in New York and Paris, then reborn in Caracas and Barcelona, the Mexican avant-garde finally sets down its roots in the native land in 1921. The fifth moment receives greater attention as it deals with…

Art (3 works) · Comparative Literary Analysis and Criticism (3 works) · Cultural and Social Studies in Latin America (2 works) · Linguistics (2 works) · Literary and Philosophical Studies (2 works) · Literature (2 works) · Philosophy (2 works) · Spanish Literature and Culture Studies (2 works) · Aesthetics (1 work) · Art history (1 work)

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