Claudette Williams
Biographic Data
| ID | 3661945 |
|---|---|
| NAME | Claudette Williams |
| GIVEN NAMES | Claudette |
| FAMILY NAME | Williams |
| SIGNATURE | WILLIAMS C |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1927 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 1 |
Cuban Anti-slavery Narrative through Postcolonial Eyes
Gertrudis Gómez de Avellaneda's Sab (1841) has come to be regarded as an iconic work in the canon of nineteenth-century Cuban fiction, celebrated as much for its literary pedigree as for its radical combination of anti-slavery and feminist ideas. Yet it has been the subject of very divergent critical appraisals. This essay sets out to breathe new life into Avellaneda's novel by interpreting it through a postcolonial optic. Drawing on ideas from t…
Cuban Antislavery Narrative in a Postcolonial Light
Unlike the two iconic Cuban antislavery narratives, Cirilo Villaverde's Cecilia Valdes and Gertrudis Gomez de Avellaneda's Sab, which have excited much critical interest, Anselmo Suarez y Romero's Francisco is sometimes treated as a nondescript novel of dubious literary stock and suspect antislavery pedigree. Nevertheless, this work occupies a special place in the gallery of these narratives. It was one of the first responses to the request from …
Women & Change in the Caribbean
Subtextuality in Elena Poniatowska's Hasta no verte Jesús mío
Recuerdos Personales
Cuban Anti-slavery Narrative through Postcolonial Eyes
Gertrudis Gómez de Avellaneda's Sab (1841) has come to be regarded as an iconic work in the canon of nineteenth-century Cuban fiction, celebrated as much for its literary pedigree as for its radical combination of anti-slavery and feminist ideas. Yet it has been the subject of very divergent critical appraisals. This essay sets out to breathe new life into Avellaneda's novel by interpreting it through a postcolonial optic. Drawing on ideas from t…
Recuerdos Personales
Subtextuality in Elena Poniatowska's Hasta no verte Jesús mío
Women & Change in the Caribbean
Cuban Antislavery Narrative in a Postcolonial Light
Unlike the two iconic Cuban antislavery narratives, Cirilo Villaverde's Cecilia Valdes and Gertrudis Gomez de Avellaneda's Sab, which have excited much critical interest, Anselmo Suarez y Romero's Francisco is sometimes treated as a nondescript novel of dubious literary stock and suspect antislavery pedigree. Nevertheless, this work occupies a special place in the gallery of these narratives. It was one of the first responses to the request from …
Cuban Anti-slavery Narrative through Postcolonial Eyes
Gertrudis Gómez de Avellaneda's Sab (1841) has come to be regarded as an iconic work in the canon of nineteenth-century Cuban fiction, celebrated as much for its literary pedigree as for its radical combination of anti-slavery and feminist ideas. Yet it has been the subject of very divergent critical appraisals. This essay sets out to breathe new life into Avellaneda's novel by interpreting it through a postcolonial optic. Drawing on ideas from t…
Art (4 works) · Political science (3 works) · Spanish Literature and Culture Studies (3 works) · Cuban History and Society (2 works) · Latin American and Latino Studies (2 works) · Law (2 works) · Law (2 works) · Literature (2 works) · Narrative (2 works) · Sociology (2 works)