Julián Daniel Gutiérrez‐albilla
Biographic Data
| ID | 3662013 |
|---|---|
| NAME | Julián Daniel Gutiérrez‐albilla |
| GIVEN NAMES | Julián Daniel |
| FAMILY NAME | Gutiérrez‐albilla |
| SIGNATURE | ALBILLA J D G |
| AFFILIATIONS | University of Southern California |
| ORCID | 0000-0001-8863-8516 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Remembering the Soah Through Modern and Contemporary Dance: Historical Trauma, Trans-Subjectivity and Trans-Textuality in Bracha
This article proposes a methodological framework for engaging with dance and embodied practice through a horizontal, non-hierarchical relationship with critical theory. This approach centers on «thinking through/with» dance practice as the primary mode of theoretical articulation, moving beyond conventional methodologies that apply pre-established theory as a rigid analytical toolkit. To demonstrate this method, the case study is Bracha, a choreo…
Finitud, duelo y trans-subjetividad en Almodóvar: Releyendo la epidemia del Sida en Todo sobre mi madre (1999)
El objetivo de este artículo es centrarse en los conceptos de finitud, duelo y trans-subjetividad en la película de Pedro Almodóvar, Todo sobre mi madre (1999), para explorar en qué medida la película refleja, responde o recuerda la epidemia del SIDA desde la década de 1980. Basándonos en el psicoanálisis matricial y femenino-céntrico de Bracha L. Ettinger, este artículo concibe Todo sobre mi madre como un encuentro trans-subjetivo entre espectad…
Introduction: The primary event of peace: Femininity, com-passionate hospitality, and aesthetic wit(h)nessing in Bracha L. Ettinger’s matrixial psychoanalysis
Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodóvar
Rethinking Spanish Visual Cultural Studies through an ‘Untimely’ Encounter with the Dance/Performance Art of La Ribot
This article focuses on the dance/performance art of La Ribot in order to conceive her work as a ‘theoretical object’ that articulates and reformulates key conceptual concerns in visual culture, enabling us to engage with questions that relate directly to the medium of dance/performance art and to think in a trans-disciplinary manner about other visual media. Through an exploration of La Ribot's formal and conceptual concerns in relation to embod…
The Gender Ethics and Politics of Affection: The 'Feminine'Melodramatic Modein Walter Salles'Central do Brasil(1998)
This article reads Walter Salles'sCentral do Brasil(1998)through a reappraisal of the film's relationship to melodrama in order to emphasise the significance of the association of affect with ethical judgment in thinking about the complex and contradictory gender politics of the film, thereby challenging the conventional tension between pathos and logos. Using a number of filmic and psychoanalytic theories, this article argues thatCentral do Bras…
Abjection and the politics of feminist and queer subjectivities in contemporary art
Fictions of Reality/Documents of the Real Encounter: Mise-en-abîme and the Irruption of the Real in Luis Buñuel's Los olvidados (1950)
This paper draws on Lacan's notion of the Real, that which resists symbolization, a gap-in-knowledge that subverts the presumption to know it. I explore how Bunuel's Los olvidados (1950), a film that is often interpreted as a realistic documentation of misery in the Mexican historical context of the traumatic, accelerated push towards a modern industrial economy that characterized Mexico in the late 1940s and early 1950s, can be read in a way tha…
Fictions of Reality/Documents of the Real Encounter: Mise-en-abîme and the Irruption of the Real in Luis Buñuel's Los olvidados (1950)
This paper draws on Lacan's notion of the Real, that which resists symbolization, a gap-in-knowledge that subverts the presumption to know it. I explore how Bunuel's Los olvidados (1950), a film that is often interpreted as a realistic documentation of misery in the Mexican historical context of the traumatic, accelerated push towards a modern industrial economy that characterized Mexico in the late 1940s and early 1950s, can be read in a way tha…
Abjection and the politics of feminist and queer subjectivities in contemporary art
The Gender Ethics and Politics of Affection: The 'Feminine'Melodramatic Modein Walter Salles'Central do Brasil(1998)
This article reads Walter Salles'sCentral do Brasil(1998)through a reappraisal of the film's relationship to melodrama in order to emphasise the significance of the association of affect with ethical judgment in thinking about the complex and contradictory gender politics of the film, thereby challenging the conventional tension between pathos and logos. Using a number of filmic and psychoanalytic theories, this article argues thatCentral do Bras…
Rethinking Spanish Visual Cultural Studies through an ‘Untimely’ Encounter with the Dance/Performance Art of La Ribot
This article focuses on the dance/performance art of La Ribot in order to conceive her work as a ‘theoretical object’ that articulates and reformulates key conceptual concerns in visual culture, enabling us to engage with questions that relate directly to the medium of dance/performance art and to think in a trans-disciplinary manner about other visual media. Through an exploration of La Ribot's formal and conceptual concerns in relation to embod…
Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodóvar
Introduction: The primary event of peace: Femininity, com-passionate hospitality, and aesthetic wit(h)nessing in Bracha L. Ettinger’s matrixial psychoanalysis
Finitud, duelo y trans-subjetividad en Almodóvar: Releyendo la epidemia del Sida en Todo sobre mi madre (1999)
El objetivo de este artículo es centrarse en los conceptos de finitud, duelo y trans-subjetividad en la película de Pedro Almodóvar, Todo sobre mi madre (1999), para explorar en qué medida la película refleja, responde o recuerda la epidemia del SIDA desde la década de 1980. Basándonos en el psicoanálisis matricial y femenino-céntrico de Bracha L. Ettinger, este artículo concibe Todo sobre mi madre como un encuentro trans-subjetivo entre espectad…
Remembering the Soah Through Modern and Contemporary Dance: Historical Trauma, Trans-Subjectivity and Trans-Textuality in Bracha
This article proposes a methodological framework for engaging with dance and embodied practice through a horizontal, non-hierarchical relationship with critical theory. This approach centers on «thinking through/with» dance practice as the primary mode of theoretical articulation, moving beyond conventional methodologies that apply pre-established theory as a rigid analytical toolkit. To demonstrate this method, the case study is Bracha, a choreo…
Aesthetics (6 works) · Art (6 works) · Sociology (5 works) · Psychoanalysis (4 works) · Psychology (4 works) · Cinema and Media Studies (3 works) · Literature (3 works) · Philosophy (3 works) · Politics (3 works) · Art history (2 works)