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Ryan Anthony Hatch

Biographic Data

ID3664833
NAMERyan Anthony Hatch
GIVEN NAMESRyan Anthony
FAMILY NAMEHatch
SIGNATUREHATCH R A
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Sex: Trouble

    Open Access•Ryan Anthony Hatch•ARTICLE•Filozofski vestnik•2026

    This essay sets out from the observation that, by and large, the Lacanian field has tended to celebrate Joan Copjec’s “Sex and the Euthanasia of Reason” at the expense of rigorously engaging with it. Indeed, Copjec’s explosive text has often been taken—wrongly—as warranting both an indiscriminate dismissal of the entire project of queer theory (especially where it contests psychoanalytic theorizations of sexual difference) and the frequent confus…

  • Scenes From Bourgeois Life by Nicholas Ridout

    Ryan Anthony Hatch•ARTICLE•Theatre Journal•2022

    Reviewed by: Scenes From Bourgeois Life by Nicholas Ridout Ryan Anthony Hatch SCENES FROM BOURGEOIS LIFE. By Nicholas Ridout. Ann Arbor: University of Michigan Press, 2020; pp. 224. Nicholas Ridout begins Scenes from Bourgeois Life with a rhetorically mischievous provocation. One of his principal tasks, he announces, will be to ask where theatre professors come from: "[W]hat was it that made them who they are? In other words, what were their cond…

  • First as Minstrelsy, Then as Farce: On the Spectacle of Race in the Theater of Young Jean Lee

    Ryan Anthony Hatch•ARTICLE•CR The New Centennial Review•2013

    First as Minstrelsy, Then as FarceOn the Spectacle of Race in the Theater of Young Jean Lee Ryan Anthony Hatch (bio) I. Stop Making Sense A young Asian woman is alone on an otherwise bare stage, dressed casually and simply in a T-shirt and jeans, black hair worn down to her shoulders. The raw plywood box set surrounding her is neutral and rough, at once conspicuously artificial and devoid of theatricality. Center stage in this scenic no man’s lan…

No prominent works on this page.

  • First as Minstrelsy, Then as Farce: On the Spectacle of Race in the Theater of Young Jean Lee

    Ryan Anthony Hatch•ARTICLE•CR The New Centennial Review•2013

    First as Minstrelsy, Then as FarceOn the Spectacle of Race in the Theater of Young Jean Lee Ryan Anthony Hatch (bio) I. Stop Making Sense A young Asian woman is alone on an otherwise bare stage, dressed casually and simply in a T-shirt and jeans, black hair worn down to her shoulders. The raw plywood box set surrounding her is neutral and rough, at once conspicuously artificial and devoid of theatricality. Center stage in this scenic no man’s lan…

  • Scenes From Bourgeois Life by Nicholas Ridout

    Ryan Anthony Hatch•ARTICLE•Theatre Journal•2022

    Reviewed by: Scenes From Bourgeois Life by Nicholas Ridout Ryan Anthony Hatch SCENES FROM BOURGEOIS LIFE. By Nicholas Ridout. Ann Arbor: University of Michigan Press, 2020; pp. 224. Nicholas Ridout begins Scenes from Bourgeois Life with a rhetorically mischievous provocation. One of his principal tasks, he announces, will be to ask where theatre professors come from: "[W]hat was it that made them who they are? In other words, what were their cond…

  • Sex: Trouble

    Open Access•Ryan Anthony Hatch•ARTICLE•Filozofski vestnik•2026

    This essay sets out from the observation that, by and large, the Lacanian field has tended to celebrate Joan Copjec’s “Sex and the Euthanasia of Reason” at the expense of rigorously engaging with it. Indeed, Copjec’s explosive text has often been taken—wrongly—as warranting both an indiscriminate dismissal of the entire project of queer theory (especially where it contests psychoanalytic theorizations of sexual difference) and the frequent confus…

Art (2 works) · Art history (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 works) · Asian Culture and Media Studies (1 works) · Bourgeoisie (1 works) · Cinema and Media Studies (1 works)

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