Sílvia Pinto Coelho
Biographic Data
| ID | 3670739 |
|---|---|
| NAME | Sílvia Pinto Coelho |
| GIVEN NAMES | Sílvia Pinto |
| FAMILY NAME | Coelho |
| SIGNATURE | COELHO S P |
| AFFILIATIONS | Universidade Nova de Lisboa – FCSH – ICNOVA |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Conduire l’attention
Dans cet article, l’attention est immédiatement incarnée, en même temps qu’elle est déjouée : flottant entre les êtres, elle hésite, se cherche, se demande sur quel pied danser. Elle se vit comme tenue corporelle, et comme maintenue dans les rets des sollicitations extérieures. Entre improvisation, détournement, procrastination et suspension temporelle, le texte invite à n’enclore l’attention dans aucun cadre définitif
Antídoto e método
Since 1999 I’ve been following João Fiadeiro’s work with some attention. Sharing his processes of research with several colleagues, collaborators, artists, research‐ ers, Fiadeiro has been able to produce myriads of questions under the umbrella of Real Time Composition (CTR). As I could explore some of these questions in workshops with Fiadeiro and his collaborators (first as a dance student, and later as an artist and researcher, 1999‐2018), I e…
Dance and the (Digital) Archive
This paper offers a conspectus of several online dance archives made in the context of the Portuguese research project TKB. The online searches we conducted from 2018 to the end of 2019 suggested four broad categories of resources for what one may call ‘online dance archives’. Aiming to observe how dance resources are available on the internet, we made each category correspond to a different operation – to collect (to build up a collection), to a…
Práticas de Atenção
Assinalando alguns processos de composição e de performance coreográfica pretendemos neste artigo reparar nas práticas de atenção e nos ensaios de desterritorialização e de reterritorialização que convocam. As práticas e processos coreográficos de artistas como Lisa Nelson, ou João Fiadeiro são aqui encaradas como práticas que criam as suas próprias regras à medida que vão sendo jogadas, nunca com princípios competitivos, mas como propostas ética…
Práticas de Atenção
Assinalando alguns processos de composição e de performance coreográfica pretendemos neste artigo reparar nas práticas de atenção e nos ensaios de desterritorialização e de reterritorialização que convocam. As práticas e processos coreográficos de artistas como Lisa Nelson, ou João Fiadeiro são aqui encaradas como práticas que criam as suas próprias regras à medida que vão sendo jogadas, nunca com princípios competitivos, mas como propostas ética…
Práticas de Atenção
Assinalando alguns processos de composição e de performance coreográfica pretendemos neste artigo reparar nas práticas de atenção e nos ensaios de desterritorialização e de reterritorialização que convocam. As práticas e processos coreográficos de artistas como Lisa Nelson, ou João Fiadeiro são aqui encaradas como práticas que criam as suas próprias regras à medida que vão sendo jogadas, nunca com princípios competitivos, mas como propostas ética…
Antídoto e método
Since 1999 I’ve been following João Fiadeiro’s work with some attention. Sharing his processes of research with several colleagues, collaborators, artists, research‐ ers, Fiadeiro has been able to produce myriads of questions under the umbrella of Real Time Composition (CTR). As I could explore some of these questions in workshops with Fiadeiro and his collaborators (first as a dance student, and later as an artist and researcher, 1999‐2018), I e…
Dance and the (Digital) Archive
This paper offers a conspectus of several online dance archives made in the context of the Portuguese research project TKB. The online searches we conducted from 2018 to the end of 2019 suggested four broad categories of resources for what one may call ‘online dance archives’. Aiming to observe how dance resources are available on the internet, we made each category correspond to a different operation – to collect (to build up a collection), to a…
Conduire l’attention
Dans cet article, l’attention est immédiatement incarnée, en même temps qu’elle est déjouée : flottant entre les êtres, elle hésite, se cherche, se demande sur quel pied danser. Elle se vit comme tenue corporelle, et comme maintenue dans les rets des sollicitations extérieures. Entre improvisation, détournement, procrastination et suspension temporelle, le texte invite à n’enclore l’attention dans aucun cadre définitif
Art (2 works) · Arts and Performance Studies (2 works) · Brazilian cultural history and politics (2 works) · Humanities (2 works) · Air suspension (1 works) · Archaeology (1 works) · Artistic and Creative Research (1 works) · Business (1 works) · Choreography (1 works) · Computer Science (1 works)