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Richard Moyle

Biographic Data

ID3671565
NAMERichard Moyle
GIVEN NAMESRichard
FAMILY NAMEMoyle
SIGNATUREMOYLE R
AFFILIATIONSUniversity of Auckland
ORCID0000-0002-0388-9795
VERIFIEDYes
TOTAL WORKS16
TOTAL CITATIONS3
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR2021
H-INDEX1
  • The Pacific Festivals of Aotearoa New Zealand: Negotiating Place and Identity in a New Homeland

    Richard Moyle•ARTICLE•Ethnomusicology•2021

  • We the Voyagers. Part One: Our Vaka (Lata’s Children); Part Two: Our Moana

    Richard Moyle•ARTICLE•Journal of Pacific History•2020

    We the Voyagers. Part One: Our Vaka (Lata’s Children); Part Two: Our Moana." The Journal of Pacific History, 55(4), pp. 548–549

  • The Banning of Samoa’s Repatriated Mau Songs

    Richard Moyle, Frank Gunderson et al.•CHAPTER•Oxford Handbook of Musical…•2019

    The Samoan Mau nationalistic movement of the 1920s, which led eventually to Independence in 1962, was characterized by group songs many of which were fervent in their support for traditional leadership and scathing in their condemnation of the then New Zealand administration. In the year 2000 copies of Mau songs recorded some fifty years earlier were among musical items repatriated to Samoa to public acclaim and national radio playback, but withi…

  • Oral tradition and the canoe on Takū

    Richard Moyle•ARTICLE•Journal of the Polynesian Society•2018

    The article examines how Takū position the canoe in their understanding of the past and exploit it to achieve temporary individual prominence within an otherwise egalitarian society. The canoe on Takū exists in two spheres of reference: in the collective memory of two bygone eras preserved largely in fragmented mythology and ancient song lyrics, and as the item of contemporary material culture crucially involved in the economic life of the small …

  • Wurrurrumi Kun-Borrk. Songs from Western Arnhem Land

    Richard Moyle•ARTICLE•Ethnomusicology•2008

    Book Review| October 01 2008 Wurrurrumi Kun-Borrk. Songs from Western Arnhem Land Wurrurrumi Kun-Borrk. Songs from Western Arnhem Land, Kevin Djimarr and Murray Garde. Richard Moyle Richard Moyle Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (3): 511–512. https://doi.org/10.2307/20174623 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Richard Moyle; Wurrurrum…

  • Weavers of Song: Polynesian Music and Dance

    Richard Moyle, Mervyn Mclean•ARTICLE•Ethnomusicology•2001

  • Samoan Variations: Essays on the Nature of Traditional Oral Arts

    Richard Moyle, Jacob Wainwright Love•ARTICLE•Ethnomusicology•1994

  • Save the last dance — for me

    Richard Moyle•ARTICLE•Musicology Australia•1993•Cited by: 2•References: 4

    The implications of 'authenticity' in non-literate cultures are examined using Polynesia as a model: reconciliation of a desire for constant innovation with the acknowledged importance of preserving national identity, and the coexistence of widely constrasting styles and genres. The influence of tourism provoked fundamental changes in repertoire, style, poetic content, interaction between performer and audience, and perceptions of change. The pap…

  • Kanak Songs, Feasts and Lullabies

    Richard Moyle, Jean-Michel Beaudet et al.•ARTICLE•Yearbook for Traditional Music•1992

  • Tongan Music

    Peter Crowe, Richard Moyle•ARTICLE•Cahiers de musiques traditionnelles•1990

  • Matangi lelei to ki la mahaehae

    Richard Moyle•ARTICLE•Ethnomusicology•1990

  • Traditional Samoan Music

    Jacob Wainwright Love, Richard Moyle•ARTICLE•Ethnomusicology•1990

  • Goyulan: The Morning Star. An Aboriginal Clan Song Series from North Central Arnhem Land

    Richard Moyle, Clunies Ro et al.•ARTICLE•Yearbook for Traditional Music•1989

  • Tongan Music

    Adrienne L Kaeppler, Richard Moyle•ARTICLE•Ethnomusicology•1989•Cited by: 1

  • Tongan Music

    Barbara B Smith, Richard Moyle•ARTICLE•Man•1989

  • Samoan Musical Instruments

    Richard Moyle•ARTICLE•Ethnomusicology•1974

  • Save the last dance — for me

    Richard Moyle•ARTICLE•Musicology Australia•1993•Cited by: 2•References: 4

    The implications of 'authenticity' in non-literate cultures are examined using Polynesia as a model: reconciliation of a desire for constant innovation with the acknowledged importance of preserving national identity, and the coexistence of widely constrasting styles and genres. The influence of tourism provoked fundamental changes in repertoire, style, poetic content, interaction between performer and audience, and perceptions of change. The pap…

  • Tongan Music

    Adrienne L Kaeppler, Richard Moyle•ARTICLE•Ethnomusicology•1989•Cited by: 1

  • Samoan Musical Instruments

    Richard Moyle•ARTICLE•Ethnomusicology•1974

  • Goyulan: The Morning Star. An Aboriginal Clan Song Series from North Central Arnhem Land

    Richard Moyle, Clunies Ro et al.•ARTICLE•Yearbook for Traditional Music•1989

  • Tongan Music

    Adrienne L Kaeppler, Richard Moyle•ARTICLE•Ethnomusicology•1989•Cited by: 1

  • Tongan Music

    Barbara B Smith, Richard Moyle•ARTICLE•Man•1989

  • Tongan Music

    Peter Crowe, Richard Moyle•ARTICLE•Cahiers de musiques traditionnelles•1990

  • Matangi lelei to ki la mahaehae

    Richard Moyle•ARTICLE•Ethnomusicology•1990

  • Traditional Samoan Music

    Jacob Wainwright Love, Richard Moyle•ARTICLE•Ethnomusicology•1990

  • Kanak Songs, Feasts and Lullabies

    Richard Moyle, Jean-Michel Beaudet et al.•ARTICLE•Yearbook for Traditional Music•1992

  • Save the last dance — for me

    Richard Moyle•ARTICLE•Musicology Australia•1993•Cited by: 2•References: 4

    The implications of 'authenticity' in non-literate cultures are examined using Polynesia as a model: reconciliation of a desire for constant innovation with the acknowledged importance of preserving national identity, and the coexistence of widely constrasting styles and genres. The influence of tourism provoked fundamental changes in repertoire, style, poetic content, interaction between performer and audience, and perceptions of change. The pap…

  • Samoan Variations: Essays on the Nature of Traditional Oral Arts

    Richard Moyle, Jacob Wainwright Love•ARTICLE•Ethnomusicology•1994

  • Weavers of Song: Polynesian Music and Dance

    Richard Moyle, Mervyn Mclean•ARTICLE•Ethnomusicology•2001

  • Wurrurrumi Kun-Borrk. Songs from Western Arnhem Land

    Richard Moyle•ARTICLE•Ethnomusicology•2008

    Book Review| October 01 2008 Wurrurrumi Kun-Borrk. Songs from Western Arnhem Land Wurrurrumi Kun-Borrk. Songs from Western Arnhem Land, Kevin Djimarr and Murray Garde. Richard Moyle Richard Moyle Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (3): 511–512. https://doi.org/10.2307/20174623 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Richard Moyle; Wurrurrum…

  • Oral tradition and the canoe on Takū

    Richard Moyle•ARTICLE•Journal of the Polynesian Society•2018

    The article examines how Takū position the canoe in their understanding of the past and exploit it to achieve temporary individual prominence within an otherwise egalitarian society. The canoe on Takū exists in two spheres of reference: in the collective memory of two bygone eras preserved largely in fragmented mythology and ancient song lyrics, and as the item of contemporary material culture crucially involved in the economic life of the small …

  • The Banning of Samoa’s Repatriated Mau Songs

    Richard Moyle, Frank Gunderson et al.•CHAPTER•Oxford Handbook of Musical…•2019

    The Samoan Mau nationalistic movement of the 1920s, which led eventually to Independence in 1962, was characterized by group songs many of which were fervent in their support for traditional leadership and scathing in their condemnation of the then New Zealand administration. In the year 2000 copies of Mau songs recorded some fifty years earlier were among musical items repatriated to Samoa to public acclaim and national radio playback, but withi…

  • We the Voyagers. Part One: Our Vaka (Lata’s Children); Part Two: Our Moana

    Richard Moyle•ARTICLE•Journal of Pacific History•2020

    We the Voyagers. Part One: Our Vaka (Lata’s Children); Part Two: Our Moana." The Journal of Pacific History, 55(4), pp. 548–549

  • The Pacific Festivals of Aotearoa New Zealand: Negotiating Place and Identity in a New Homeland

    Richard Moyle•ARTICLE•Ethnomusicology•2021

Art (9 works) · History (8 works) · Island Studies and Pacific Affairs (6 works) · Computer Science (5 works) · Sociology (5 works) · Visual arts (5 works) · Linguistics (4 works) · Samoan (4 works) · Diverse Musicological Studies (3 works) · Geography (3 works)

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