Joan Morgan
Biographic Data
| ID | 3672032 |
|---|---|
| NAME | Joan Morgan |
| GIVEN NAMES | Joan |
| FAMILY NAME | Morgan |
| SIGNATURE | MORGAN J |
| ORCID | 0000-0003-3213-5930 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 32 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Concubines’, ‘Mistresses’, ‘Wives
Why We Get Off
This, right here, is an origins tale. A deliberate, black, feminist, once upon a time that details one of three preliminary but critical pit stops on my theory-making journey to a black feminist Po
An Interview with Joan Morgan
An Interview with Joan Morgan Faedra Chatard Carpenter (bio) This interview was conducted by telephone on March 21st, 2006, between upstate New York and Laurel, Maryland. CARPENTER: I've read a lot about how you started as a hip-hop journalist. A couple of your early works were pieces on Monie Love and Queen Latifah, is that correct? MORGAN: Oh yes, those were my first two profiles, actually. CARPENTER: Well, I had read somewhere that your jump f…
The New Book of Apples
Fly-Girls, Bitches, and Hoes
know Boo, it's been six years since I've been writing about hip hop on the Joan Morgan womanist tip and I'm still getting asked the same questions. At work, the intelligentsia types want to know if, Given the undeniably high content of sexism and misogyny in rap music, isn't a declared commitment to both, well, incongruous? And my girls they just come right out, You still wit that nigga? So I tell them how good you do that thing you do. Laugh and…
A Paradise out of a Common Field
Cottesbrooke; An English Kitchen Garden
The Kitchen Garden
Why We Get Off
This, right here, is an origins tale. A deliberate, black, feminist, once upon a time that details one of three preliminary but critical pit stops on my theory-making journey to a black feminist Po
Fly-Girls, Bitches, and Hoes
know Boo, it's been six years since I've been writing about hip hop on the Joan Morgan womanist tip and I'm still getting asked the same questions. At work, the intelligentsia types want to know if, Given the undeniably high content of sexism and misogyny in rap music, isn't a declared commitment to both, well, incongruous? And my girls they just come right out, You still wit that nigga? So I tell them how good you do that thing you do. Laugh and…
An Interview with Joan Morgan
An Interview with Joan Morgan Faedra Chatard Carpenter (bio) This interview was conducted by telephone on March 21st, 2006, between upstate New York and Laurel, Maryland. CARPENTER: I've read a lot about how you started as a hip-hop journalist. A couple of your early works were pieces on Monie Love and Queen Latifah, is that correct? MORGAN: Oh yes, those were my first two profiles, actually. CARPENTER: Well, I had read somewhere that your jump f…
The Kitchen Garden
Cottesbrooke; An English Kitchen Garden
A Paradise out of a Common Field
Fly-Girls, Bitches, and Hoes
know Boo, it's been six years since I've been writing about hip hop on the Joan Morgan womanist tip and I'm still getting asked the same questions. At work, the intelligentsia types want to know if, Given the undeniably high content of sexism and misogyny in rap music, isn't a declared commitment to both, well, incongruous? And my girls they just come right out, You still wit that nigga? So I tell them how good you do that thing you do. Laugh and…
The New Book of Apples
An Interview with Joan Morgan
An Interview with Joan Morgan Faedra Chatard Carpenter (bio) This interview was conducted by telephone on March 21st, 2006, between upstate New York and Laurel, Maryland. CARPENTER: I've read a lot about how you started as a hip-hop journalist. A couple of your early works were pieces on Monie Love and Queen Latifah, is that correct? MORGAN: Oh yes, those were my first two profiles, actually. CARPENTER: Well, I had read somewhere that your jump f…
Why We Get Off
This, right here, is an origins tale. A deliberate, black, feminist, once upon a time that details one of three preliminary but critical pit stops on my theory-making journey to a black feminist Po
Concubines’, ‘Mistresses’, ‘Wives
Art (7 works) · Sociology (4 works) · Gender Studies (3 works) · Architectural engineering (2 works) · Art history (2 works) · Engineering (2 works) · Gender Studies (2 works) · History (2 works) · Law (2 works) · Law (2 works)