Lynda Hall
Biographic Data
| ID | 3672512 |
|---|---|
| NAME | Lynda Hall |
| GIVEN NAMES | Lynda |
| FAMILY NAME | Hall |
| SIGNATURE | HALL L |
| AFFILIATIONS | University of Calgary |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 0 |
Pizza Pans
Sue Parrill. Jane Austen on Film and Television
A review of Jane Austen on Film and Television: A Critical Study of the Adaptations by Sue Parrll
Lorde, Anzaldúa, and Tropicana Performatively Embody the Written Self
(2000). Lorde, Anzaldua, and Tropicana Performatively Embody the Written Self. a/b: Auto/Biography Studies: Vol. 15, Autobiographical Que(e)ries, pp. 96-122
"Passion(ate) Plays "Wherever We Found Space
Callaloo - Volume 23, Number 1, Winter 2000
Holly Hughes performing
Postmodern Culture - Volume 7, Number 2, January 1997
"My Story is Written on My Flesh"
This article examines the performance of sadomasochism in relation to identity, specifically through an analysis of Bob Flanagan and Sheree Rose's collaborative performance work. Focusing on the "Medusa" performance, Hall explores how Flanagan, as "Dempsey," and Rose, as "Mary Medusa," negotiate and construct identities through S/M practices. The article argues that these performances, while seemingly transgressive, ultimately reinforce certain s…
No prominent works on this page.
"My Story is Written on My Flesh"
This article examines the performance of sadomasochism in relation to identity, specifically through an analysis of Bob Flanagan and Sheree Rose's collaborative performance work. Focusing on the "Medusa" performance, Hall explores how Flanagan, as "Dempsey," and Rose, as "Mary Medusa," negotiate and construct identities through S/M practices. The article argues that these performances, while seemingly transgressive, ultimately reinforce certain s…
Holly Hughes performing
Postmodern Culture - Volume 7, Number 2, January 1997
Lorde, Anzaldúa, and Tropicana Performatively Embody the Written Self
(2000). Lorde, Anzaldua, and Tropicana Performatively Embody the Written Self. a/b: Auto/Biography Studies: Vol. 15, Autobiographical Que(e)ries, pp. 96-122
"Passion(ate) Plays "Wherever We Found Space
Callaloo - Volume 23, Number 1, Winter 2000
Sue Parrill. Jane Austen on Film and Television
A review of Jane Austen on Film and Television: A Critical Study of the Adaptations by Sue Parrll
Pizza Pans
Art (4 works) · Aesthetics (2 works) · Latin American and Latino Studies (2 works) · Sociology (2 works) · American and British Literature Analysis (1 works) · Anthropology (1 works) · Art history (1 works) · Autobiographical and Biographical Writing (1 works) · Biology (1 works) · Chemistry (1 works)