Michelle S Hite
Biographic Data
| ID | 3672554 |
|---|---|
| NAME | Michelle S Hite |
| GIVEN NAMES | Michelle S |
| FAMILY NAME | Hite |
| SIGNATURE | HITE M S |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
An OutKast Reader
Beyoncé, Black Motherhood, and the Return of Wrenching Times
This article contends that Beyoncé Knowles stages several spectacles in tribute to the mothers of slain Black sons as an homage to Mamie Till-Mobley, the mother of 14-year-old Emmett Till, and interrogates the role Beyoncé plays in supporting Black mothers in rescuing their dead children’s fate from the banlieues of racist logic, and thus the normalising of Black children dying out of sequence. Knowles’s effectiveness results from the appeals she…
In the Name of the Father
This essay asserts that when director Ryan Coogler's two earliest films, Fruitvale Station and Creed, are read together, the sustained engagement reveals how a Black radical imagination acknowledges and dignifies Black life in a context of anti-Black violence. Ultimately, the process that Coogler identifies and articulates in creating Apollo parallels the process of mourning Black lives through protest in a culture where the claim that Black live…
No prominent works on this page.
In the Name of the Father
This essay asserts that when director Ryan Coogler's two earliest films, Fruitvale Station and Creed, are read together, the sustained engagement reveals how a Black radical imagination acknowledges and dignifies Black life in a context of anti-Black violence. Ultimately, the process that Coogler identifies and articulates in creating Apollo parallels the process of mourning Black lives through protest in a culture where the claim that Black live…
Beyoncé, Black Motherhood, and the Return of Wrenching Times
This article contends that Beyoncé Knowles stages several spectacles in tribute to the mothers of slain Black sons as an homage to Mamie Till-Mobley, the mother of 14-year-old Emmett Till, and interrogates the role Beyoncé plays in supporting Black mothers in rescuing their dead children’s fate from the banlieues of racist logic, and thus the normalising of Black children dying out of sequence. Knowles’s effectiveness results from the appeals she…
An OutKast Reader
Art (3 works) · Gender Studies (3 works) · Sociology (3 works) · Race, History, and American Society (2 works) · Aesthetics (1 works) · African American musicians (1 works) · African americans (1 works) · Archaeology (1 works) · Attitudes (1 works) · Cinema and Media Studies (1 works)