Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Bill Rolston

Biographic Data

ID3673738
NAMEBill Rolston
GIVEN NAMESBill
FAMILY NAMERolston
SIGNATUREROLSTON B
AFFILIATIONSUniversity of Ulster
VERIFIEDNo
TOTAL WORKS18
TOTAL CITATIONS78
AUTHOR COUNT17
EDITOR COUNT1
FIRST PUBLICATION YEAR1978
LATEST PUBLICATION YEAR2018
H-INDEX6
  • Exhuming memory: Miguel Hernández and the legacy of fascism in Spain

    Open Access•Bill Rolston, Amaia Alvarez Berastegi•ARTICLE•Race & Class•2018•Cited by: 1•References: 7

    Each March in Orihuela in the province of Valencia, Spain, there is a festival of mural painting in honour of local poet Miguel Hernández. For long the poet, who died in a fascist jail in 1942, had been publicly unacknowledged, but now his life, his work and his political involvement as a Republican political activist are openly displayed. How Hernández is remembered provides a powerful example of the struggles between memory and forgetting in po…

  • The Media and Northern Ireland: Covering the Troubles

    Open Access•Bill Rolston•BOOK•Media and Northern Ireland•2017

    Closing down the airwaves - the story of the broadcasting ban, Ed Moloney the silence in Irish broadcasting, Betty Purcell the media on the rock - the media and the Gibraltar killings, David Miller Ulster unionism and British broadcasting journalism, 1924-89, David Butler toeing the line - why the American press fails, Jo Thomas in search of hope - coverage of the northern conflict in the Dublin daily papers, Brian Trench news fit to print - Belf…

  • Picturing peace: Murals and memory in Colombia

    Open Access•Bill Rolston, Sofi Ospina•ARTICLE•Race & Class•2017•Cited by: 2•References: 18

    The painting of murals and graffiti is a widespread and well-established practice in Colombia. Most of the artwork is not directly political. However, a significant number of murals speak directly to the political problems of the society; to the protracted violent political conflict and the emerging peace process in Colombia. That articulation varies through different regions in Colombia, depending on the balance of forces between guerrillas, for…

  • Messages of allegiance and defiance: The murals of Gaza

    Open Access•Bill Rolston•ARTICLE•Race & Class•2014•References: 11

    Behind the iron grip which Israel maintains on the Gaza Strip, there exists a vibrant tradition of painting murals and graffiti on outdoor walls. The origins and contemporary form of this tradition are considered in this article. The painting of murals and graffiti in the West Bank and the Gaza Strip has its roots in the first intifada which began in 1987. As part of the resistance to Israeli occupation and repression, young people, at great pers…

  • Civilising the Irish

    Open Access•Robbie Mcveigh, Bill Rolston•ARTICLE•Race & Class•2009•Cited by: 8•References: 6

    Taking Norbert Elias' work on the concept of civilisation as their cue, the authors explore the long history of the 'civilising process' in Ireland, showing how a dichotomy between the civilised and the barbarians is central to English colonialism there. Examining comparative examples such as the colonisation of North America and Australia, justifications of the violence of the colonisers are surveyed to show their reliance on the idea of civilis…

  • From Good Friday to Good Relations: Sectarianism, racism and the Northern Ireland state

    Open Access•Robbie Mcveigh, Bill Rolston•ARTICLE•Race & Class•2007•Cited by: 16•References: 6

    This article addresses the nature of contemporary racism and sectarianism in Northern Ireland in the context of the Good Friday Agreement (GFA) and its outworking. It responds to the increasing dominance of the 'good relations' model for understanding and addressing race and sectarian division in Northern Ireland. It debunks the gathering support for the notion that Northern Ireland is somehow 'post-sectarian' - finding instead a state formation …

  • Bringing it all Back Home: Irish Emigration and Racism

    Open Access•Bill Rolston•ARTICLE•Race & Class•2003•References: 2

    L'A. montre comment dans le contexte des deux periodes d'emigration de masse des 18 eme et 19 eme siecles et a travers la rencontre avec les Afro-americains, les emigrants irlandais - Ecossais irlandais ou catholiques irlandais - en sont venus a souscrire a une ideologie couramment repandue : le racisme. Si le racisme a ete importe en Irlande a travers l'emigration, d'autres contextes comme le mouvement revolutionnaire ou internationaliste, par c…

  • Why Truth? Why now

    Open Access•Bill Rolston•ARTICLE•Race & Class•2002

  • Assembling the jigsaw: Truth, justice and transition in the North of Ireland

    Open Access•Bill Rolston, William J Rolston•ARTICLE•Race & Class•2002•Cited by: 7•References: 2

    The article critically examines the arguments for and obstacles facing the possibility of a truth commission in relation to the Northern Ireland conflict

  • This is not a Rebel Song: The Irish Conflict and Popular Music

    Open Access•Bill Rolston•ARTICLE•Race & Class•2001•Cited by: 6•References: 2

    The article examines how different genres of popular music - rock, pop, punk, folk, reggae and rap - have tackled the issue of the Northern Ireland conflict. The conclusion is that the relatively small number of songs about such a protracted conflict, along with the superficial treatment of the subject in a number of songs, would seem to confirm the impression that popular music is quite inept when it comes to such major political themes

  • Are the Irish black

    Open Access•Bill Rolston•ARTICLE•Race & Class•1999•Cited by: 2•References: 4

  • Culture as a battlefield: Political identity and the state in the North of Ireland

    Open Access•Bill Rolston•ARTICLE•Race & Class•1998

    L'A. montre que la question culturelle en Irlande du Nord constitue un enjeu majeur. Il analyse l'influence de l'identite politique et de l'Etat en ce domaine. Il etudie le lien entre culture et resistance. Il examine l'attitude de l'Etat unioniste face a la partition de l'Irlande. Il compare la culture unioniste et la culture loyaliste. Il souligne que l'Etat en Ulster s'efforce de promouvoir un mythe celui de l'equilibre culturel entre communau…

  • Selling tourism in a country at war

    Open Access•Bill Rolston•ARTICLE•Race & Class•1995•Cited by: 4

  • The training ground: Ireland, conquest and decolonisation

    Open Access•Bill Rolston•ARTICLE•Race & Class•1993•Cited by: 5•References: 2

    Histoire de l'expansion et du colonialisme de l'Europe de l'Ouest. Cas de l'Irlande : conquete et decolonisation

  • The Media and Northern Ireland

    Open Access•Bill Rolston•BOOK•Media and Northern Ireland•1991•Cited by: 13

  • Mothers, whores and villains: Images of women in novels of the Northern Ireland conflict

    Open Access•Bill Rolston•ARTICLE•Race & Class•1989•Cited by: 7

    The article considers representations of women in popular novels of the Northern Ireland conflict and concludes that the fictional roles for women are confined to three major ones: women who are biologicaly determined as mothers to be unequivocally committed to peace; women who are not themselves violent but entice their sons and grandsons into violence; and women who, when they break from their 'nature' as peacelovers, become more violent than m…

  • From Labour to the Tories: The ideology of containment in Northern Ireland

    Open Access•Liam O''Dowd, Liam O'Dowd et al.•ARTICLE•Capital & Class•1982•Cited by: 7•References: 2

  • Escaping from Belfast: Class, ideology and literature in Northern Ireland

    Open Access•Bill Rolston•ARTICLE•Race & Class•1978

  • From Good Friday to Good Relations: Sectarianism, racism and the Northern Ireland state

    Open Access•Robbie Mcveigh, Bill Rolston•ARTICLE•Race & Class•2007•Cited by: 16•References: 6

    This article addresses the nature of contemporary racism and sectarianism in Northern Ireland in the context of the Good Friday Agreement (GFA) and its outworking. It responds to the increasing dominance of the 'good relations' model for understanding and addressing race and sectarian division in Northern Ireland. It debunks the gathering support for the notion that Northern Ireland is somehow 'post-sectarian' - finding instead a state formation …

  • The Media and Northern Ireland

    Open Access•Bill Rolston•BOOK•Media and Northern Ireland•1991•Cited by: 13

  • Civilising the Irish

    Open Access•Robbie Mcveigh, Bill Rolston•ARTICLE•Race & Class•2009•Cited by: 8•References: 6

    Taking Norbert Elias' work on the concept of civilisation as their cue, the authors explore the long history of the 'civilising process' in Ireland, showing how a dichotomy between the civilised and the barbarians is central to English colonialism there. Examining comparative examples such as the colonisation of North America and Australia, justifications of the violence of the colonisers are surveyed to show their reliance on the idea of civilis…

  • Assembling the jigsaw: Truth, justice and transition in the North of Ireland

    Open Access•Bill Rolston, William J Rolston•ARTICLE•Race & Class•2002•Cited by: 7•References: 2

    The article critically examines the arguments for and obstacles facing the possibility of a truth commission in relation to the Northern Ireland conflict

  • Mothers, whores and villains: Images of women in novels of the Northern Ireland conflict

    Open Access•Bill Rolston•ARTICLE•Race & Class•1989•Cited by: 7

    The article considers representations of women in popular novels of the Northern Ireland conflict and concludes that the fictional roles for women are confined to three major ones: women who are biologicaly determined as mothers to be unequivocally committed to peace; women who are not themselves violent but entice their sons and grandsons into violence; and women who, when they break from their 'nature' as peacelovers, become more violent than m…

  • From Labour to the Tories: The ideology of containment in Northern Ireland

    Open Access•Liam O''Dowd, Liam O'Dowd et al.•ARTICLE•Capital & Class•1982•Cited by: 7•References: 2

  • This is not a Rebel Song: The Irish Conflict and Popular Music

    Open Access•Bill Rolston•ARTICLE•Race & Class•2001•Cited by: 6•References: 2

    The article examines how different genres of popular music - rock, pop, punk, folk, reggae and rap - have tackled the issue of the Northern Ireland conflict. The conclusion is that the relatively small number of songs about such a protracted conflict, along with the superficial treatment of the subject in a number of songs, would seem to confirm the impression that popular music is quite inept when it comes to such major political themes

  • The training ground: Ireland, conquest and decolonisation

    Open Access•Bill Rolston•ARTICLE•Race & Class•1993•Cited by: 5•References: 2

    Histoire de l'expansion et du colonialisme de l'Europe de l'Ouest. Cas de l'Irlande : conquete et decolonisation

  • Selling tourism in a country at war

    Open Access•Bill Rolston•ARTICLE•Race & Class•1995•Cited by: 4

  • Picturing peace: Murals and memory in Colombia

    Open Access•Bill Rolston, Sofi Ospina•ARTICLE•Race & Class•2017•Cited by: 2•References: 18

    The painting of murals and graffiti is a widespread and well-established practice in Colombia. Most of the artwork is not directly political. However, a significant number of murals speak directly to the political problems of the society; to the protracted violent political conflict and the emerging peace process in Colombia. That articulation varies through different regions in Colombia, depending on the balance of forces between guerrillas, for…

  • Are the Irish black

    Open Access•Bill Rolston•ARTICLE•Race & Class•1999•Cited by: 2•References: 4

  • Exhuming memory: Miguel Hernández and the legacy of fascism in Spain

    Open Access•Bill Rolston, Amaia Alvarez Berastegi•ARTICLE•Race & Class•2018•Cited by: 1•References: 7

    Each March in Orihuela in the province of Valencia, Spain, there is a festival of mural painting in honour of local poet Miguel Hernández. For long the poet, who died in a fascist jail in 1942, had been publicly unacknowledged, but now his life, his work and his political involvement as a Republican political activist are openly displayed. How Hernández is remembered provides a powerful example of the struggles between memory and forgetting in po…

  • Escaping from Belfast: Class, ideology and literature in Northern Ireland

    Open Access•Bill Rolston•ARTICLE•Race & Class•1978

  • From Labour to the Tories: The ideology of containment in Northern Ireland

    Open Access•Liam O''Dowd, Liam O'Dowd et al.•ARTICLE•Capital & Class•1982•Cited by: 7•References: 2

  • Mothers, whores and villains: Images of women in novels of the Northern Ireland conflict

    Open Access•Bill Rolston•ARTICLE•Race & Class•1989•Cited by: 7

    The article considers representations of women in popular novels of the Northern Ireland conflict and concludes that the fictional roles for women are confined to three major ones: women who are biologicaly determined as mothers to be unequivocally committed to peace; women who are not themselves violent but entice their sons and grandsons into violence; and women who, when they break from their 'nature' as peacelovers, become more violent than m…

  • The Media and Northern Ireland

    Open Access•Bill Rolston•BOOK•Media and Northern Ireland•1991•Cited by: 13

  • The training ground: Ireland, conquest and decolonisation

    Open Access•Bill Rolston•ARTICLE•Race & Class•1993•Cited by: 5•References: 2

    Histoire de l'expansion et du colonialisme de l'Europe de l'Ouest. Cas de l'Irlande : conquete et decolonisation

  • Selling tourism in a country at war

    Open Access•Bill Rolston•ARTICLE•Race & Class•1995•Cited by: 4

  • Culture as a battlefield: Political identity and the state in the North of Ireland

    Open Access•Bill Rolston•ARTICLE•Race & Class•1998

    L'A. montre que la question culturelle en Irlande du Nord constitue un enjeu majeur. Il analyse l'influence de l'identite politique et de l'Etat en ce domaine. Il etudie le lien entre culture et resistance. Il examine l'attitude de l'Etat unioniste face a la partition de l'Irlande. Il compare la culture unioniste et la culture loyaliste. Il souligne que l'Etat en Ulster s'efforce de promouvoir un mythe celui de l'equilibre culturel entre communau…

  • Are the Irish black

    Open Access•Bill Rolston•ARTICLE•Race & Class•1999•Cited by: 2•References: 4

  • This is not a Rebel Song: The Irish Conflict and Popular Music

    Open Access•Bill Rolston•ARTICLE•Race & Class•2001•Cited by: 6•References: 2

    The article examines how different genres of popular music - rock, pop, punk, folk, reggae and rap - have tackled the issue of the Northern Ireland conflict. The conclusion is that the relatively small number of songs about such a protracted conflict, along with the superficial treatment of the subject in a number of songs, would seem to confirm the impression that popular music is quite inept when it comes to such major political themes

  • Why Truth? Why now

    Open Access•Bill Rolston•ARTICLE•Race & Class•2002

  • Assembling the jigsaw: Truth, justice and transition in the North of Ireland

    Open Access•Bill Rolston, William J Rolston•ARTICLE•Race & Class•2002•Cited by: 7•References: 2

    The article critically examines the arguments for and obstacles facing the possibility of a truth commission in relation to the Northern Ireland conflict

  • Bringing it all Back Home: Irish Emigration and Racism

    Open Access•Bill Rolston•ARTICLE•Race & Class•2003•References: 2

    L'A. montre comment dans le contexte des deux periodes d'emigration de masse des 18 eme et 19 eme siecles et a travers la rencontre avec les Afro-americains, les emigrants irlandais - Ecossais irlandais ou catholiques irlandais - en sont venus a souscrire a une ideologie couramment repandue : le racisme. Si le racisme a ete importe en Irlande a travers l'emigration, d'autres contextes comme le mouvement revolutionnaire ou internationaliste, par c…

  • From Good Friday to Good Relations: Sectarianism, racism and the Northern Ireland state

    Open Access•Robbie Mcveigh, Bill Rolston•ARTICLE•Race & Class•2007•Cited by: 16•References: 6

    This article addresses the nature of contemporary racism and sectarianism in Northern Ireland in the context of the Good Friday Agreement (GFA) and its outworking. It responds to the increasing dominance of the 'good relations' model for understanding and addressing race and sectarian division in Northern Ireland. It debunks the gathering support for the notion that Northern Ireland is somehow 'post-sectarian' - finding instead a state formation …

  • Civilising the Irish

    Open Access•Robbie Mcveigh, Bill Rolston•ARTICLE•Race & Class•2009•Cited by: 8•References: 6

    Taking Norbert Elias' work on the concept of civilisation as their cue, the authors explore the long history of the 'civilising process' in Ireland, showing how a dichotomy between the civilised and the barbarians is central to English colonialism there. Examining comparative examples such as the colonisation of North America and Australia, justifications of the violence of the colonisers are surveyed to show their reliance on the idea of civilis…

  • Messages of allegiance and defiance: The murals of Gaza

    Open Access•Bill Rolston•ARTICLE•Race & Class•2014•References: 11

    Behind the iron grip which Israel maintains on the Gaza Strip, there exists a vibrant tradition of painting murals and graffiti on outdoor walls. The origins and contemporary form of this tradition are considered in this article. The painting of murals and graffiti in the West Bank and the Gaza Strip has its roots in the first intifada which began in 1987. As part of the resistance to Israeli occupation and repression, young people, at great pers…

  • The Media and Northern Ireland: Covering the Troubles

    Open Access•Bill Rolston•BOOK•Media and Northern Ireland•2017

    Closing down the airwaves - the story of the broadcasting ban, Ed Moloney the silence in Irish broadcasting, Betty Purcell the media on the rock - the media and the Gibraltar killings, David Miller Ulster unionism and British broadcasting journalism, 1924-89, David Butler toeing the line - why the American press fails, Jo Thomas in search of hope - coverage of the northern conflict in the Dublin daily papers, Brian Trench news fit to print - Belf…

  • Picturing peace: Murals and memory in Colombia

    Open Access•Bill Rolston, Sofi Ospina•ARTICLE•Race & Class•2017•Cited by: 2•References: 18

    The painting of murals and graffiti is a widespread and well-established practice in Colombia. Most of the artwork is not directly political. However, a significant number of murals speak directly to the political problems of the society; to the protracted violent political conflict and the emerging peace process in Colombia. That articulation varies through different regions in Colombia, depending on the balance of forces between guerrillas, for…

  • Exhuming memory: Miguel Hernández and the legacy of fascism in Spain

    Open Access•Bill Rolston, Amaia Alvarez Berastegi•ARTICLE•Race & Class•2018•Cited by: 1•References: 7

    Each March in Orihuela in the province of Valencia, Spain, there is a festival of mural painting in honour of local poet Miguel Hernández. For long the poet, who died in a fascist jail in 1942, had been publicly unacknowledged, but now his life, his work and his political involvement as a Republican political activist are openly displayed. How Hernández is remembered provides a powerful example of the struggles between memory and forgetting in po…

Political science (16 works) · Sociology (13 works) · Irish and British Studies (12 works) · Law (12 works) · Law (12 works) · Politics (9 works) · Art (8 works) · History (8 works) · Philosophy (8 works) · Ethnology (7 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae