Landon Palmer
Biographic Data
| ID | 3674144 |
|---|---|
| NAME | Landon Palmer |
| GIVEN NAMES | Landon |
| FAMILY NAME | Palmer |
| SIGNATURE | PALMER L |
| AFFILIATIONS | University of Alabama |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Moving-image mixtape: On Pixelvision film and video art
Pop ubiquity: Cameo Performance as Star Management
Since the early 1990s, proto-punk rock musician Iggy Pop has regularly appeared onscreen in supporting and cameo roles. While a rock star’s presence across media is hardly novel, the brevity of Pop’s screen performances rests its meaning and value upon a rejection of conventional stardom, persisting through the peripheries of moving image media rather than building a marquee status. This article explains the economic and cultural logic of such ap…
Engineering the ‘Sense of Being There’: Electronovision and the Invention of the Stage Performance Documentary
This article investigates the stage performance documentary – the moving image record of a play, concert, comedy routine, or other type of onstage performance – as a mode of media production that has been historically constituted by a multimodal engagement across categories of media and culture. It chronicles the short-lived history of Electronovision, a 1960s moving image capture process that augmented television technologies to record and repro…
Between the Movie and the Money: Packaging the 1970s Motion Tax Shelter
Histories of 1970s American cinema have often positioned tax shelter financing as the economic base that allowed for a flourishing of the “New Hollywood,” a cinematic period characterized by auteurist breaks with the narrative and stylistic conventions that previously standardized Hollywood filmmaking. This article investigates how such tax shelters operated in practice and made the motion picture industry part of a growing tax shelter industry. …
Re-collecting David Bowie: The Next Dayand late-career stardom
At her dinner speech during the recent opening of the David Bowie is ... exhibit at London’s Victoria and Albert Museum, David Bowie fan and emulator Tilda Swinton (2013) posed a question that borrow
Cultures of Configurability
Mashed Up: Music, Technology, and the Rise of Configurable Culture ARAM SINNREICH Amherst, MA, University of Massachusetts Press, 2010 241 pp., ISBN 978-1-5584-9829-7, $24.95 pbk Aram Sinnreich's M
Re-collecting David Bowie: The Next Dayand late-career stardom
At her dinner speech during the recent opening of the David Bowie is ... exhibit at London’s Victoria and Albert Museum, David Bowie fan and emulator Tilda Swinton (2013) posed a question that borrow
Cultures of Configurability
Mashed Up: Music, Technology, and the Rise of Configurable Culture ARAM SINNREICH Amherst, MA, University of Massachusetts Press, 2010 241 pp., ISBN 978-1-5584-9829-7, $24.95 pbk Aram Sinnreich's M
Re-collecting David Bowie: The Next Dayand late-career stardom
At her dinner speech during the recent opening of the David Bowie is ... exhibit at London’s Victoria and Albert Museum, David Bowie fan and emulator Tilda Swinton (2013) posed a question that borrow
Between the Movie and the Money: Packaging the 1970s Motion Tax Shelter
Histories of 1970s American cinema have often positioned tax shelter financing as the economic base that allowed for a flourishing of the “New Hollywood,” a cinematic period characterized by auteurist breaks with the narrative and stylistic conventions that previously standardized Hollywood filmmaking. This article investigates how such tax shelters operated in practice and made the motion picture industry part of a growing tax shelter industry. …
Engineering the ‘Sense of Being There’: Electronovision and the Invention of the Stage Performance Documentary
This article investigates the stage performance documentary – the moving image record of a play, concert, comedy routine, or other type of onstage performance – as a mode of media production that has been historically constituted by a multimodal engagement across categories of media and culture. It chronicles the short-lived history of Electronovision, a 1960s moving image capture process that augmented television technologies to record and repro…
Moving-image mixtape: On Pixelvision film and video art
Pop ubiquity: Cameo Performance as Star Management
Since the early 1990s, proto-punk rock musician Iggy Pop has regularly appeared onscreen in supporting and cameo roles. While a rock star’s presence across media is hardly novel, the brevity of Pop’s screen performances rests its meaning and value upon a rejection of conventional stardom, persisting through the peripheries of moving image media rather than building a marquee status. This article explains the economic and cultural logic of such ap…
Art (6 works) · Visual arts (5 works) · Media studies (4 works) · Sociology (4 works) · Cinema and Media Studies (3 works) · Computer Science (3 works) · Art history (2 works) · Business (2 works) · Entertainment (2 works) · Entertainment industry (2 works)