Allan S Taylor
Biographic Data
| ID | 3674145 |
|---|---|
| NAME | Allan S Taylor |
| GIVEN NAMES | Allan S |
| FAMILY NAME | Taylor |
| SIGNATURE | TAYLOR A S |
| AFFILIATIONS | University of East London |
| ORCID | 0000-0003-1863-774X |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Consuming queerness
Chen and Kanai (2021) raise debates about a privileged subset of gay men occupying the beauty space as equal, if not more compelling, in fulfilling contradictory postfeminist demands of authenticity and femininity. The suggestion is that queer beauty influencers can embody idealistic postfeminist traits without the stigma a woman may face for doing the same. This paper explores a counterargument for this performance of hybridised gender and sexua…
Inadvertent images
Whenever someone refers to photography as a ‘medium’, it could also be considered in its most supernatural sense. Peter Geimer’s Inadvertent Images diligently draws on photography’s history of phot
Documentation of (Mis)Representation
Consuming queerness
Chen and Kanai (2021) raise debates about a privileged subset of gay men occupying the beauty space as equal, if not more compelling, in fulfilling contradictory postfeminist demands of authenticity and femininity. The suggestion is that queer beauty influencers can embody idealistic postfeminist traits without the stigma a woman may face for doing the same. This paper explores a counterargument for this performance of hybridised gender and sexua…
Inadvertent images
Whenever someone refers to photography as a ‘medium’, it could also be considered in its most supernatural sense. Peter Geimer’s Inadvertent Images diligently draws on photography’s history of phot
Documentation of (Mis)Representation
Inadvertent images
Whenever someone refers to photography as a ‘medium’, it could also be considered in its most supernatural sense. Peter Geimer’s Inadvertent Images diligently draws on photography’s history of phot
Consuming queerness
Chen and Kanai (2021) raise debates about a privileged subset of gay men occupying the beauty space as equal, if not more compelling, in fulfilling contradictory postfeminist demands of authenticity and femininity. The suggestion is that queer beauty influencers can embody idealistic postfeminist traits without the stigma a woman may face for doing the same. This paper explores a counterargument for this performance of hybridised gender and sexua…
Art (3 works) · Aesthetics (2 works) · History (2 works) · Photography and Visual Culture (2 works) · Visual arts (2 works) · Archival science (1 work) · Art history (1 work) · Astrophysics (1 work) · Beauty (1 work) · Computer Science (1 work)