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Richard Howells

Biographic Data

ID3674148
NAMERichard Howells
GIVEN NAMESRichard
FAMILY NAMEHowells
SIGNATUREHOWELLS R
AFFILIATIONSKing's College London
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS9
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2014
H-INDEX2
  • The aesthetics of Utopia

    Open Access•Robin Howells, Richard Howells•ARTICLE•Thesis Eleven•2014•Cited by: 1•References: 9

    This article combines critical, visual and aesthetic theory to argue that the very act of design is a Utopian process. Crucially, the Utopian dimension is not simply a matter of subject matter or utility. Rather, it lies in the act of formal arrangement and composition, and therefore can apply to visual texts with no apparent subject matter at all. The argument is grounded in Ernst Bloch's critical theory of Utopia, which sees Utopia as a process…

  • One Hundred Years of The Titanic on Film

    Robin Howells, Richard Howells•ARTICLE•Historical Journal Of Film Radio…•2012•Cited by: 2

    This article marks the centenary of the sinking by providing a comprehensive, comparative, critical analysis of 100 years of films of the Titanic. It begins with news-film from 1912, together with the early silent features Saved from the Titanic directed by Etienne Arnaud, Éclair Film Company, USA, 1912; and In Nacht und Eis directed by Mime Misu, Continental-Kunstfilm, Germany, 1912. It then pays particular attention to the five major Titanicsou…

  • Glamour of the Gods

    Robin Howells, Richard Howells•ARTICLE•Celebrity Studies•2012

  • Heroes, saints and celebrities

    Robin Howells, Richard Howells•ARTICLE•Celebrity Studies•2011•Cited by: 6•References: 6

    We are surrounded today not only by celebrities but, more importantly, their images. Yet even in this famously multi-media world, it is the photograph that remains especially equipped for celebrity imaging. This paper seeks to explain both the ubiquity and the appeal of the celebrity photograph. It pays particular attention to the idea of ‘presence’ in the celebrity image and ultimately argues that the photograph can be equated to a holy relic, e…

  • Self Portrait

    Robin Howells, Richard Howells•ARTICLE•National Identities•2002•References: 2

    This article investigates notions of 'Britishness' as articulated in British documentary photography from 1936 to 1989. It argues that documentary photography is richly revealing of not only its overt subject matter, but also, more interestingly, of the latent cultural attitudes encoded therein. Particular attention is paid to the work of Bill Brandt in comparison with British documentary photographers of the 1980s. This latter group provide both…

  • Media, education and democracy

    Open Access•Robin Howells, Richard Howells•ARTICLE•European Review•2001

    Media, education and democracy are inseparably connected, as an educated citizenship is fundamental to the proper working of democracy. The mass media have a demonstrated and vital capacity to educate, especially beyond the parameters of formal education. The nature of such education is both civic and social, deliberate and unintentional. Vigilance is required to separate education from persuasion, information from propaganda. Given the centralit…

  • Atlantic Crossings

    Robin Howells, Richard Howells•ARTICLE•Historical Journal Of Film Radio…•1999•References: 2

    (1999). Atlantic Crossings: Nation, Class and Identity in Titanic (1953) and A Night to Remember (1958) Historical Journal of Film, Radio and Television: Vol. 19, No. 4, pp. 421-438

  • The Labour Party

    Robin Howells, Richard Howells•ARTICLE•Historical Journal Of Film Radio…•1997

  • Introduction

    Nicholas J Cull, Robin Howells et al.•ARTICLE•Historical Journal Of Film Radio…•1997

    (1997). Introduction: the Battle for Britain—Political broadcasting and the British election of 1997. Historical Journal of Film, Radio and Television: Vol. 17, No. 4, pp. 437-443

  • Technological aids for inclusive classrooms

    Richard Howells, Richard Howell•ARTICLE•Theory Into Practice•1996•References: 27

    aspect of the inclusion process is to determine whether or not new technological tools and techniques might be able to reduce the burden of these expanded responsibilities. This article explores some of the relevant features of the integration of technological tools into both regular and special education, seeking to determine those positive and negative features that would impact on the usefulness of new technologies as aids to inclusion

  • Technology and change in special education

    Richard D Howell, Richard Howells et al.•ARTICLE•Theory Into Practice•1990•References: 15

  • Safe Systems for Exploiting the Petroleum Resources of the North Sea

    Open Access•Brenda Barrett, Robin Howells et al.•ARTICLE•International and Comparative Law…•1984

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Heroes, saints and celebrities

    Robin Howells, Richard Howells•ARTICLE•Celebrity Studies•2011•Cited by: 6•References: 6

    We are surrounded today not only by celebrities but, more importantly, their images. Yet even in this famously multi-media world, it is the photograph that remains especially equipped for celebrity imaging. This paper seeks to explain both the ubiquity and the appeal of the celebrity photograph. It pays particular attention to the idea of ‘presence’ in the celebrity image and ultimately argues that the photograph can be equated to a holy relic, e…

  • One Hundred Years of The Titanic on Film

    Robin Howells, Richard Howells•ARTICLE•Historical Journal Of Film Radio…•2012•Cited by: 2

    This article marks the centenary of the sinking by providing a comprehensive, comparative, critical analysis of 100 years of films of the Titanic. It begins with news-film from 1912, together with the early silent features Saved from the Titanic directed by Etienne Arnaud, Éclair Film Company, USA, 1912; and In Nacht und Eis directed by Mime Misu, Continental-Kunstfilm, Germany, 1912. It then pays particular attention to the five major Titanicsou…

  • The aesthetics of Utopia

    Open Access•Robin Howells, Richard Howells•ARTICLE•Thesis Eleven•2014•Cited by: 1•References: 9

    This article combines critical, visual and aesthetic theory to argue that the very act of design is a Utopian process. Crucially, the Utopian dimension is not simply a matter of subject matter or utility. Rather, it lies in the act of formal arrangement and composition, and therefore can apply to visual texts with no apparent subject matter at all. The argument is grounded in Ernst Bloch's critical theory of Utopia, which sees Utopia as a process…

  • Safe Systems for Exploiting the Petroleum Resources of the North Sea

    Open Access•Brenda Barrett, Robin Howells et al.•ARTICLE•International and Comparative Law…•1984

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Technology and change in special education

    Richard D Howell, Richard Howells et al.•ARTICLE•Theory Into Practice•1990•References: 15

  • Technological aids for inclusive classrooms

    Richard Howells, Richard Howell•ARTICLE•Theory Into Practice•1996•References: 27

    aspect of the inclusion process is to determine whether or not new technological tools and techniques might be able to reduce the burden of these expanded responsibilities. This article explores some of the relevant features of the integration of technological tools into both regular and special education, seeking to determine those positive and negative features that would impact on the usefulness of new technologies as aids to inclusion

  • The Labour Party

    Robin Howells, Richard Howells•ARTICLE•Historical Journal Of Film Radio…•1997

  • Introduction

    Nicholas J Cull, Robin Howells et al.•ARTICLE•Historical Journal Of Film Radio…•1997

    (1997). Introduction: the Battle for Britain—Political broadcasting and the British election of 1997. Historical Journal of Film, Radio and Television: Vol. 17, No. 4, pp. 437-443

  • Atlantic Crossings

    Robin Howells, Richard Howells•ARTICLE•Historical Journal Of Film Radio…•1999•References: 2

    (1999). Atlantic Crossings: Nation, Class and Identity in Titanic (1953) and A Night to Remember (1958) Historical Journal of Film, Radio and Television: Vol. 19, No. 4, pp. 421-438

  • Media, education and democracy

    Open Access•Robin Howells, Richard Howells•ARTICLE•European Review•2001

    Media, education and democracy are inseparably connected, as an educated citizenship is fundamental to the proper working of democracy. The mass media have a demonstrated and vital capacity to educate, especially beyond the parameters of formal education. The nature of such education is both civic and social, deliberate and unintentional. Vigilance is required to separate education from persuasion, information from propaganda. Given the centralit…

  • Self Portrait

    Robin Howells, Richard Howells•ARTICLE•National Identities•2002•References: 2

    This article investigates notions of 'Britishness' as articulated in British documentary photography from 1936 to 1989. It argues that documentary photography is richly revealing of not only its overt subject matter, but also, more interestingly, of the latent cultural attitudes encoded therein. Particular attention is paid to the work of Bill Brandt in comparison with British documentary photographers of the 1980s. This latter group provide both…

  • Heroes, saints and celebrities

    Robin Howells, Richard Howells•ARTICLE•Celebrity Studies•2011•Cited by: 6•References: 6

    We are surrounded today not only by celebrities but, more importantly, their images. Yet even in this famously multi-media world, it is the photograph that remains especially equipped for celebrity imaging. This paper seeks to explain both the ubiquity and the appeal of the celebrity photograph. It pays particular attention to the idea of ‘presence’ in the celebrity image and ultimately argues that the photograph can be equated to a holy relic, e…

  • One Hundred Years of The Titanic on Film

    Robin Howells, Richard Howells•ARTICLE•Historical Journal Of Film Radio…•2012•Cited by: 2

    This article marks the centenary of the sinking by providing a comprehensive, comparative, critical analysis of 100 years of films of the Titanic. It begins with news-film from 1912, together with the early silent features Saved from the Titanic directed by Etienne Arnaud, Éclair Film Company, USA, 1912; and In Nacht und Eis directed by Mime Misu, Continental-Kunstfilm, Germany, 1912. It then pays particular attention to the five major Titanicsou…

  • Glamour of the Gods

    Robin Howells, Richard Howells•ARTICLE•Celebrity Studies•2012

  • The aesthetics of Utopia

    Open Access•Robin Howells, Richard Howells•ARTICLE•Thesis Eleven•2014•Cited by: 1•References: 9

    This article combines critical, visual and aesthetic theory to argue that the very act of design is a Utopian process. Crucially, the Utopian dimension is not simply a matter of subject matter or utility. Rather, it lies in the act of formal arrangement and composition, and therefore can apply to visual texts with no apparent subject matter at all. The argument is grounded in Ernst Bloch's critical theory of Utopia, which sees Utopia as a process…

Sociology (8 works) · Art (6 works) · Computer Science (6 works) · Art history (5 works) · History (5 works) · Aesthetics (4 works) · Political science (4 works) · Psychology (4 works) · Law (3 works) · Media studies (3 works)

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