Stephanie Dennison
Biographic Data
| ID | 3674203 |
|---|---|
| NAME | Stephanie Dennison |
| GIVEN NAMES | Stephanie |
| FAMILY NAME | Dennison |
| SIGNATURE | DENNISON S |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Cinema and Soft Power: Configuring the National and Transnational in Geo-politics
Explores the relationship between soft power and film in relation to national and transnational cinemasExamines the implications for global film culture of the apparent shift in power relations between the developed and developing worldConsideration given to the transnational dimension of film culturesDiscusses the relationship between film culture and soft power in the BRICS countries and the UKThe apparent shift in power relations between the d…
Popular cinema in Brazil, 1930–2001
The cultural origins of popular cinema in Brazil 2. The 1930s 3. The 1940s 4. The 1950s 5. The 1960s 6. The 1970s 7. The 1980s 8. The 1990s Conclusion Filmography Select bibliography Index
The Routledge Companion to World Cinema
Rather than suffer the ongoing dominance of critical and theoretical frameworks for understanding world cinemas that cannot keep pace with technological innovation, political change, the movement of people and the networks they inhabit, this essay establishes the concept of cinemas of citizens and cinemas of sentiment in order to embrace the present continuous tense of world cinema and map its real-time ongoing evolution. Following the political …
Routledge Companion to World Cinema
FromSuperwomantoFake Blonde: The representation of blondness on the Brazilian big screen
This article examines the various representations of Brazilian blonds on cinema screens, ranging from the ‘uber-blonde’, strongly associated with Brazil’s southernmost states, where large numbers of northern Europeans (Germans, mostly) emigrated in the late nineteenth and early twentieth centuries, to male and female film personas and celebrities who adopt the blond look, either by bleaching their hair or by donning blond wigs. The aim is to refl…
Cinemas do Mundo, Cinemas no Mundo: Entrevista com Stephanie Dennison, da University of Leeds - Stephanie Dennison (University of Leeds)
Dra. Stephanie Dennison (entrevistada)Entrevistadoras Dra. Ramayana Lira e Dra Alessandra Brandão
Blonde Bombshell: Xuxa and Notions of Whiteness in Brazil
This article analyses the construction of whiteness in Xuxa's star text. It will consider not only Xuxa's role in television, for which she is best known, and her relationship with the sexually conservative and predominantly white TV Globo, but also her filmic output: Xuxa has appeared in twenty films to date, most of which were box-office smash hits. The article thus takes as its main focus the development of the promotion of Xuxa as an ideal of…
Pop Culture Latin America: Media, Arts, and Lifestyle
A survey of contemporary Latin American popular culture, covering topics that range from music and film to popular festivals and fashion. Like no other volume of its kind,Pop Culture Latin America!captures the breadth and vitality of pop culture in Central and South America and the Caribbean, exploring both familiar and lesser-known aspects of its unique melange of art, entertainment, spirituality, and celebrations. Written by contributors who ar…
Blonde Bombshell: Xuxa and Notions of Whiteness in Brazil
This article analyses the construction of whiteness in Xuxa's star text. It will consider not only Xuxa's role in television, for which she is best known, and her relationship with the sexually conservative and predominantly white TV Globo, but also her filmic output: Xuxa has appeared in twenty films to date, most of which were box-office smash hits. The article thus takes as its main focus the development of the promotion of Xuxa as an ideal of…
Pop Culture Latin America: Media, Arts, and Lifestyle
A survey of contemporary Latin American popular culture, covering topics that range from music and film to popular festivals and fashion. Like no other volume of its kind,Pop Culture Latin America!captures the breadth and vitality of pop culture in Central and South America and the Caribbean, exploring both familiar and lesser-known aspects of its unique melange of art, entertainment, spirituality, and celebrations. Written by contributors who ar…
Cinemas do Mundo, Cinemas no Mundo: Entrevista com Stephanie Dennison, da University of Leeds - Stephanie Dennison (University of Leeds)
Dra. Stephanie Dennison (entrevistada)Entrevistadoras Dra. Ramayana Lira e Dra Alessandra Brandão
Blonde Bombshell: Xuxa and Notions of Whiteness in Brazil
This article analyses the construction of whiteness in Xuxa's star text. It will consider not only Xuxa's role in television, for which she is best known, and her relationship with the sexually conservative and predominantly white TV Globo, but also her filmic output: Xuxa has appeared in twenty films to date, most of which were box-office smash hits. The article thus takes as its main focus the development of the promotion of Xuxa as an ideal of…
FromSuperwomantoFake Blonde: The representation of blondness on the Brazilian big screen
This article examines the various representations of Brazilian blonds on cinema screens, ranging from the ‘uber-blonde’, strongly associated with Brazil’s southernmost states, where large numbers of northern Europeans (Germans, mostly) emigrated in the late nineteenth and early twentieth centuries, to male and female film personas and celebrities who adopt the blond look, either by bleaching their hair or by donning blond wigs. The aim is to refl…
The Routledge Companion to World Cinema
Rather than suffer the ongoing dominance of critical and theoretical frameworks for understanding world cinemas that cannot keep pace with technological innovation, political change, the movement of people and the networks they inhabit, this essay establishes the concept of cinemas of citizens and cinemas of sentiment in order to embrace the present continuous tense of world cinema and map its real-time ongoing evolution. Following the political …
Routledge Companion to World Cinema
Popular cinema in Brazil, 1930–2001
The cultural origins of popular cinema in Brazil 2. The 1930s 3. The 1940s 4. The 1950s 5. The 1960s 6. The 1970s 7. The 1980s 8. The 1990s Conclusion Filmography Select bibliography Index
Cinema and Soft Power: Configuring the National and Transnational in Geo-politics
Explores the relationship between soft power and film in relation to national and transnational cinemasExamines the implications for global film culture of the apparent shift in power relations between the developed and developing worldConsideration given to the transnational dimension of film culturesDiscusses the relationship between film culture and soft power in the BRICS countries and the UKThe apparent shift in power relations between the d…
Art (7 works) · Art history (6 works) · Movie theater (6 works) · Political science (5 works) · Law (4 works) · Sociology (4 works) · Cinema and Media Studies (3 works) · History (3 works) · History (3 works) · Motion pictures (3 works)