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Dan Ward

Biographic Data

ID3674239
NAMEDan Ward
GIVEN NAMESDan
FAMILY NAMEWard
SIGNATUREWARD D
AFFILIATIONSUniversity of Sussex
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS5
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Enter the Brocktagon

    Dan Ward, Dan R Ward•ARTICLE•Celebrity Studies•2024•References: 16

    Professional wrestling, and WWE in particular, has consistently utilised stars with mainstream crossover appeal as totems, not only to draw new audiences to the product, but also to signify new directions or innovations in brand identity. In recent times, with a growing fan appetite for behind-the-scenes information increasingly closing the 'knowledge gap' between producer and consumers, WWE has continually renegotiated its relationship with disc…

  • Know your role

    Dan Ward, Dan R Ward•ARTICLE•Celebrity Studies•2019•Cited by: 5•References: 9

    Contemporary film stardom is an intensely intertextual phenomenon, articulated not only through the range of social media platforms available to celebrities and their marketing teams, but also through the increasingly synergistic bodies of work of the modern Hollywood star. More than this, the modern star image is a performance, one which is in constant process of construction and negotiation. In this article, I explore how these factors intersec…

  • Stakeholder involvement in transport planning

    Dan Ward•ARTICLE•Impact Assessment and Project…•2001

    Could and should diverse stakeholders be involved in urban transport planning? This paper evaluates such attempts at participation using three case studies of transport forums and evidence from semi-structured interviews, document analysis and literature review. A hypothesis that stakeholder inclusion makes planning expensive and inconclusive is falsified. Conversely, a hypothesis that increasing the diversity of stakeholders increases problem de…

  • Know your role

    Dan Ward, Dan R Ward•ARTICLE•Celebrity Studies•2019•Cited by: 5•References: 9

    Contemporary film stardom is an intensely intertextual phenomenon, articulated not only through the range of social media platforms available to celebrities and their marketing teams, but also through the increasingly synergistic bodies of work of the modern Hollywood star. More than this, the modern star image is a performance, one which is in constant process of construction and negotiation. In this article, I explore how these factors intersec…

  • Stakeholder involvement in transport planning

    Dan Ward•ARTICLE•Impact Assessment and Project…•2001

    Could and should diverse stakeholders be involved in urban transport planning? This paper evaluates such attempts at participation using three case studies of transport forums and evidence from semi-structured interviews, document analysis and literature review. A hypothesis that stakeholder inclusion makes planning expensive and inconclusive is falsified. Conversely, a hypothesis that increasing the diversity of stakeholders increases problem de…

  • Know your role

    Dan Ward, Dan R Ward•ARTICLE•Celebrity Studies•2019•Cited by: 5•References: 9

    Contemporary film stardom is an intensely intertextual phenomenon, articulated not only through the range of social media platforms available to celebrities and their marketing teams, but also through the increasingly synergistic bodies of work of the modern Hollywood star. More than this, the modern star image is a performance, one which is in constant process of construction and negotiation. In this article, I explore how these factors intersec…

  • Enter the Brocktagon

    Dan Ward, Dan R Ward•ARTICLE•Celebrity Studies•2024•References: 16

    Professional wrestling, and WWE in particular, has consistently utilised stars with mainstream crossover appeal as totems, not only to draw new audiences to the product, but also to signify new directions or innovations in brand identity. In recent times, with a growing fan appetite for behind-the-scenes information increasingly closing the 'knowledge gap' between producer and consumers, WWE has continually renegotiated its relationship with disc…

Law (3 works) · Political science (3 works) · Sociology (3 works) · Advertising (2 works) · Aesthetics (2 works) · Art (2 works) · Business (2 works) · Humanities (2 works) · Media studies (2 works) · Persona (2 works)

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