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Antonella Palmieri

Biographic Data

ID3674244
NAMEAntonella Palmieri
GIVEN NAMESAntonella
FAMILY NAMEPalmieri
SIGNATUREPALMIERI A
AFFILIATIONSUniversity of Lincoln
ORCID0000-0003-4493-8095
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS3
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2019
H-INDEX1
  • We are not calling her Italian

    Antonella Palmieri•ARTICLE•Celebrity Studies•2019•References: 6

    This article discusses the impact of Hollywood standards of homogenisation on Isa Miranda’s cosmopolitan appeal during her work for Paramount. The article suggests that Miranda’s American image was constructed in an attempt to establish her as a Marlene Dietrich type in order to defuse the potential threat represented by her ethnic Otherness; meanwhile, the Italian actress was framed within film narratives that played out (albeit indirectly) an i…

  • Nero’s “Solar” Kingship and the Architecture of the Domus Aurea

    Hannah Robert, Robert Hannah et al.•ARTICLE•Numen•2016•References: 12

    The Domus Aurea, Nero’s last “palace” constructed in the very heart of ancient Rome, is a true masterpiece of Roman architecture. We explore here symbolic aspects of the emperor’s project, analyzing the archaeoastronomy of the best preserved part of the Domus, the Esquiline Wing. In particular, we study the so-called Octagonal Room, the huge vaulted room which is in many respects a predecessor of the Pantheon. The project of the room turns out to…

  • Excavations at Arslantepe (Malatya)

    Open Access•Antonella Palmieri•ARTICLE•Anatolian Studies•1981•Cited by: 3•References: 4

    During the most recent campaigns (1976–79) carried out at Arslantepe, excavations were concentrated on the south-west area of the hüyük, where a stratigraphic sequence belonging to the period covering the end of the fourth and the beginning of the third millennium was identified; large areas of several levels were brought to light. With reference to this period two main phases can be clearly recognized: VI A and VI B. The former is characterized …

  • Excavations at Arslantepe (Malatya)

    Open Access•Antonella Palmieri•ARTICLE•Anatolian Studies•1981•Cited by: 3•References: 4

    During the most recent campaigns (1976–79) carried out at Arslantepe, excavations were concentrated on the south-west area of the hüyük, where a stratigraphic sequence belonging to the period covering the end of the fourth and the beginning of the third millennium was identified; large areas of several levels were brought to light. With reference to this period two main phases can be clearly recognized: VI A and VI B. The former is characterized …

  • Excavations at Arslantepe (Malatya)

    Open Access•Antonella Palmieri•ARTICLE•Anatolian Studies•1981•Cited by: 3•References: 4

    During the most recent campaigns (1976–79) carried out at Arslantepe, excavations were concentrated on the south-west area of the hüyük, where a stratigraphic sequence belonging to the period covering the end of the fourth and the beginning of the third millennium was identified; large areas of several levels were brought to light. With reference to this period two main phases can be clearly recognized: VI A and VI B. The former is characterized …

  • Nero’s “Solar” Kingship and the Architecture of the Domus Aurea

    Hannah Robert, Robert Hannah et al.•ARTICLE•Numen•2016•References: 12

    The Domus Aurea, Nero’s last “palace” constructed in the very heart of ancient Rome, is a true masterpiece of Roman architecture. We explore here symbolic aspects of the emperor’s project, analyzing the archaeoastronomy of the best preserved part of the Domus, the Esquiline Wing. In particular, we study the so-called Octagonal Room, the huge vaulted room which is in many respects a predecessor of the Pantheon. The project of the room turns out to…

  • We are not calling her Italian

    Antonella Palmieri•ARTICLE•Celebrity Studies•2019•References: 6

    This article discusses the impact of Hollywood standards of homogenisation on Isa Miranda’s cosmopolitan appeal during her work for Paramount. The article suggests that Miranda’s American image was constructed in an attempt to establish her as a Marlene Dietrich type in order to defuse the potential threat represented by her ethnic Otherness; meanwhile, the Italian actress was framed within film narratives that played out (albeit indirectly) an i…

Art (3 works) · History (3 works) · Ancient history (2 works) · Archaeology (2 works) · Art history (2 works) · Geography (2 works) · Law (2 works) · Politics (2 works) · Ancient Mediterranean Archaeology and History (1 work) · Ancient Near East History (1 work)

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