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Stephanie Patrick

Biographic Data

ID3674259
NAMEStephanie Patrick
GIVEN NAMESStephanie
FAMILY NAMEPatrick
SIGNATUREPATRICK S
AFFILIATIONSUniversity of Ottawa
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2022
H-INDEX1
  • The Forgotten Victims of Sexual Violence in Film, Television and New Media

    Open Access•Stanley Rajiva, Stephanie Patrick et al.•EDITOR•BOOK•The Forgotten Victims of Sexual…•2022

    Prasath, and Brian Halm, for all their support, and, of course, the contributors, who

  • Becky with the Twitter

    Patrick, Stephanie Patrick•ARTICLE•Celebrity Studies•2019•Cited by: 1•References: 24

    As someone who uses Twitter to follow celebrity culture, but rarely tweets directly ‘at’ celebrities, I have been neglected in much work on social media that centres on issues of authenticity or ‘democratisation’. In this article I theorise ‘aca-fandom’ in relation to race, situating myself as a white feminist researcher/consumer of Black women’s cultural and intellectual production. I reflect upon on my own use of Twitter in relation to Beyoncé’…

  • Without a Paddle

    Open Access•Patrick, Stephanie Patrick•ARTICLE•Canadian Journal of Communication•2018

    Background The Canadian television landscape is a key site through which national identity is expressed and debated. This article examines one such site—the recent CBC hit comedy Schitt’s Creek(2015–)—that depicts economic uncertainty, family, and community. Analysis A textual analysis of the show and a cultural analysis of its production highlight the parallels between precarious Canadian identity and precarious economic conditions in the neolib…

  • Sexting panic

    Open Access•Patrick, Stephanie Patrick•ARTICLE•Journal of Communication•2015

    In an age of heightened concern over rape culture and sexualization in the media, Amy Adele Hasinoff's (2015) Sexting Panic is one of the most insightful, concise, and necessary works to emerge in recent feminist media studies. In the short, yet comprehensive text, Hasinoff critiques the central contradiction that informs most contemporary policies intended to discourage and/or punish underage sexting: the notion that a teenager can be too young …

  • Becky with the Twitter

    Patrick, Stephanie Patrick•ARTICLE•Celebrity Studies•2019•Cited by: 1•References: 24

    As someone who uses Twitter to follow celebrity culture, but rarely tweets directly ‘at’ celebrities, I have been neglected in much work on social media that centres on issues of authenticity or ‘democratisation’. In this article I theorise ‘aca-fandom’ in relation to race, situating myself as a white feminist researcher/consumer of Black women’s cultural and intellectual production. I reflect upon on my own use of Twitter in relation to Beyoncé’…

  • Sexting panic

    Open Access•Patrick, Stephanie Patrick•ARTICLE•Journal of Communication•2015

    In an age of heightened concern over rape culture and sexualization in the media, Amy Adele Hasinoff's (2015) Sexting Panic is one of the most insightful, concise, and necessary works to emerge in recent feminist media studies. In the short, yet comprehensive text, Hasinoff critiques the central contradiction that informs most contemporary policies intended to discourage and/or punish underage sexting: the notion that a teenager can be too young …

  • Without a Paddle

    Open Access•Patrick, Stephanie Patrick•ARTICLE•Canadian Journal of Communication•2018

    Background The Canadian television landscape is a key site through which national identity is expressed and debated. This article examines one such site—the recent CBC hit comedy Schitt’s Creek(2015–)—that depicts economic uncertainty, family, and community. Analysis A textual analysis of the show and a cultural analysis of its production highlight the parallels between precarious Canadian identity and precarious economic conditions in the neolib…

  • Becky with the Twitter

    Patrick, Stephanie Patrick•ARTICLE•Celebrity Studies•2019•Cited by: 1•References: 24

    As someone who uses Twitter to follow celebrity culture, but rarely tweets directly ‘at’ celebrities, I have been neglected in much work on social media that centres on issues of authenticity or ‘democratisation’. In this article I theorise ‘aca-fandom’ in relation to race, situating myself as a white feminist researcher/consumer of Black women’s cultural and intellectual production. I reflect upon on my own use of Twitter in relation to Beyoncé’…

  • The Forgotten Victims of Sexual Violence in Film, Television and New Media

    Open Access•Stanley Rajiva, Stephanie Patrick et al.•EDITOR•BOOK•The Forgotten Victims of Sexual…•2022

    Prasath, and Brian Halm, for all their support, and, of course, the contributors, who

Gender, Feminism, and Media (4 works) · Media Studies and Communication (3 works) · Sociology (3 works) · Criminology (2 works) · Law (2 works) · Political science (2 works) · Psychology (2 works) · Advertising (1 work) · Aesthetics (1 work) · Agency (philosophy) (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae