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Susan Ingram

Biographic Data

ID3674325
NAMESusan Ingram
GIVEN NAMESSusan
FAMILY NAMEIngram
SIGNATUREINGRAM S
AFFILIATIONSYork University
ORCID0000-0003-1371-8532
VERIFIEDYes
TOTAL WORKS17
TOTAL CITATIONS2
AUTHOR COUNT17
EDITOR COUNT0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Scientific Societies Fostering Inclusivity in the Life Sciences Through Engagement of Undergraduate Scientists

    Open Access•Clara Primus, Alexandra N Zimmerman et al.•ARTICLE•Frontiers in Education•2022

    Scientific societies serve as communities of practice in which scientists develop many of the skills and connections required for the progression of their careers. For example, scientific societies offer their members opportunities to attend career development programs, gain experience in communicating science, and receive recognition for achievements within their discipline. Programming for undergraduate student members has recently been increas…

  • Refashioning Noir

    Susan Ingram•ARTICLE•Canadian Review of American Studies•2022•Cited by: 1•References: 3

    This article compares two works picked by celebrity book clubs in the summer of 2018 for their dissection of mainstream America’s ongoing obsession with the violence inflicted on beautiful young bodies of those who identify as female: Alice Bolin’s essay collection Dead Girls and Maria Hummel’s mystery Still Lives. In reading them together with Melanie Pullen’s High Fashion Crime Scenes (2003–2017), a series of monumental, five-feet-by-six-feet p…

  • Ravishing Vancouver Circa 1948

    Open Access•Susan Ingram•ARTICLE•Imaginations Journal of…•2021

    This article takes its cues from autobiography scholar Marlene Kadar’s expansive, archivally focused feminist approach to life writing in its examination of two exemplars of visual culture: Ivan Sayers and Claus Jahnke’s From Rationing to Ravishing: The Transformation of Women’s Fashion in the 1940s & 1950s exhibition and Stan Douglas’s innovatively staged Helen Lawrence and its sister project, the interactive app and installation, Circa 1948. It…

  • Constellating stardom, Berlin-style

    Susan Ingram•ARTICLE•Celebrity Studies•2019•References: 7

    This article charts the importance of Berlin in the constellation of Bowie’s success and probes what stardom means in the context of Berlin. It links what Berlin meant to Bowie with what Bowie’s connection to the city has meant to Berlin in its establishing itself as the ‘poor but sexy’ clubbing capital of Europe. In order to get at the stylistic implications of this form of stardom, I bring together Bowie’s Berlin experiences with those of two c…

  • Refiguring Red Vienna

    Susan Ingram•ARTICLE•Seminar A Journal of Germanic…•2018

    This article’s focus is Planet Ottakring (dir. Michael Riebl, 2015), a socially aware romantic comedy in which an alternative currency is used to free one of Vienna’s most rapidly gentrifying districts from the clutches of a local loan shark. In establishing Riebl’s film as a stunning, if unusual and underappreciated, critique of the banking industry’s role in the ongoing global financial crisis, the article situates Planet Ottakring as a respons…

  • Taking a Walk on the Wild Side

    Open Access•Susan Ingram•CHAPTER•Cultural Topographies of the New…•2017

  • A European Memory? Contested Histories and Politics of Remembrance

    Susan Ingram•ARTICLE•The European Legacy•2015

    "A European Memory? Contested Histories and Politics of Remembrance." The European Legacy, 20(6), pp. 673–674

  • Berlin

    Open Access•Susan Ingram•ARTICLE•Space and Culture•2014•References: 2

    Historical films about Hitler and Nazi Germany are perennially popular both within and beyond the academy. However, even in films not set in, or in any way involving, Nazi Berlin but rather only filmed on location in the city, material memories of the city’s fascist spaces can be shown to exert their influence. In comparing the eerily similar geo-aesthetic styles of two relatively obscure, relatively recent science fiction action films—Kurt Wimme…

  • Euro-Chic Berlin

    Susan Ingram•ARTICLE•Streetnotes•2012

    This article examines a new kind of European identity, which it argues has emerged from Berlin's approach to street-style

  • FashionEast

    Susan Ingram•ARTICLE•The European Legacy•2012

  • Fashion in Parisian Modernity

    Susan Ingram•ARTICLE•The European Legacy•2009

  • Polarizing Avalon

    Susan Ingram, Markus Reisenleitner•ARTICLE•New Cinemas Journal of…•2006

    This article traces Asian and transnational imaginings of Europe in Avalon, Japanese anime director Mamoru Oshii's ( Ghost in the Shell ) ten-years-in-themaking feature film. Like The Matrix , which successfully combined video-game culture aesthetics with Asian anime and martial-arts style, Oshii's film is similarly indebted to game culture and also spawned its own worldwide cult audience. What sets Avalon apart in this tradition is that it was f…

  • Zarathustra's Sisters

    Kristin Peterson-Bidoshi, Kristin Bidoshi et al.•ARTICLE•The Slavic and East European…•2005

  • Zarathustra's Sisters

    Joan Givner, Susan Ingram•ARTICLE•Tulsa Studies in Women s Literature•2004

  • The Writing of Asja Lacis

    Susan Ingram•ARTICLE•New German Critique•2002•Cited by: 1

  • Nadezhda Mandel’shtam, Romola Nijinsky and the Literary Legacies of their Love

    Susan Ingram•ARTICLE•Canadian Slavonic Papers•1999

    Is black an appropriate colour for literary widows? Some literary biographers have tended to think so, those who have maligned or satirized women like Florence Hardy and Sonya Tolstoy, making them look ridiculous for their willingness to attached, Nora Barnacle-like, to underside of an author's career; and then, when that career is over, to submit herself to theunrewarded task of preserving that career in public imagination.' However, there are a…

  • Briefly Noted

    Susan Ingram, Alexander J Matejko•ARTICLE•Canadian Slavonic Papers•1998

  • Refashioning Noir

    Susan Ingram•ARTICLE•Canadian Review of American Studies•2022•Cited by: 1•References: 3

    This article compares two works picked by celebrity book clubs in the summer of 2018 for their dissection of mainstream America’s ongoing obsession with the violence inflicted on beautiful young bodies of those who identify as female: Alice Bolin’s essay collection Dead Girls and Maria Hummel’s mystery Still Lives. In reading them together with Melanie Pullen’s High Fashion Crime Scenes (2003–2017), a series of monumental, five-feet-by-six-feet p…

  • The Writing of Asja Lacis

    Susan Ingram•ARTICLE•New German Critique•2002•Cited by: 1

  • Briefly Noted

    Susan Ingram, Alexander J Matejko•ARTICLE•Canadian Slavonic Papers•1998

  • Nadezhda Mandel’shtam, Romola Nijinsky and the Literary Legacies of their Love

    Susan Ingram•ARTICLE•Canadian Slavonic Papers•1999

    Is black an appropriate colour for literary widows? Some literary biographers have tended to think so, those who have maligned or satirized women like Florence Hardy and Sonya Tolstoy, making them look ridiculous for their willingness to attached, Nora Barnacle-like, to underside of an author's career; and then, when that career is over, to submit herself to theunrewarded task of preserving that career in public imagination.' However, there are a…

  • The Writing of Asja Lacis

    Susan Ingram•ARTICLE•New German Critique•2002•Cited by: 1

  • Zarathustra's Sisters

    Joan Givner, Susan Ingram•ARTICLE•Tulsa Studies in Women s Literature•2004

  • Zarathustra's Sisters

    Kristin Peterson-Bidoshi, Kristin Bidoshi et al.•ARTICLE•The Slavic and East European…•2005

  • Polarizing Avalon

    Susan Ingram, Markus Reisenleitner•ARTICLE•New Cinemas Journal of…•2006

    This article traces Asian and transnational imaginings of Europe in Avalon, Japanese anime director Mamoru Oshii's ( Ghost in the Shell ) ten-years-in-themaking feature film. Like The Matrix , which successfully combined video-game culture aesthetics with Asian anime and martial-arts style, Oshii's film is similarly indebted to game culture and also spawned its own worldwide cult audience. What sets Avalon apart in this tradition is that it was f…

  • Fashion in Parisian Modernity

    Susan Ingram•ARTICLE•The European Legacy•2009

  • Euro-Chic Berlin

    Susan Ingram•ARTICLE•Streetnotes•2012

    This article examines a new kind of European identity, which it argues has emerged from Berlin's approach to street-style

  • FashionEast

    Susan Ingram•ARTICLE•The European Legacy•2012

  • Berlin

    Open Access•Susan Ingram•ARTICLE•Space and Culture•2014•References: 2

    Historical films about Hitler and Nazi Germany are perennially popular both within and beyond the academy. However, even in films not set in, or in any way involving, Nazi Berlin but rather only filmed on location in the city, material memories of the city’s fascist spaces can be shown to exert their influence. In comparing the eerily similar geo-aesthetic styles of two relatively obscure, relatively recent science fiction action films—Kurt Wimme…

  • A European Memory? Contested Histories and Politics of Remembrance

    Susan Ingram•ARTICLE•The European Legacy•2015

    "A European Memory? Contested Histories and Politics of Remembrance." The European Legacy, 20(6), pp. 673–674

  • Taking a Walk on the Wild Side

    Open Access•Susan Ingram•CHAPTER•Cultural Topographies of the New…•2017

  • Refiguring Red Vienna

    Susan Ingram•ARTICLE•Seminar A Journal of Germanic…•2018

    This article’s focus is Planet Ottakring (dir. Michael Riebl, 2015), a socially aware romantic comedy in which an alternative currency is used to free one of Vienna’s most rapidly gentrifying districts from the clutches of a local loan shark. In establishing Riebl’s film as a stunning, if unusual and underappreciated, critique of the banking industry’s role in the ongoing global financial crisis, the article situates Planet Ottakring as a respons…

  • Constellating stardom, Berlin-style

    Susan Ingram•ARTICLE•Celebrity Studies•2019•References: 7

    This article charts the importance of Berlin in the constellation of Bowie’s success and probes what stardom means in the context of Berlin. It links what Berlin meant to Bowie with what Bowie’s connection to the city has meant to Berlin in its establishing itself as the ‘poor but sexy’ clubbing capital of Europe. In order to get at the stylistic implications of this form of stardom, I bring together Bowie’s Berlin experiences with those of two c…

  • Ravishing Vancouver Circa 1948

    Open Access•Susan Ingram•ARTICLE•Imaginations Journal of…•2021

    This article takes its cues from autobiography scholar Marlene Kadar’s expansive, archivally focused feminist approach to life writing in its examination of two exemplars of visual culture: Ivan Sayers and Claus Jahnke’s From Rationing to Ravishing: The Transformation of Women’s Fashion in the 1940s & 1950s exhibition and Stan Douglas’s innovatively staged Helen Lawrence and its sister project, the interactive app and installation, Circa 1948. It…

  • Scientific Societies Fostering Inclusivity in the Life Sciences Through Engagement of Undergraduate Scientists

    Open Access•Clara Primus, Alexandra N Zimmerman et al.•ARTICLE•Frontiers in Education•2022

    Scientific societies serve as communities of practice in which scientists develop many of the skills and connections required for the progression of their careers. For example, scientific societies offer their members opportunities to attend career development programs, gain experience in communicating science, and receive recognition for achievements within their discipline. Programming for undergraduate student members has recently been increas…

  • Refashioning Noir

    Susan Ingram•ARTICLE•Canadian Review of American Studies•2022•Cited by: 1•References: 3

    This article compares two works picked by celebrity book clubs in the summer of 2018 for their dissection of mainstream America’s ongoing obsession with the violence inflicted on beautiful young bodies of those who identify as female: Alice Bolin’s essay collection Dead Girls and Maria Hummel’s mystery Still Lives. In reading them together with Melanie Pullen’s High Fashion Crime Scenes (2003–2017), a series of monumental, five-feet-by-six-feet p…

Art (12 works) · Sociology (9 works) · Literature (8 works) · Aesthetics (7 works) · History (7 works) · Art history (6 works) · Law (5 works) · Philosophy (5 works) · Politics (5 works) · Political science (4 works)

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