Linzhi Zhang
Biographic Data
| ID | 3675386 |
|---|---|
| NAME | Linzhi Zhang |
| GIVEN NAMES | Linzhi |
| FAMILY NAME | Zhang |
| SIGNATURE | ZHANG L |
| AFFILIATIONS | Courtauld Institute of Art |
| ORCID | 0000-0002-3311-3584 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Chinese women artists' Marxist feminist critique of post-socialist work
Amidst the growing interest in Chinese women artists' feminist interventions, this article delves into a less-explored theme in their artistic practices: labour. Through a close examination of two artists' critical engagement with women's labour in China, I highlight their Marxist feminist concerns. The first artist, Hu Yinping, creates a work utopia that ensures work autonomy for her mother who had taken on precarious part-time jobs after being …
Scenography and the Production of Artworks in Contemporary Art
This article challenges the assumption in a classical sociology of art that artworks are created in the artist’s studio as independent and self-sufficient objects. Given that artistic production merges with exhibition making in contemporary art, I argue that the production of artworks needs to be situated in the exhibition space. In this institutional and physical environment, a set of scenographic principles dominate. Scenography is an ideology …
Wang Huangsheng
Preview this article: Wang Huangsheng: On the Guangzhou Triennial and CAFAM Biennial, Page 1 of 1 /docserver/preview/fulltext/jcca/7/1/jcca.7.1.149-1.gif
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Wang Huangsheng
Preview this article: Wang Huangsheng: On the Guangzhou Triennial and CAFAM Biennial, Page 1 of 1 /docserver/preview/fulltext/jcca/7/1/jcca.7.1.149-1.gif
Scenography and the Production of Artworks in Contemporary Art
This article challenges the assumption in a classical sociology of art that artworks are created in the artist’s studio as independent and self-sufficient objects. Given that artistic production merges with exhibition making in contemporary art, I argue that the production of artworks needs to be situated in the exhibition space. In this institutional and physical environment, a set of scenographic principles dominate. Scenography is an ideology …
Chinese women artists' Marxist feminist critique of post-socialist work
Amidst the growing interest in Chinese women artists' feminist interventions, this article delves into a less-explored theme in their artistic practices: labour. Through a close examination of two artists' critical engagement with women's labour in China, I highlight their Marxist feminist concerns. The first artist, Hu Yinping, creates a work utopia that ensures work autonomy for her mother who had taken on precarious part-time jobs after being …
Aesthetics (2 works) · Art (2 works) · Art history (2 works) · Computer Science (2 works) · Law (2 works) · Politics (2 works) · Sociology (2 works) · Autonomy (1 works) · Bourgeoisie (1 works) · China (1 works)