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Parvati Nair

Biographic Data

ID3677340
NAMEParvati Nair
GIVEN NAMESParvati
FAMILY NAMENair
SIGNATURENAIR P
AFFILIATIONSQueen Mary University of London
ORCID0000-0002-1986-9393
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS7
AUTHOR COUNT10
EDITOR COUNT1
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Migration Across Boundaries

    Anne J Kershen, Parvati Nair et al.•BOOK•Migration Across Boundaries•2016

  • Beirut

    Parvati Nair•ARTICLE•Wasafiri•2013•Cited by: 1

    For over thirty years now, Mr Abdel Halim Hicham has run a shop in the heart of Beirut's upmarket district of Hamra. On sale here is the woodwork inlaid with mother of pearl that he crafts by hand. Mr Hicham is a Lebanese artisan of a kind that is on the wane. He learned the trade at his father's knee and began work at the age of twelve. His is a family business, inherited through bloodline and Mr Hicham has a lifetime's knowledge of wood carving…

  • The body politic of dissent

    Parvati Nair•ARTICLE•Citizenship Studies•2012•Cited by: 6•References: 4

    This article seeks to consider the recent popular protests by the indignant in light of an ongoing history of paperless immigration. By taking Spain as a case in point, I shall explore the emergence of a common ground of dispossession and discontent between citizens devoid of political and economic assurances and immigrants who are non-citizens. I shall analyse the ways in which, in both cases, the presence of bodies of the disenfranchised in pub…

  • Autography From the Margins

    Parvati Nair•ARTICLE•Hispanic Research Journal•2008

  • Practices of Migration Voicing Risk

    Parvati Nair•ARTICLE•Interventions•2006•References: 2

    The recent emergence of raï music among Moroccan immigrants living in Spain marks a new moment in the history of the form. However, it was not altogether unexpected. Since its inception in the cities of Algeria around thirty years ago as a result of increased rural to urban population flows, raï has been a musical form arising from the experience of migration. As such, it opened a space for the articulation of displaced, uprooted North African id…

  • Disremembering the Dictatorship

    Parvati Nair•ARTICLE•Hispanic Research Journal•2003

    "Disremembering the Dictatorship: The Politics of Memory in the Spanish Transition to Democracy." Hispanic Research Journal, 4(3), pp. 286–287

  • Disremembering the Dictatorship

    Parvati Nair•ARTICLE•Hispanic Research Journal•2003

    Disremembering the Dictatorship: The Politics of Memory in the Spanish Transition to Democracy." Hispanic Research Journal, 4(3), pp. 286–287

  • From Open Forum to Features

    Parvati Nair•ARTICLE•Hispanic Research Journal•2002

  • From Open Forum to Features

    Parvati Nair•ARTICLE•Hispanic Research Journal•2002

  • Albums of no return

    Parvati Nair•ARTICLE•Journal of Spanish Cultural Studies•2000•References: 6

  • Between being and becoming

    Parvati Nair•ARTICLE•Journal of Iberian & Latin…•1999•References: 3

  • The body politic of dissent

    Parvati Nair•ARTICLE•Citizenship Studies•2012•Cited by: 6•References: 4

    This article seeks to consider the recent popular protests by the indignant in light of an ongoing history of paperless immigration. By taking Spain as a case in point, I shall explore the emergence of a common ground of dispossession and discontent between citizens devoid of political and economic assurances and immigrants who are non-citizens. I shall analyse the ways in which, in both cases, the presence of bodies of the disenfranchised in pub…

  • Beirut

    Parvati Nair•ARTICLE•Wasafiri•2013•Cited by: 1

    For over thirty years now, Mr Abdel Halim Hicham has run a shop in the heart of Beirut's upmarket district of Hamra. On sale here is the woodwork inlaid with mother of pearl that he crafts by hand. Mr Hicham is a Lebanese artisan of a kind that is on the wane. He learned the trade at his father's knee and began work at the age of twelve. His is a family business, inherited through bloodline and Mr Hicham has a lifetime's knowledge of wood carving…

  • Between being and becoming

    Parvati Nair•ARTICLE•Journal of Iberian & Latin…•1999•References: 3

  • Albums of no return

    Parvati Nair•ARTICLE•Journal of Spanish Cultural Studies•2000•References: 6

  • From Open Forum to Features

    Parvati Nair•ARTICLE•Hispanic Research Journal•2002

  • From Open Forum to Features

    Parvati Nair•ARTICLE•Hispanic Research Journal•2002

  • Disremembering the Dictatorship

    Parvati Nair•ARTICLE•Hispanic Research Journal•2003

    "Disremembering the Dictatorship: The Politics of Memory in the Spanish Transition to Democracy." Hispanic Research Journal, 4(3), pp. 286–287

  • Disremembering the Dictatorship

    Parvati Nair•ARTICLE•Hispanic Research Journal•2003

    Disremembering the Dictatorship: The Politics of Memory in the Spanish Transition to Democracy." Hispanic Research Journal, 4(3), pp. 286–287

  • Practices of Migration Voicing Risk

    Parvati Nair•ARTICLE•Interventions•2006•References: 2

    The recent emergence of raï music among Moroccan immigrants living in Spain marks a new moment in the history of the form. However, it was not altogether unexpected. Since its inception in the cities of Algeria around thirty years ago as a result of increased rural to urban population flows, raï has been a musical form arising from the experience of migration. As such, it opened a space for the articulation of displaced, uprooted North African id…

  • Autography From the Margins

    Parvati Nair•ARTICLE•Hispanic Research Journal•2008

  • The body politic of dissent

    Parvati Nair•ARTICLE•Citizenship Studies•2012•Cited by: 6•References: 4

    This article seeks to consider the recent popular protests by the indignant in light of an ongoing history of paperless immigration. By taking Spain as a case in point, I shall explore the emergence of a common ground of dispossession and discontent between citizens devoid of political and economic assurances and immigrants who are non-citizens. I shall analyse the ways in which, in both cases, the presence of bodies of the disenfranchised in pub…

  • Beirut

    Parvati Nair•ARTICLE•Wasafiri•2013•Cited by: 1

    For over thirty years now, Mr Abdel Halim Hicham has run a shop in the heart of Beirut's upmarket district of Hamra. On sale here is the woodwork inlaid with mother of pearl that he crafts by hand. Mr Hicham is a Lebanese artisan of a kind that is on the wane. He learned the trade at his father's knee and began work at the age of twelve. His is a family business, inherited through bloodline and Mr Hicham has a lifetime's knowledge of wood carving…

  • Migration Across Boundaries

    Anne J Kershen, Parvati Nair et al.•BOOK•Migration Across Boundaries•2016

History (6 works) · Law (5 works) · Political science (5 works) · Sociology (5 works) · Art (4 works) · History (4 works) · Politics (4 works) · Archaeology (3 works) · Computer Science (3 works) · Democracy (3 works)

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