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Ainsley Morse

Biographic Data

ID3680974
NAMEAinsley Morse
GIVEN NAMESAinsley
FAMILY NAMEMorse
SIGNATUREMORSE A
AFFILIATIONSDartmouth College
ORCID0000-0002-4072-8202
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS0
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Monologue of a Russian Woman #4

    Maria Malinovskaya, Ainsley Morse•ARTICLE•World Literature Today•2023

    Monologue of a Russian Woman #4 Maria Malinovskaya (bio) Translation from the Russian Click for larger view View full resolution Victoria Lomasko, from the graphic reportage A Generational Battle (2021), from the book La última artista soviética (Barcelona: Godall edicions, 2022) / Courtesy of the artist i feel personal guilt in this conflict lots of people talk about collective guiltbut i don't think that it's collectivefor me for me it's person…

  • Two Russian Poems from Berlin

    Maria Stepanova, Ainsley Morse•ARTICLE•World Literature Today•2023

    Two Russian Poems from Berlin Maria Stepanova Translations from the Russian "Pale blue and a flag inside, can't see which one ..." Pale blue and a flag inside,can't see which one.Living people, two, chasea ball. A live oneIn a cook's apron stretchedacross his belly,Holds a white cigarette bythe café's back door. A woman, glasses perchedupon her living nose.Living dogs are straining at the leash.Airy summer shirts, light jackets,As expected of the…

  • Адыгэм я лъэпкъгъэкlуэд

    Ramil Niyazov-Adyljan, Elina Alter et al.•ARTICLE•World Literature Today•2023

    Адыгэм я лъэпкъгъэкlуэд Ramil Niyazov-Adyljan (bio) Translation from the Russian Click for larger view View full resolution a serbian migrant worker steps out into the white like the mediterranean sealike the bitter turkish tobacco-covered russian earth whereno one of his yet lieslike the white tsar's yatagan which they dreamed of biting with smoke-stained shot-through teethlike the menstrual blood of his dead bosnian girl who always called herse…

  • Malaya Sadovaya in the History of Leningrad Unofficial Culture

    Ainsley Morse•CHAPTER•Oxford Handbook of Soviet…•2021

    Malaya Sadovaya, a short street in Leningrad/St. Petersburg, is similarly the name for a loosely organized social and cultural scene encompassing, among other frequent visitors, a number of young poets. In the history of Leningrad unofficial culture, the Malaya Sadovaya poets represent a significant shift from a primarily “oral” culture of informal public and semipublic readings to a new orientation toward printed works: in 1965, several of the M…

  • Balagan Is Theater Too

    Open Access•Ainsley Morse•ARTICLE•The Russian Review•2019

    The rediscovery of the OBERIU poets’ work in the 1960s was a major aesthetic revelation for contemporary Soviet poets. Alongside the obvious OBERIU critique of language and poetics of the absurd, other aspects of their work proved attractive and productive to Thaw‐era writers. In his writings on Daniil Kharms, the minimalist poet Vsevolod Nekrasov admiringly emphasized Kharms’s command of the “real” and “concrete” (in language and literature), as…

  • Between Summer and Winter

    Open Access•Ainsley Morse•ARTICLE•Russian Literature•2018•References: 2

  • Communion

    Keti Chukhrov, Кети Чухров et al.•ARTICLE•Common Knowledge•2018

    Research Article| January 01 2018 Communion Keti Chukhrov Keti Chukhrov Search for other works by this author on: This Site Google Common Knowledge (2018) 24 (1): 130–148. https://doi.org/10.1215/0961754X-4253902 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Keti Chukhrov; Communion. Common Knowledge 1 January 2018; 24 (1): 130–148. doi: https://doi.org/10.1215/0961754X-4253902 Download citation…

  • Interlude (1924)

    Yuri Tynianov, Ainsley Morse et al.•ARTICLE•Common Knowledge•2018

    Yuri Tynianov’s seminal 1924 review of contemporary poetry discusses the work of many bright lights of the early Soviet avant-garde, as well as the prerevolutionary modernist poets who were still a presence in literature of the 1920s: his subjects include Anna Akhmatova, Sergei Esenin, Velimir Khlebnikov, Osip Mandelstam, Vladimir Mayakovsky, and Boris Pasternak. This article has long been a favorite among scholars of early twentieth-century Russ…

  • For Some Reason I Really Want to Go to Leningrad

    Ainsley Morse•ARTICLE•The Slavic and East European…•2017

    Ainsley Morse, "FOR SOME REASON I REALLY WANT TO GO TO LENINGRAD": THE PETERSBURG TEXT IN VSEVOLOD NEKRASOV'S 'LENINGRAD POEMS', The Slavic and East European Journal, Vol. 61, No. 3 (FALL 2017), pp. 573-592

No prominent works on this page.

  • For Some Reason I Really Want to Go to Leningrad

    Ainsley Morse•ARTICLE•The Slavic and East European…•2017

    Ainsley Morse, "FOR SOME REASON I REALLY WANT TO GO TO LENINGRAD": THE PETERSBURG TEXT IN VSEVOLOD NEKRASOV'S 'LENINGRAD POEMS', The Slavic and East European Journal, Vol. 61, No. 3 (FALL 2017), pp. 573-592

  • Between Summer and Winter

    Open Access•Ainsley Morse•ARTICLE•Russian Literature•2018•References: 2

  • Communion

    Keti Chukhrov, Кети Чухров et al.•ARTICLE•Common Knowledge•2018

    Research Article| January 01 2018 Communion Keti Chukhrov Keti Chukhrov Search for other works by this author on: This Site Google Common Knowledge (2018) 24 (1): 130–148. https://doi.org/10.1215/0961754X-4253902 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Keti Chukhrov; Communion. Common Knowledge 1 January 2018; 24 (1): 130–148. doi: https://doi.org/10.1215/0961754X-4253902 Download citation…

  • Interlude (1924)

    Yuri Tynianov, Ainsley Morse et al.•ARTICLE•Common Knowledge•2018

    Yuri Tynianov’s seminal 1924 review of contemporary poetry discusses the work of many bright lights of the early Soviet avant-garde, as well as the prerevolutionary modernist poets who were still a presence in literature of the 1920s: his subjects include Anna Akhmatova, Sergei Esenin, Velimir Khlebnikov, Osip Mandelstam, Vladimir Mayakovsky, and Boris Pasternak. This article has long been a favorite among scholars of early twentieth-century Russ…

  • Balagan Is Theater Too

    Open Access•Ainsley Morse•ARTICLE•The Russian Review•2019

    The rediscovery of the OBERIU poets’ work in the 1960s was a major aesthetic revelation for contemporary Soviet poets. Alongside the obvious OBERIU critique of language and poetics of the absurd, other aspects of their work proved attractive and productive to Thaw‐era writers. In his writings on Daniil Kharms, the minimalist poet Vsevolod Nekrasov admiringly emphasized Kharms’s command of the “real” and “concrete” (in language and literature), as…

  • Malaya Sadovaya in the History of Leningrad Unofficial Culture

    Ainsley Morse•CHAPTER•Oxford Handbook of Soviet…•2021

    Malaya Sadovaya, a short street in Leningrad/St. Petersburg, is similarly the name for a loosely organized social and cultural scene encompassing, among other frequent visitors, a number of young poets. In the history of Leningrad unofficial culture, the Malaya Sadovaya poets represent a significant shift from a primarily “oral” culture of informal public and semipublic readings to a new orientation toward printed works: in 1965, several of the M…

  • Monologue of a Russian Woman #4

    Maria Malinovskaya, Ainsley Morse•ARTICLE•World Literature Today•2023

    Monologue of a Russian Woman #4 Maria Malinovskaya (bio) Translation from the Russian Click for larger view View full resolution Victoria Lomasko, from the graphic reportage A Generational Battle (2021), from the book La última artista soviética (Barcelona: Godall edicions, 2022) / Courtesy of the artist i feel personal guilt in this conflict lots of people talk about collective guiltbut i don't think that it's collectivefor me for me it's person…

  • Two Russian Poems from Berlin

    Maria Stepanova, Ainsley Morse•ARTICLE•World Literature Today•2023

    Two Russian Poems from Berlin Maria Stepanova Translations from the Russian "Pale blue and a flag inside, can't see which one ..." Pale blue and a flag inside,can't see which one.Living people, two, chasea ball. A live oneIn a cook's apron stretchedacross his belly,Holds a white cigarette bythe café's back door. A woman, glasses perchedupon her living nose.Living dogs are straining at the leash.Airy summer shirts, light jackets,As expected of the…

  • Адыгэм я лъэпкъгъэкlуэд

    Ramil Niyazov-Adyljan, Elina Alter et al.•ARTICLE•World Literature Today•2023

    Адыгэм я лъэпкъгъэкlуэд Ramil Niyazov-Adyljan (bio) Translation from the Russian Click for larger view View full resolution a serbian migrant worker steps out into the white like the mediterranean sealike the bitter turkish tobacco-covered russian earth whereno one of his yet lieslike the white tsar's yatagan which they dreamed of biting with smoke-stained shot-through teethlike the menstrual blood of his dead bosnian girl who always called herse…

Art (8 works) · History (7 works) · Literature (7 works) · Philosophy (5 works) · Poetry (5 works) · Eastern European Communism and Reforms (4 works) · Law (4 works) · Political science (3 works) · Russian Literature and Bakhtin Studies (3 works) · Sociology (3 works)

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