Philippa Gates
Biographic Data
| ID | 3681270 |
|---|---|
| NAME | Philippa Gates |
| GIVEN NAMES | Philippa |
| FAMILY NAME | Gates |
| SIGNATURE | GATES P |
| AFFILIATIONS | Wilfrid Laurier University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Race in a "Civil" Frontier
Today, when we think of the Western, we think of a genre dominated by white heroes conquering the obstacles of the frontier from daunting terrain to indigenous peoples. What we tend to forget – most likely because the most famous westerns did not show – is how Chinese immigrants played an important role in that history. The civil rights era film ‘Walk like a Dragon’ (James Clavell, 1960) is the only high-profile western which focused on the exper…
The Asian Renovation of Biracial Buddy Action
This article explores how issues of racial otherness are negotiated in the millennial buddy cop film. It also shows how Hollywood's adoption of Hong Kong action stars and action cinema conventions has renovated the American genre of the cop action film for the new millennium with myths of transnational cooperation
Screening L.M. Montgomery
I don't know why I keep on going to see my favourite books screened. The result is always a disappointment. (Montgomery, Selected Journals, vol. 111: 26)
Always a Partner in Crime
The author explores the representation of black masculinity in the detective film, and how Hollywood employs various strategies to contain black masculinity and sexuality. Also explored is the shift of the black detective as a buddy to a white hero in the 1980s to his having a buddy of his own—a white woman—in contemporary films
The Man's Film
The Man's Film
Always a Partner in Crime
The author explores the representation of black masculinity in the detective film, and how Hollywood employs various strategies to contain black masculinity and sexuality. Also explored is the shift of the black detective as a buddy to a white hero in the 1980s to his having a buddy of his own—a white woman—in contemporary films
The Man's Film
Screening L.M. Montgomery
I don't know why I keep on going to see my favourite books screened. The result is always a disappointment. (Montgomery, Selected Journals, vol. 111: 26)
Always a Partner in Crime
The author explores the representation of black masculinity in the detective film, and how Hollywood employs various strategies to contain black masculinity and sexuality. Also explored is the shift of the black detective as a buddy to a white hero in the 1980s to his having a buddy of his own—a white woman—in contemporary films
The Asian Renovation of Biracial Buddy Action
This article explores how issues of racial otherness are negotiated in the millennial buddy cop film. It also shows how Hollywood's adoption of Hong Kong action stars and action cinema conventions has renovated the American genre of the cop action film for the new millennium with myths of transnational cooperation
Race in a "Civil" Frontier
Today, when we think of the Western, we think of a genre dominated by white heroes conquering the obstacles of the frontier from daunting terrain to indigenous peoples. What we tend to forget – most likely because the most famous westerns did not show – is how Chinese immigrants played an important role in that history. The civil rights era film ‘Walk like a Dragon’ (James Clavell, 1960) is the only high-profile western which focused on the exper…
Art (4 works) · Law (4 works) · Political science (4 works) · Art history (3 works) · Cinema and Media Studies (3 works) · Gender Studies (3 works) · Hollywood (3 works) · Hong Kong and Taiwan Politics (3 works) · Law (3 works) · Literature (3 works)