Stephanie Sparling Williams
Biographic Data
| ID | 3681348 |
|---|---|
| NAME | Stephanie Sparling Williams |
| GIVEN NAMES | Stephanie Sparling |
| FAMILY NAME | Williams |
| SIGNATURE | WILLIAMS S S |
| AFFILIATIONS | Department of Education, Yale University Art Gallery, New Haven, CT, USA |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Stories and Art
In Consuming Stories: Kara Walker and the Imagining of American Race, Rebecca Peabody examines the work of one of the most significant and widely recognised artists working today. Using the art of Kara Walker as a critical site from which ‘to explore how race is constructed and consumed in historical fiction—and in fiction with a history’, Peabody explicates how the consumption of racialised stories of national importance inform our collective me…
See Media
A Room of One’s Own: Women and Power in the New America (2006–2008) is a multi-media performance art piece by visual artist Coco Fusco. In a lecture style performance staged at the Museum of Modern Art (MoMA) as part of their 2007 symposium The Feminist Future: Theory and Practice in the Visual Arts, Fusco explores the use of women in US military interrogation efforts during the height of the War on Terror and – problematic and violent as it may …
No prominent works on this page.
See Media
A Room of One’s Own: Women and Power in the New America (2006–2008) is a multi-media performance art piece by visual artist Coco Fusco. In a lecture style performance staged at the Museum of Modern Art (MoMA) as part of their 2007 symposium The Feminist Future: Theory and Practice in the Visual Arts, Fusco explores the use of women in US military interrogation efforts during the height of the War on Terror and – problematic and violent as it may …
Stories and Art
In Consuming Stories: Kara Walker and the Imagining of American Race, Rebecca Peabody examines the work of one of the most significant and widely recognised artists working today. Using the art of Kara Walker as a critical site from which ‘to explore how race is constructed and consumed in historical fiction—and in fiction with a history’, Peabody explicates how the consumption of racialised stories of national importance inform our collective me…
Aesthetics (2 works) · Art (2 works) · Visual arts (2 works) · Adversary (1 work) · Architecture (1 work) · Art history (1 work) · Computer Science (1 work) · Computer security (1 work) · Contemporary art (1 work) · Democracy (1 work)