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John Plotz

Biographic Data

ID3681371
NAMEJohn Plotz
GIVEN NAMESJohn
FAMILY NAMEPlotz
SIGNATUREPLOTZ J
AFFILIATIONSBrandeis University
ORCID0000-0002-5904-4046
VERIFIEDYes
TOTAL WORKS15
TOTAL CITATIONS4
WORKS AS AUTHOR15
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Operating at a Loss

    John Plotz, Plotz Plotz•ARTICLE•Victorian Studies•2020

    Robert Browning's "Beatrice Signorini" (1889) is a verse story about a love affair between two Baroque painters: Francesco Romanelli and Artemisia Gentileschi. The poem's drama comes from an art historian's falsehood that Romanelli and Gentileschi had been lovers and artistic collaborators and that Romanelli's wife Beatrice had taken revenge on his portrait of Artemisia. What makes this poem different from Browning's other dramatic monologues is …

  • Having It Both Ways with Erving Goffman

    Open Access•John Plotz•ARTICLE•Victorian Literature and Culture•2019•References: 7

    Historians of social science from Anthony Giddens forward have ably chronicled Erving Goffman's legacy. Goffman's resonant book titles alone hint at the Dickensian acuity of his social close-reading: The Presentation of Self in Everyday Life (1956), Behavior in Public Places (1963), Interaction Ritual (1967), Frame Analysis: An Essay on the Organization of Experience (1974), and Forms of Talk (1981). I envy newcomers the opportunity to read piece…

  • Science Fiction

    Open Access•John Plotz•ARTICLE•Victorian Literature and Culture•2018

    F OUR decades ago, Darko Suvin floated a scholarly approach to sci- ence fiction that largely still prevails, emphasizing the genre's reliance, stretching back beyond Jules Verne to Mary Shelley and beyond, on a technological "novum." 1 Suvin emphasized the capacity of science fiction to challenge

  • Semi-Detached

    John Plotz•BOOK•Semi-Detached•2017

  • Sarah Amato. Beastly Possessions

    John Plotz•ARTICLE•The American Historical Review•2017

    Sarah Amato’s first book, Beastly Possessions: Animals in Victorian Consumer Culture, is a tale of “Victorian social life told through an examination of human-animal relations” (3). The project was initially inspired by a diorama (by the amateur taxidermist Walter Potter) depicting a complete late-Victorian wedding—only with nearly identical tabby kittens playing every role. Gaining a full understanding of the affectionate and macabre impulses be…

  • Materiality in Theory

    John Plotz•CHAPTER•Oxford Handbook of Victorian…•2016

    The role that things, commodities, and ‘reification’ played in the writing of Marx and Dickens—as well as in the daily practice of nineteenth-century Britons—explains the Victorianist claim to intellectual priority when it comes to ‘thing theory’. Yet it is not easy to find helpful paradigms for explaining the distinctiveness of how Victorian thinkers make sense of the materiality of their habitus. Recent philosophical ‘object-centred’ approaches…

  • The Victorian Anthropocene

    Open Access•John Plotz•ARTICLE•Swamphen a Journal of Cultural…•2015

    There is an important 19th century turning-point in thinking about the Anthropocene. Vermont environmentalist George Marsh's 1864 Man and Nature: or, Physical Geography as Modified by Human Action is a seminal account of how the unintended consequences of human action give humans a previously unsuspected role to play in secular terrestrial change. The role that Darwinian 'natural materialism' played in shaping Marsh's insights is profound, and gr…

  • As If

    John Plotz, Plotz Plotz•ARTICLE•Victorian Studies•2013

    Reviewed by: As If: Modern Enchantment and the Literary Prehistory of Virtual Reality by Michael Saler John Plotz (bio) As If: Modern Enchantment and the Literary Prehistory of Virtual Reality, by Michael Saler; pp. x + 283. Oxford and New York: Oxford University Press, 2012, £60.00, £22.50 paper, $99.00, $27.95 paper. In As If, the intellectual historian Michael Saler explores the rise of complete fantasy worlds from the late Victorian period to…

  • The Empire Inside

    John Plotz•ARTICLE•Nineteenth Century Contexts•2012

  • The Semi-Detached Provincial Novel

    John Plotz, Plotz Plotz•ARTICLE•Victorian Studies•2011•Cited by: 1•References: 3

    John Plotz, The Semi-Detached Provincial Novel, Victorian Studies, Vol. 53, No. 3, Special Issue: Papers and Responses from the Eighth Annual Conference of the North American Victorian Studies Association (Spring 2011), pp. 405-416

  • Victorian Glassworlds

    John Plotz•ARTICLE•Victorian Studies•2009

  • Portable Property

    John Plotz•BOOK•Portable Property•2008

  • The First Strawberries in India

    John Plotz•ARTICLE•Victorian Studies•2007•References: 8

    This article examines a deep-seated Victorian preoccupation with the ways that portable property becomes the vector for the transplantation of national culture and individual identity. It argues that England's empire, the territory Charles Dilke labeled "Greater Britain," was the forcing bed from which cultural portability emerged as a new way of imagining self, community, and nation. A range of Anglo-Indian texts—among them Julia Maitland's Lett…

  • Pairing Empires

    Paul A Kramer, John Plotz•ARTICLE•Journal of Colonialism and…•2001

    Journal of Colonialism and Colonial History - Volume 2, Number 1, Spring 2001

  • Crowd Power

    John Plotz•ARTICLE•Representations•2000•Cited by: 3•References: 2

    Research Article| April 01 2000 Crowd Power: Chartism, Carlyle, and the Victorian Public Sphere John Plotz John Plotz Search for other works by this author on: This Site PubMed Google Scholar Representations (2000) 70: 87–114. https://doi.org/10.2307/2902894 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite …

  • Crowd Power

    John Plotz•ARTICLE•Representations•2000•Cited by: 3•References: 2

    Research Article| April 01 2000 Crowd Power: Chartism, Carlyle, and the Victorian Public Sphere John Plotz John Plotz Search for other works by this author on: This Site PubMed Google Scholar Representations (2000) 70: 87–114. https://doi.org/10.2307/2902894 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite …

  • The Semi-Detached Provincial Novel

    John Plotz, Plotz Plotz•ARTICLE•Victorian Studies•2011•Cited by: 1•References: 3

    John Plotz, The Semi-Detached Provincial Novel, Victorian Studies, Vol. 53, No. 3, Special Issue: Papers and Responses from the Eighth Annual Conference of the North American Victorian Studies Association (Spring 2011), pp. 405-416

  • Crowd Power

    John Plotz•ARTICLE•Representations•2000•Cited by: 3•References: 2

    Research Article| April 01 2000 Crowd Power: Chartism, Carlyle, and the Victorian Public Sphere John Plotz John Plotz Search for other works by this author on: This Site PubMed Google Scholar Representations (2000) 70: 87–114. https://doi.org/10.2307/2902894 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite …

  • Pairing Empires

    Paul A Kramer, John Plotz•ARTICLE•Journal of Colonialism and…•2001

    Journal of Colonialism and Colonial History - Volume 2, Number 1, Spring 2001

  • The First Strawberries in India

    John Plotz•ARTICLE•Victorian Studies•2007•References: 8

    This article examines a deep-seated Victorian preoccupation with the ways that portable property becomes the vector for the transplantation of national culture and individual identity. It argues that England's empire, the territory Charles Dilke labeled "Greater Britain," was the forcing bed from which cultural portability emerged as a new way of imagining self, community, and nation. A range of Anglo-Indian texts—among them Julia Maitland's Lett…

  • Portable Property

    John Plotz•BOOK•Portable Property•2008

  • Victorian Glassworlds

    John Plotz•ARTICLE•Victorian Studies•2009

  • The Semi-Detached Provincial Novel

    John Plotz, Plotz Plotz•ARTICLE•Victorian Studies•2011•Cited by: 1•References: 3

    John Plotz, The Semi-Detached Provincial Novel, Victorian Studies, Vol. 53, No. 3, Special Issue: Papers and Responses from the Eighth Annual Conference of the North American Victorian Studies Association (Spring 2011), pp. 405-416

  • The Empire Inside

    John Plotz•ARTICLE•Nineteenth Century Contexts•2012

  • As If

    John Plotz, Plotz Plotz•ARTICLE•Victorian Studies•2013

    Reviewed by: As If: Modern Enchantment and the Literary Prehistory of Virtual Reality by Michael Saler John Plotz (bio) As If: Modern Enchantment and the Literary Prehistory of Virtual Reality, by Michael Saler; pp. x + 283. Oxford and New York: Oxford University Press, 2012, £60.00, £22.50 paper, $99.00, $27.95 paper. In As If, the intellectual historian Michael Saler explores the rise of complete fantasy worlds from the late Victorian period to…

  • The Victorian Anthropocene

    Open Access•John Plotz•ARTICLE•Swamphen a Journal of Cultural…•2015

    There is an important 19th century turning-point in thinking about the Anthropocene. Vermont environmentalist George Marsh's 1864 Man and Nature: or, Physical Geography as Modified by Human Action is a seminal account of how the unintended consequences of human action give humans a previously unsuspected role to play in secular terrestrial change. The role that Darwinian 'natural materialism' played in shaping Marsh's insights is profound, and gr…

  • Materiality in Theory

    John Plotz•CHAPTER•Oxford Handbook of Victorian…•2016

    The role that things, commodities, and ‘reification’ played in the writing of Marx and Dickens—as well as in the daily practice of nineteenth-century Britons—explains the Victorianist claim to intellectual priority when it comes to ‘thing theory’. Yet it is not easy to find helpful paradigms for explaining the distinctiveness of how Victorian thinkers make sense of the materiality of their habitus. Recent philosophical ‘object-centred’ approaches…

  • Semi-Detached

    John Plotz•BOOK•Semi-Detached•2017

  • Sarah Amato. Beastly Possessions

    John Plotz•ARTICLE•The American Historical Review•2017

    Sarah Amato’s first book, Beastly Possessions: Animals in Victorian Consumer Culture, is a tale of “Victorian social life told through an examination of human-animal relations” (3). The project was initially inspired by a diorama (by the amateur taxidermist Walter Potter) depicting a complete late-Victorian wedding—only with nearly identical tabby kittens playing every role. Gaining a full understanding of the affectionate and macabre impulses be…

  • Science Fiction

    Open Access•John Plotz•ARTICLE•Victorian Literature and Culture•2018

    F OUR decades ago, Darko Suvin floated a scholarly approach to sci- ence fiction that largely still prevails, emphasizing the genre's reliance, stretching back beyond Jules Verne to Mary Shelley and beyond, on a technological "novum." 1 Suvin emphasized the capacity of science fiction to challenge

  • Having It Both Ways with Erving Goffman

    Open Access•John Plotz•ARTICLE•Victorian Literature and Culture•2019•References: 7

    Historians of social science from Anthony Giddens forward have ably chronicled Erving Goffman's legacy. Goffman's resonant book titles alone hint at the Dickensian acuity of his social close-reading: The Presentation of Self in Everyday Life (1956), Behavior in Public Places (1963), Interaction Ritual (1967), Frame Analysis: An Essay on the Organization of Experience (1974), and Forms of Talk (1981). I envy newcomers the opportunity to read piece…

  • Operating at a Loss

    John Plotz, Plotz Plotz•ARTICLE•Victorian Studies•2020

    Robert Browning's "Beatrice Signorini" (1889) is a verse story about a love affair between two Baroque painters: Francesco Romanelli and Artemisia Gentileschi. The poem's drama comes from an art historian's falsehood that Romanelli and Gentileschi had been lovers and artistic collaborators and that Romanelli's wife Beatrice had taken revenge on his portrait of Artemisia. What makes this poem different from Browning's other dramatic monologues is …

History (9 works) · Art (8 works) · Sociology (6 works) · Law (5 works) · Philosophy (5 works) · Computer Science (4 works) · History (4 works) · Literature (4 works) · Media studies (4 works) · Political science (4 works)

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